Box Office Drop! Marty Supreme (2025) with HungryRye

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Track 1: Hello and welcome to Left of the Projector. I'm your host, Evan,

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Track 1: back again with another film discussion from the left.

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Track 1: Wherever you're listening, give us a rating and subscribe so you'll be notified

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Track 1: of our weekly episodes that drop every Tuesday. And now on to the show.

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Track 1: This week on Left of the Projector, we are coming at you with a box office drop,

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Track 1: fresh and in the theaters now.

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Track 1: We'll be discussing the Josh Safdie film, Marty Supreme. It stars,

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Track 1: of course, young Timothee Chalamet, Gwyneth Paltrow, Odessa Zion,

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Track 1: Kevin O'Leary, Abel Ferrara, Fran Drescher, and others.

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Track 1: With me to discuss i don't have the other hosts of left of the director but

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Track 1: i do have friend of the show i don't know why i why i stopped i was like you can call.

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Track 2: Me mariah is.

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Track 1: I know that that's that's what that's where i was like uh that's like.

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Track 2: Am i doxing you.

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Track 1: No i.

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Track 2: I'm mariah i am a non-fiction uh like left-wing book talker i guess and then

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Track 2: i also am the co-host of literary liberation podcast,

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Track 2: where me and my other co-host, Kristen, we do Marxist literary criticism of

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Track 2: different popular books that you see online, all fiction done through a Marxist lens.

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Track 2: And it all started here. So it's always fun coming back to my roots.

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Track 1: Yes, you can go back and listen to our many episodes together,

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Track 1: probably most well-known, or I

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Track 1: guess originally from our Lord of the Rings series going back a while now.

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Track 1: But this is the complete opposite of those films.

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Track 1: And I think, I don't even remember, I think you had gone to see it,

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Track 1: and I knew I wanted to see this while I was still in the theater.

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Track 1: And I have lots of thoughts, but I'm curious, this will be spoilers for the

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Track 1: film, as these episodes are.

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Track 1: But I'm curious when you, like, what were your expectations of this?

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Track 1: Mine were just like, it's fast paced, crazy, like, you know,

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Track 1: uncut gems, but the guy plays table tennis instead. And that was like the only thing I knew.

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Track 2: I didn't know what to expect going, right? It's a ping pong movie.

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Track 2: It's a ping pong movie. I was like, okay, like, I thought it was gonna be like

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Track 2: an interesting, like, biopic or something on like an individual and it's like

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Track 2: action and it's comedic and it's very tense.

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Track 2: And you're following like one of the most unlikable, terrible main characters

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Track 2: that you can watch. And then as soon as I finished it, I was like,

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Track 2: oh, my God, this is another this is a boy movie.

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Track 2: This is a movie that men are going to misunderstand.

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Track 2: Sorry, men like American Psycho and Fight Club.

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Track 2: I do think there's like a robust analysis you can have. I just haven't seen anyone give it yet.

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Track 2: And I did see somebody on TikTok saying, like, you guys are too woke to be enjoying Marty Supreme.

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Track 2: It's like, oh, that's not how like critical thinking and analysis works. I'm sorry.

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Track 1: And spoiler you can listen to us discuss both of

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Track 1: the movies you just mentioned american psycho and fight club if

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Track 1: you so chose to ironically little

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Track 1: plug yeah well and then we also did joker it's

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Track 1: like we're just here to do the the the films that are

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Track 1: viewed as cool dude bro movies and as like an aside when i went to see this

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Track 1: the first two rows of the theater were all like 20 to 25 year old men and then

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Track 1: like that it was mixed beyond that but it was yeah it was all these young dudes

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Track 1: and going in there to see and so the first thing that i was actually thinking about,

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Track 1: so timothy chalamet plays the main character in

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Track 1: this and i was thinking about the

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Track 1: idea of like the the alpha male sort

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Track 1: of you know uh kind of character and

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Track 1: he sort of like subverts that by being sort of

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Track 1: this sort of lanky you know kind of thin white

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Track 1: dude i mean granted it's a ping pong player or table tennis as he likes to say

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Track 1: so i don't know if that maybe they like who else could you get to play but like

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Track 1: do you think there's anything to having him be the like the the face of this

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Track 1: movie as you know scrawny guy.

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Track 2: I feel like with Dune that really launched his career trajectory and people

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Track 2: are I guess men are probably going to start realizing that he bagged like Kylie Jenner.

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Track 2: Like he you don't have to be like this idea that men have concocted like super juiced up,

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Track 2: you know, like big buff man who's doing like a blue collar job to get like the

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Track 2: dream girl, which is interesting because in this, though, like his whole character.

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Track 2: Is he has almost like the incel mentality he's very individualistic um he says

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Track 2: incredibly like hurtful and problematic things he doesn't give a fuck about

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Track 2: anybody around him he is like the character without like necessarily looking

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Track 2: like he dresses sharp he dresses sharp um but it's all kind of like.

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Track 1: A disguise yeah the it's

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Track 1: interesting one of the things that josh safty so for people who

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Track 1: know like his previous films are mostly with his brother but the

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Track 1: he kind of branched out doing them solo now he said

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Track 1: that the film is about rugged individualism in

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Track 1: sort of the post-war era and it's

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Track 1: sort of interesting how we can talk about the war aspect but

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Track 1: it's interesting because we see like the cost of being this rugged individual

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Track 1: and how lonely he was despite like his his bravado he's just a lonely person

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Track 1: and i i think in my mind that safty was making this film,

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Track 1: as a critique of these things which again people will miss and be like oh he promotes these things.

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Track 2: Yeah this was a really interesting point in history right like we're having

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Track 2: like the end of like the Truman presidency leading into the Eisenhower presidency.

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Track 2: Like this happens all after like World War II.

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Track 2: And President like Dwight D. Eisenhower is like what kicked off like the Red Scare and McCarthyism.

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Track 2: And I mean, he changed the Pledge of Allegiance under his administration to

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Track 2: like combat like the state atheist that is the USSR.

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Track 2: And I thought what was interesting in here is you do get like this almost throwaway

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Track 2: line from Timothee Chalamet's character,

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Track 2: Marty, where he's talking about world war ii and he's like well didn't the soviets

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Track 2: win world war ii when he's talking to what would i would consider like the rockefeller

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Track 2: like the guy from i can't remember what his character's name but it was an interesting

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Track 2: line because i was not expecting that and it was at that moment specifically

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Track 2: when i was like evan needs to review this yeah.

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Track 1: Yeah i heard that line too and like i that was one of the few things i got into

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Track 1: my phone as i'm leaving the theater i I think, yeah, the guy,

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Track 1: Kevin O'Leary, he plays Milton Rockwell, who's sort of the head of Rockwell pens.

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Track 1: Like that's his sort of, and I think it's kind of funny that he got that guy

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Track 1: to play him too. It was like this rich Zionist douchebag, you know.

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Track 1: But yeah yeah perfect.

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Track 2: Character perfect character to be an awful like they're all awful they're all

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Track 2: awful in their own little special ways but it's so like delectably awful that

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Track 2: i can't look away it's like a train wreck and it's beautifully executed.

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Track 1: Yeah and what the other thing about that he's so there's a there is an interview

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Track 1: with uh safty where he was talking about you know the using the war aspect and

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Track 1: he said um i think the victory of the second world war set aflame the idea of

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Track 1: the American dream, that an individual can change the world.

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Track 1: You can be anyone from anywhere, find glory, and there's a reason to your existence.

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Track 1: And then in the 80s, he goes on to say how Reagan tried to resurrect this idea

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Track 1: of the American dream, but at that point, it didn't exist anymore.

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Track 1: And so it seems like Marty is sort of fighting against the clock of,

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Track 1: or the concept that you could actually,

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Track 1: achieve the american dream and then you have this guy this rich ballpoint pen

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Track 1: you know conglomerate guy who has achieved that you know and it's he wants to

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Track 1: be him but he wants to do it himself like i don't know i don't know what i'm getting at.

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Track 2: No you're like perfectly like encapsulating like

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Track 2: the myth of the meritocracy like that's what this is showcasing because

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Track 2: through this yeah like yeah technically marty succeeds but it's

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Track 2: like at what cost like there is a cost here

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Track 2: there is like a human cost right we have lives that are

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Track 2: being lost um like his hustling

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Track 2: and bustling and just like his relationships with the people around him and

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Track 2: how he treats other people like he's willing to do anything to achieve like

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Track 2: the american exceptionalist idea of like i can make it in the world but he's

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Track 2: also not like money driven it's purely ego because he needs to be the best.

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Track 1: Completely ego and so as to give like a very like sketching of the plot if you

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Track 1: haven't seen it i It takes place in 1952 initially.

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Track 1: He works as a shoe salesman in his uncle's shop.

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Track 1: And he's doing this simply just to make enough money to go to London for one

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Track 1: of the big championships for ping pong or table tennis, whatever.

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Track 1: I'll say whichever one. And it kind of everything he does is sort of like very scam.

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Track 1: It reminds me in some ways, again, of like his previous film,

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Track 1: Uncut Gems, where he's frantically doing anything he can do,

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Track 1: you know, hustling people in ping pong, you know, stealing from people,

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Track 1: you know, lying to people.

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Track 1: Uh you know he holds his you know his uh

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Track 1: the other employee at the shoe depart the shoe store like at

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Track 1: gunpoint for the money that he's owed and then later gets you know

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Track 1: a cop paid to you know harass him and

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Track 1: threaten him about it and it's he's just he is insane and i don't know i thought

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Track 1: just i mean i'm not a big timothy chalamet fan in full disclosure this movie

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Track 1: might have slightly changed my mind because he's just so good in it not that

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Track 1: he's not good in other movies He really did.

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Track 2: No, like he, I don't know much about him outside of like what I see in like,

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Track 2: like social media like i know what is it um e

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Track 2: what was this the song do you

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Track 2: know what i'm talking about like they thought that he was a rapper it's

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Track 2: like ed boy i think is like who they thought it was

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Track 2: timothy chalamet and then timothy chalamet used it as a means of

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Track 2: like promoting marty supreme and he's

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Track 2: also done like the timothy chalamet lookalike content like he's

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Track 2: always he's very online i think he's really good at marketing the things that

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Track 2: he's doing and that's like why he's so like locked in i guess with the youth

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Track 2: is he's just he's a term he has to be there's no other way around it like this

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Track 2: man when he's not like filming is probably just sitting there scrolling and

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Track 2: it's working it's working so well it's.

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Track 1: Almost like he i want to say like he's hustling in real life like in this film

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Track 1: but in a way he sort of is i mean he pretty like jetted to being a superstar in not a very long time.

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Track 1: Like, I mean, you know, I guess that's how any of these actors get to where

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Track 1: they are, but it's... Oh, and I think the song you're thinking of is Easy to

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Track 1: Kid or Easy something. Is that the one? Okay.

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Track 1: It just came to me. I was like, Easy.

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Track 2: Kid.

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Track 1: But yeah, I mean, the... What was the other... The other thing I...

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Track 1: The other question I was thinking about in this is...

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Track 1: The opening of the film is he is sort of sleeping with his childhood friend

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Track 1: who lives in the same building and is also married to an abusive man and gets her pregnant.

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Track 1: And then sort of the film spoiler ends where she gives birth and he sort of

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Track 1: takes ownership of some sense of his life.

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Track 1: What do you make of his, this is maybe too early to say this,

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Track 1: his trajectory in the film where he starts off as just trying to be the best,

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Track 1: thinks he's going to make it big.

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Track 1: He doesn't really take the opportunity he has several times throughout the film.

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Track 1: And ends up the only thing he ends up with is

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Track 1: a meaningless in real life victory against the japanese ping pong player like

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Track 1: the greatest ping pong player in the world at the moment and sort of gives that

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Track 1: up to sort of maybe have a family like is it a redemption or is it you know

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Track 1: actually we're not meant to view him as like being redeemed i guess.

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Track 2: I feel it almost feels satirical mainly because like the film starts with the

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Track 2: kind of um look who's talking style,

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Track 2: with this like the sperm traveling to the egg and then at the very end he's

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Track 2: like okay he's done all these things he's like cured his ego he's gonna be the

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Track 2: family man now and it ends with just like,

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Track 2: perpetual baby crying and i i cannot

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Track 2: let that be i that has

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Track 2: to be intentional that has to be like there's no way that it

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Track 2: ends there for them like he's just magically transformed after this

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Track 2: trip and he's had some actualization and ego death after his ping pong journey

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Track 2: um but i i think it's satirical i don't think he actually has changed i think

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Track 2: it's meant to like poke fun because that's like what people would have wanted

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Track 2: is that he had this transformation and he's just he's not he's still a piece

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Track 2: of shit through and through to the very end yeah.

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Track 1: Yeah i mean and i I think that the actor, or not the actor, the guy who plays the...

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Track 1: The rock well kevin o'leary i think he actually said

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Track 1: in some interviews that he wished that it he thought

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Track 1: it ended too quote-unquote happy he thought

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Track 1: it like he deserved to just sort of not be even

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Track 1: even the sniffing of like redemption like if you were to read it and like it's

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Track 1: kind of a happy ending like he comes home when he's with the you know the woman

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Track 1: he maybe loves or like he said he's loved you know who knows he kind of seems

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Track 1: to only love himself so i mean i I feel like it could have been even more pointed if it was that way.

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Track 1: Like he, you know, is stuck in Japan or something.

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Track 1: I don't know. Like has to work in a kitchen and like, he, I don't know. Less Hollywood.

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Track 2: It did kind of like give that like where I, I went on 4chan.

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Track 2: That was like the place I was looking for stuff for Marty Supreme.

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Track 2: It was like, what are, what are the people of 4chan saying?

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Track 2: And they were talking about that interview and they're like,

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Track 2: man, he is a piece of shit, a piece of shit, just like in the movie for suggesting

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Track 2: that, um, that Rachel should have died. I think it was what he wanted.

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Track 2: He was like, you should, you should just kill her off.

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Track 2: Which is kind of crazy that he was like, no, this would be better.

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Track 1: Yeah. I, yeah. And that's, I don't know. I'm fine with the way it ended.

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Track 1: And like in sandwich, like in between all that, I mentioned,

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Track 1: like we sort of talked about the Japanese thing.

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Track 1: But what I think is interesting about the Jap Japan plot, where sort of the,

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Track 1: it's based on like, again, like it's loosely based on, you know, real, real people.

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Track 1: But he loses to the Japanese player with this sort of new fancy paddle.

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Track 1: And it had a crazy name.

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Track 1: It was called the... Oh, fuck.

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Track 1: Man, it has a crazy name. Damn it.

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Track 1: The paddle that they invented oh it's called the atomic paddle which is pretty insane and especially.

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Track 2: Like when it came out like to call it the atomic pad like i know i was watching

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Track 2: like a history of table like i was very invested after this like learning about

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Track 2: table tennis and the history but like that paddle did completely change the game.

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Track 1: Yeah and it is it's interesting so well i guess what i was getting to is so

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Track 1: the the the japanese have sort of lost world war ii i think 1952 is the same year that the U.S.

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Track 1: Leaves Japan completely or mostly post-World War II and their punishment for

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Track 1: all their crimes they committed,

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Track 1: which sort of leaves and ignores the crimes that America committed by dropping two bombs on them.

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Track 1: Um but it it's it felt like japan needed

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Track 1: some sort of person or victory

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Track 1: to point to because they were still sort of

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Track 1: hanging their heads in shame from the loss of world war

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Track 1: ii and they're sort of like pinning it on this poor like ping pong player you

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Track 1: know uh out of as they're coming out of like isolation from like the thing so

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Track 1: it's an interesting storytelling device that fits well with sort of the historical moment.

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Track 2: Yeah because like what

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Track 2: we have like he's just like this hometown hero um

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Track 2: like is his name's koto sato

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Track 2: yes i'm trying to remember how to

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Track 2: say his name um throughout and like he everybody loves him they love him and

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Track 2: it's just like this american that comes in and just like fucks everything up

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Track 2: he's like like he's so driven by ego and it's like wow that's literally what

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Track 2: America did too though like they went and and then after World War II they like

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Track 2: made Japan become the way it is.

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Track 2: Which is so interesting because the Japanese prime minister now is a woman who's a fascist.

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Track 2: Am I remembering that correctly? You can cut that out if I'm incorrect.

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Track 2: But I'm pretty sure it was like a big thing that the girl bosses were like,

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Track 2: oh, she's a girl president, prime minister.

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Track 2: And she's actually about as bad as Trump with how she views like immigrants,

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Track 2: like Chinese immigrants and whatnot. I cannot remember her name.

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Track 1: Yeah, I know you're talking. I can't think of her name either. uh

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Track 1: and like what's also interesting about japan that at that

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Track 1: time too is it was this was before you know

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Track 1: japan became this like global leader in like

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Track 1: technology and all this but companies weren't really able to american companies

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Track 1: weren't able to really invest so much in japan at the time from my understanding

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Track 1: and this was the sort of uh you know the real post-world ritual like globalism

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Track 1: I hate kind of I kind of hate that word,

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Track 1: but like the idea that this global thing and sort of they instead of using corporations

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Track 1: and everything, they used a pen company and like ping pong to show like the

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Track 1: spread of things across the world. I don't know.

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Track 2: Yeah, there was a massive like power vacuum after World War II and it kind of

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Track 2: became consolidated between like the rise of communism,

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Track 2: which was a very fair competitor to what we were having with like the American

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Track 2: like Western capitalism, which would include like England and stuff.

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Track 2: Um this movie does a really good job of like making this very abundantly clear

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Track 2: and i'm just curious because i haven't been seeing it in any of the reviews

Speaker: 00:18:52

Track 2: if anybody else has made these connections maybe you're not like as locked in

Speaker: 00:18:56

Track 2: but there is something here worthwhile to discuss and i don't know if it was their intention.

Speaker: 00:19:00

Track 1: Um yeah but well there

Speaker: 00:19:04

Track 1: was an interview with staff where he did go into

Speaker: 00:19:07

Track 1: some of like it was uh they they actually focus a

Speaker: 00:19:10

Track 1: lot about you know what would the film been like or could

Speaker: 00:19:13

Track 1: you have the same film if like the marty wasn't sort

Speaker: 00:19:16

Track 1: of this eccentric frantic jewish character

Speaker: 00:19:19

Track 1: which i don't necessarily want to go down that kind

Speaker: 00:19:22

Track 1: of that path but one of the things he does ask him about is later in the film

Speaker: 00:19:27

Track 1: uh the the like the pen owner uh rockwell calls himself a vampire which i thought

Speaker: 00:19:34

Track 1: was like a very significant term I'm immediately thinking of Marx and capitalists,

Speaker: 00:19:40

Track 1: and they asked Afty about it, and apparently he ad-libbed that line.

Speaker: 00:19:44

Track 1: It wasn't in the script, which is super interesting, the kind of call yourself a vampire.

Speaker: 00:19:48

Track 1: And i think it's like the perfect term to he says it's a cold corporate capitalist,

Speaker: 00:19:57

Track 1: colonialist and that they'll be around forever i don't see

Speaker: 00:19:59

Track 1: them going anywhere and that's what and that there is an art to what they do

Speaker: 00:20:03

Track 1: obviously a lot of destruction but also sometimes beauty that's what safi said

Speaker: 00:20:07

Track 1: about that line and i don't know like that seems very poignant in relation to

Speaker: 00:20:14

Track 1: the Japan angle and the corporate structure and everything.

Speaker: 00:20:18

Track 1: Like, I feel like no one is really asking or talking about this either.

Speaker: 00:20:23

Track 2: This is why we need more podcasts like this popping up. When we're talking about

Speaker: 00:20:26

Track 2: we need more the Hassan Pikers, we need more of this, more discussion surrounding this.

Speaker: 00:20:32

Track 2: Because we need it. We need it so bad because people are consuming this uncritically,

Speaker: 00:20:37

Track 2: And they're not extracting this. They're very focused on whether or not like

Speaker: 00:20:40

Track 2: Marty as a individual is a good or bad person.

Speaker: 00:20:43

Track 2: I've seen a lot of people kind of like moralizing it. yes i was

Speaker: 00:20:47

Track 2: watching i was like yeah like that is a big theme obviously um

Speaker: 00:20:50

Track 2: but there's so much other stuff happening in the

Speaker: 00:20:53

Track 2: background that is like motivating the plot and it's not just him being like

Speaker: 00:20:56

Track 2: morally good or morally bad it's the social conditions that have driven him

Speaker: 00:21:00

Track 2: because it makes you think like okay table tennis was on the rise and i was

Speaker: 00:21:05

Track 2: thinking and i've been thinking about this for a long time is like the idea

Speaker: 00:21:07

Track 2: of like the olympics right uh i can't it was like 10 years ago where they were saying on average,

Speaker: 00:21:12

Track 2: it costs like $250,000 for somebody to become like an Olympian with the amount

Speaker: 00:21:17

Track 2: of training, the amount of time.

Speaker: 00:21:18

Track 2: And I was like, the average like working class individual is not going to have

Speaker: 00:21:22

Track 2: that type of capital to invest in there.

Speaker: 00:21:24

Track 2: So I was thinking like, God, there's so much lost talent in the working class

Speaker: 00:21:28

Track 2: because of our inability to like free ourselves from our change.

Speaker: 00:21:32

Track 2: Like we'll never actually know who is the fastest person on the planet because

Speaker: 00:21:36

Track 2: they weren't even ever given the chance.

Speaker: 00:21:38

Track 2: And I feel like Marty does a really good job because table tennis was kind of

Speaker: 00:21:41

Track 2: like the game of the working class that was coming up i think one of the videos

Speaker: 00:21:47

Track 2: i was watching on a breakdown was saying that um table tennis is like the second

Speaker: 00:21:50

Track 2: most played game in the world next to soccer.

Speaker: 00:21:53

Track 1: That doesn't surprise me i mean like they show like

Speaker: 00:21:56

Track 1: the the scenes where marty is at that ping pong club like

Speaker: 00:21:59

Track 1: in in new york city like was actually based on

Speaker: 00:22:02

Track 1: that that place really existed and they rebuilt it

Speaker: 00:22:05

Track 1: based on the blueprints of the building because

Speaker: 00:22:08

Track 1: it had been destroyed so it didn't exist anymore and they recreated it

Speaker: 00:22:11

Track 1: and so there were a lot of ping pong halls all across new york and i suspect

Speaker: 00:22:15

Track 1: in other countries and other places too because again you don't need very much

Speaker: 00:22:20

Track 1: you need a table and two paddles and a ball like it doesn't you could play outside

Speaker: 00:22:24

Track 1: you can play anywhere it's sort of it seems like a very working class yeah

Speaker: 00:22:29

Track 1: That like bowling, I think of like bowling and ping pong is like the working class sports.

Speaker: 00:22:34

Track 2: Yeah, I think the new and up and coming one is like pickleball.

Speaker: 00:22:37

Track 2: I don't know if that's how it is on the East Coast, on the West Coast.

Speaker: 00:22:41

Track 2: Pickleball is huge, but it's a really nice way of revitalizing like these tennis

Speaker: 00:22:46

Track 2: courts that have been absolutely obsolete.

Speaker: 00:22:48

Track 2: So now we're having pickleball, which is a much easier way of playing.

Speaker: 00:22:51

Track 2: And there's so many people out in the community talking to each other.

Speaker: 00:22:55

Track 2: They're making clubs. It's wonderful.

Speaker: 00:22:57

Track 2: So I feel like pickleball is the new table tennis.

Speaker: 00:23:00

Track 1: Yeah. But I don't know.

Speaker: 00:23:02

Track 2: That's a hot take.

Speaker: 00:23:03

Track 1: You're just standing on the court, right?

Speaker: 00:23:06

Track 2: You don't have to go. Like, yes, you have to move fast, but it's not nearly

Speaker: 00:23:09

Track 2: to like this skill and practice you need for tennis.

Speaker: 00:23:12

Track 1: You see them like running around. Like if you actually watch professional table

Speaker: 00:23:16

Track 1: tennis, you know, videos from now, they're like dripping in sweat. Sometimes.

Speaker: 00:23:20

Track 1: So it's funny. All of a sudden, I've been getting a lot of them on my Instagram

Speaker: 00:23:22

Track 1: algorithm because I've been looking at things about this movie.

Speaker: 00:23:25

Track 1: I'm like, okay, I guess I'm going to be in the ping pong, uh, sphere from now on.

Speaker: 00:23:30

Track 1: But like, so going back to the things that like people are talking about,

Speaker: 00:23:34

Track 1: I found an article, it's in the independent.

Speaker: 00:23:36

Track 1: It says how Timothy Chalamet and Marty Supreme is clapping back at the toxic men of the internet.

Speaker: 00:23:44

Track 1: And it goes into like some of the question I was saying before is like,

Speaker: 00:23:47

Track 1: you know, his body type sort of different than what we have.

Speaker: 00:23:50

Track 1: And in the article it, uh, I wouldn't find it cause it's, I just thought it was ridiculous. was.

Speaker: 00:23:56

Track 1: Where is it oh yeah so they they interview or like have

Speaker: 00:23:59

Track 1: some quotes from some professor at nyu who wrote

Speaker: 00:24:02

Track 1: a book on notes on being a man and he

Speaker: 00:24:05

Track 1: says that uh young men are inherently social creatures motivated

Speaker: 00:24:08

Track 1: by success money and sexual attraction all instincts he believes have been unfairly

Speaker: 00:24:13

Track 1: demonized and he's basically saying like men have you know um they saying that

Speaker: 00:24:21

Track 1: encouraging boys he could not

Speaker: 00:24:23

Track 1: even men to venture into the real world take risks have fun protect others,

Speaker: 00:24:26

Track 1: especially the less powerful and be proud of who they really are and that he

Speaker: 00:24:30

Track 1: says there's no such thing as toxic masculinity it's the emperor of all oxymorons

Speaker: 00:24:34

Track 1: and he goes on all this thing like if you say that you're actually just anti-men.

Speaker: 00:24:45

Track 2: I think this is evan's debut as a misandrist this

Speaker: 00:24:48

Track 2: is incoming hot off the press um that's

Speaker: 00:24:51

Track 2: fucking stupid i'm gonna be honest that is really stupid yeah like

Speaker: 00:24:54

Track 2: okay yeah no shit we know but it's like the

Speaker: 00:24:57

Track 2: chauvinism of like why you're doing these things it's not just doing them for

Speaker: 00:25:01

Track 2: the sake of doing them it's doing them because you're told to or like behave

Speaker: 00:25:04

Track 2: and only you have a certain scope of emotions obviously that's what it means

Speaker: 00:25:08

Track 2: whoever that was is being intentionally obtuse and i'll go meet them outside

Speaker: 00:25:13

Track 2: if they really want to talk i'll speak your language and.

Speaker: 00:25:16

Track 1: To be like oh like they they are motivated by success money

Speaker: 00:25:19

Track 1: and sexual attraction like that is literally because of the patriarchy and the

Speaker: 00:25:23

Track 1: fact that like you are you are encouraged by articles and books by this guy

Speaker: 00:25:30

Track 1: saying that you should do this and that's what we need to do so you should just

Speaker: 00:25:33

Track 1: do it he's essentially encouraging toxic masculinity rather than.

Speaker: 00:25:38

Track 2: Yeah because it's like what does success mean

Speaker: 00:25:41

Track 2: like well how what is that measured in what is

Speaker: 00:25:44

Track 2: the metric is it climbing the corporate ladder to

Speaker: 00:25:47

Track 2: become part of the oppressing class does that make you successful

Speaker: 00:25:50

Track 2: or is it being like a father and being

Speaker: 00:25:53

Track 2: sure that you're there like there's a lot of different ways you could measure

Speaker: 00:25:56

Track 2: success however i feel like he's playing into the more traditional round of

Speaker: 00:26:00

Track 2: just like you need to make a lot of money so that you can pay for everything

Speaker: 00:26:03

Track 2: and then you can have a stay-at-home wife who's going to be like your like servant

Speaker: 00:26:08

Track 2: that's like what it sounds like to me but.

Speaker: 00:26:11

Track 1: I don't really i don't understand is is the point of this article trying to

Speaker: 00:26:14

Track 1: say that that timothy chalamet is,

Speaker: 00:26:18

Track 1: clapping back at this i mean is it just simply because of

Speaker: 00:26:21

Track 1: like sort of what he looks like and he's like going for it i

Speaker: 00:26:24

Track 1: mean to me this is just saying sort of the

Speaker: 00:26:27

Track 1: the thing that we were both saying before we even recorded this

Speaker: 00:26:30

Track 1: was the film is going to be interpreted as like you have this is this is like

Speaker: 00:26:35

Track 1: what men should do and it's not toxic and it's just normal like maybe don't

Speaker: 00:26:38

Track 1: be as big of a piece of shit as him but you should still do it anyway and the

Speaker: 00:26:43

Track 1: message that people should get is actually this is very bad you should not be like marty in any way.

Speaker: 00:26:49

Track 2: I feel like people are gonna have a lot of takeaways that he um

Speaker: 00:26:52

Track 2: like marty's driven by a lot of conviction like

Speaker: 00:26:55

Track 2: he is dedicated to something and he's determined

Speaker: 00:26:58

Track 2: to he knows he's the best and i

Speaker: 00:27:01

Track 2: don't think there's anything inherently wrong with that like if you know you

Speaker: 00:27:04

Track 2: have a skill and you're honing in on that skill absolutely um

Speaker: 00:27:08

Track 2: like pursue it but like there

Speaker: 00:27:11

Track 2: there is cost like if it's sacrificing your relationship

Speaker: 00:27:14

Track 2: um with like your parents or the people in

Speaker: 00:27:17

Track 2: your community that are actually like helping you uplifting you

Speaker: 00:27:20

Track 2: like the way he's scamming his friend uh like

Speaker: 00:27:23

Track 2: the new ping pong balls and you can kind of see like how

Speaker: 00:27:26

Track 2: he talks to people like one of the opening scenes where

Speaker: 00:27:29

Track 2: he's like i you need to not wear a white shirt because i can't see

Speaker: 00:27:32

Track 2: it and it's like it sounds like a skill issue my friend

Speaker: 00:27:36

Track 2: and i feel like you could sub in like this because of

Speaker: 00:27:39

Track 2: the way that they talk about it um you could if marty

Speaker: 00:27:42

Track 2: supreme was set today it would be like some sort of like video gaming

Speaker: 00:27:45

Track 2: competition like stuff that like the general public doesn't really understand

Speaker: 00:27:49

Track 2: i think in the early 2000s it would have been like a wow thing like you could

Speaker: 00:27:52

Track 2: have definitely like substitute his character and his decisions and like had

Speaker: 00:27:56

Track 2: him do something that wasn't like part of the status quo but it was considered

Speaker: 00:27:59

Track 2: like competitive and i think it would fit and then it Like,

Speaker: 00:28:03

Track 2: all you have to do is recontextualize it, and then it just makes more sense.

Speaker: 00:28:06

Track 1: Do you know the movie The Wiz? Have you ever seen that?

Speaker: 00:28:09

Track 2: I don't think so.

Speaker: 00:28:10

Track 1: It's from the early...

Speaker: 00:28:13

Track 1: Maybe it's not the wizard maybe it's the wizard it's a video game movie from

Speaker: 00:28:17

Track 1: the early 90s with um god what is his name a fred savage and uh it's actually

Speaker: 00:28:24

Track 1: also um jenny uh fuck um jenny lewis is actually in it back when she was acting

Speaker: 00:28:30

Track 1: and it's like he goes on a like a,

Speaker: 00:28:33

Track 1: trek across the country to go to a video game nintendo competition and like

Speaker: 00:28:38

Track 1: that was sort of like it was basically an advertisement for nintendo if we're

Speaker: 00:28:41

Track 1: if we're being honest but Like, imagine if that were now, or like you were saying,

Speaker: 00:28:45

Track 1: a video game thing. Like, I think that would be pretty interesting.

Speaker: 00:28:48

Track 1: And, you know, a world that no one understands. Whereas, like,

Speaker: 00:28:52

Track 1: this too, no one understands the world of ping pong.

Speaker: 00:28:54

Track 1: You know, and, like, this kind of drew, I don't know, like, will ping pong be

Speaker: 00:28:59

Track 1: more popular now all of a sudden? I don't know.

Speaker: 00:29:02

Track 2: I do. I think it was a ploy. I think it's a ploy to get people to play ping

Speaker: 00:29:07

Track 2: pong, which I don't see anything wrong with. Like I have been itching to have

Speaker: 00:29:11

Track 2: a table tennis thing in like my garage. I think that'd be great.

Speaker: 00:29:14

Track 2: Or like to go to like the different community centers, if they start having

Speaker: 00:29:17

Track 2: table tennis again, I think that would be so fun.

Speaker: 00:29:20

Track 2: Cause I was too young when it was starting to get phased out.

Speaker: 00:29:23

Track 2: Like I remember my parents, friends having them in their garage,

Speaker: 00:29:25

Track 2: but like not understanding how to play it when you're like five years old.

Speaker: 00:29:30

Track 1: Yeah.

Speaker: 00:29:30

Track 2: It's hard. It's hard to pick up and understand. Um, so I think it would be fun and cool.

Speaker: 00:29:35

Track 2: I can imagine like supreme and these

Speaker: 00:29:38

Track 2: different like big brands like hopping on it because i think uh supreme did

Speaker: 00:29:42

Track 2: drop like ping pong balls or something of course yeah so there's gonna be like

Speaker: 00:29:45

Track 2: more name brand things yeah i'm sure that's the boo boo boo that's marty supreme

Speaker: 00:29:52

Track 2: x la boo boo um i think i don't know either the aesthetics of it are going to pick up or maybe,

Speaker: 00:29:58

Track 2: We might have some opening. I don't know. I would love to see what's going to

Speaker: 00:30:02

Track 2: happen in the immediate future, because that was another thing.

Speaker: 00:30:04

Track 2: Like, right after I got out, I was like, oh, my God, this is going to be a trend.

Speaker: 00:30:07

Track 1: Yeah the one well unrelated to that this is

Speaker: 00:30:10

Track 1: like the other thing that maybe we didn't talk about that i haven't seen talked about

Speaker: 00:30:12

Track 1: literally anywhere but we i can't not bring

Speaker: 00:30:15

Track 1: it up is sort of like the entire class dynamic

Speaker: 00:30:19

Track 1: of marty and his family living in

Speaker: 00:30:22

Track 1: like the lower east side and you know a fairly small apartment like

Speaker: 00:30:25

Track 1: you know they share one phone i mean granted it's the 1950s and

Speaker: 00:30:29

Track 1: then you have rockwell and then you also have rockwell's wife

Speaker: 00:30:32

Track 1: played by gwyneth paltrow who he has an affair with and is

Speaker: 00:30:35

Track 1: like obsessed with and like uses his you know checks

Speaker: 00:30:39

Track 1: into the you know the ritz carlton when he's in london to

Speaker: 00:30:42

Track 1: you know woo her and everything and then you know my joke

Speaker: 00:30:45

Track 1: in my letterbox review was like you shouldn't have sex in

Speaker: 00:30:48

Track 1: central park um that's just not a good thing to do and they do that and then

Speaker: 00:30:52

Track 1: you know you almost get arrested and like she has all this jewelry and it's

Speaker: 00:30:55

Track 1: very much i i get the sense too is part of his motivation is not just his interest

Speaker: 00:31:00

Track 1: in being the best because he believes in himself I think he also wants a better life,

Speaker: 00:31:07

Track 1: even though he treats his family like complete shit I think he does actually

Speaker: 00:31:11

Track 1: want them to have a better life and he wants to be the one that can provide it for them mm-hmm.

Speaker: 00:31:20

Track 2: There's a lot of crossovers between Gwyneth Paltrow's character and his,

Speaker: 00:31:23

Track 2: I noticed, because she was, like, this up-and-coming, like, super big star,

Speaker: 00:31:26

Track 2: and then she kind of got pregnant, fell off, and that's, like,

Speaker: 00:31:30

Track 2: a whole other commentary in itself, like, on, like, the, like,

Speaker: 00:31:32

Track 2: woman's condition, but hers is very,

Speaker: 00:31:35

Track 2: like, very, like, white feminist, like, sort of surface-level commentary on,

Speaker: 00:31:39

Track 2: like, her up-and-coming, like, in her fall, right?

Speaker: 00:31:43

Track 1: Yeah.

Speaker: 00:31:43

Track 2: That she can only land a role in

Speaker: 00:31:46

Track 2: a play that's funded by her husband and packed with seats

Speaker: 00:31:49

Track 2: that are paid for by her husband like all these

Speaker: 00:31:51

Track 2: random things and i think timothy chalamet like at first is like

Speaker: 00:31:54

Track 2: into it but then he's also like it's part of ego where he's

Speaker: 00:31:57

Track 2: like i think i can bag this lady like she's got

Speaker: 00:32:00

Track 2: that like i think i can do and he does um

Speaker: 00:32:03

Track 2: i will say though the worst thing every time

Speaker: 00:32:06

Track 2: i see gwyneth paltrow all i can think of is goop and like her my my candle that

Speaker: 00:32:11

Track 2: my vagina of smells like that's all i can think of when i see gwyneth paltrow

Speaker: 00:32:14

Track 2: um yeah and i don't necessarily think gwyneth paltrow was like she did a good

Speaker: 00:32:19

Track 2: i guess she did she played herself she's the same person like every role i've ever seen i'm not a fan.

Speaker: 00:32:24

Track 1: Of gwyneth paltrow so you're not offending me in any way and.

Speaker: 00:32:29

Track 2: I think my listeners would also.

Speaker: 00:32:30

Track 1: Agree probably yeah.

Speaker: 00:32:32

Track 2: I was going to apologize, but she, she's just weird.

Speaker: 00:32:36

Track 2: She's a weird person. I don't know. And her company is like a big old scam.

Speaker: 00:32:40

Track 2: So I was like, there's, that's the thing.

Speaker: 00:32:42

Track 2: It was like, there's, there's two for two of like shitty people you got in this movie.

Speaker: 00:32:45

Track 2: Tyler, the creator, he did a really good job.

Speaker: 00:32:49

Track 1: Yes. Yes. I mean, I will say that even like the Kevin O'Leary for not being

Speaker: 00:32:56

Track 1: an actor, really like he played his like cruel capitalist role pretty well.

Speaker: 00:33:01

Track 1: Uh everyone he's like this is just.

Speaker: 00:33:04

Track 2: Another tuesday yeah.

Speaker: 00:33:05

Track 1: Right exactly yeah he was just playing himself right just

Speaker: 00:33:08

Track 1: like a shitty you know shitty rich person i mean that's

Speaker: 00:33:11

Track 1: not really it's probably wasn't much uh he didn't have much range in his uh

Speaker: 00:33:16

Track 1: his acting what was i going to say about gwyneth paltrow and that too is yeah

Speaker: 00:33:20

Track 1: like it the yeah i think what's also the funniest aspect is that she the play

Speaker: 00:33:26

Track 1: that is a complete like they see her show her crying because the

Speaker: 00:33:29

Track 1: york times review assuming was just destroyed this you know then you wonder

Speaker: 00:33:34

Track 1: like was she actually ever a good actor you know when she was younger or is

Speaker: 00:33:38

Track 1: it simply just like she was a pretty face and then you could i don't know have

Speaker: 00:33:42

Track 1: a critique on you know the early hollywood you know the,

Speaker: 00:33:45

Track 1: the like 1940s hollywood and the people around them which you know you could we don't need to go i.

Speaker: 00:33:53

Track 2: Feel like they picked a lot of people that could be like self-insert because

Speaker: 00:33:55

Track 2: gwyneth paltrow she in like the early 2000s i remember seeing her in a bunch

Speaker: 00:33:59

Track 2: of like rom-com she was in like shallow howl um which is like a huge which that

Speaker: 00:34:04

Track 2: movie is it has not withstood the test of time because if you look at it it's it's not good.

Speaker: 00:34:11

Track 1: No at all plus jack black in there and what was the one that she was really

Speaker: 00:34:15

Track 1: that she like the night late 90s she was in that one uh was it sliding doors was that her,

Speaker: 00:34:22

Track 1: am i thinking of a.

Speaker: 00:34:23

Track 2: Different might have been i just remember shallow how like that was like every

Speaker: 00:34:27

Track 2: time i see her that's the movie that pops into my head for me i always think.

Speaker: 00:34:30

Track 1: Of talented mr ripley for some

Speaker: 00:34:32

Track 1: reason i love that movie too i think they came out around the same time.

Speaker: 00:34:38

Track 2: Who was the other oh the the japanese uh

Speaker: 00:34:41

Track 2: table tennis player um the actual guy

Speaker: 00:34:44

Track 2: is an actual tennis tape like table tennis player koto

Speaker: 00:34:48

Track 2: kawaguchi kawaguchi yeah he's

Speaker: 00:34:50

Track 2: actually deaf and he's actually a table tennis player which i

Speaker: 00:34:53

Track 2: think is so interesting he was inspired by obviously his

Speaker: 00:34:56

Track 2: character was inspired by um iroji sito i

Speaker: 00:35:00

Track 2: think that's how you say the original guy i didn't know that the actual

Speaker: 00:35:03

Track 2: guy that like played ping pong and i

Speaker: 00:35:05

Track 2: thought that was such an interesting little there's a lot of cameos robert

Speaker: 00:35:09

Track 2: pattinson has a cameo in here yeah there's a lot of really random cameos in

Speaker: 00:35:14

Track 2: this movie that i was there's just so much happening this whole movie was like

Speaker: 00:35:18

Track 2: bonkers bananas crazy the whole time and it's all about ping pong like i just

Speaker: 00:35:24

Track 2: can't get over this is a ping pong movie and timothy jala is exploding sorry.

Speaker: 00:35:28

Track 1: Timothy jala may apparently had been preparing for this role i think for like

Speaker: 00:35:32

Track 1: five years and he's been like he would take his ping pong table to like whenever

Speaker: 00:35:37

Track 1: he was doing other roles and other things and he had been like playing and practicing

Speaker: 00:35:41

Track 1: ping pong for years where i think the majority of the scenes is actually him playing i don't know.

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Track 2: If it's all 100 him.

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Track 1: I don't think it's 100 but i think a lot of the scenes where he's just you know

Speaker: 00:35:54

Track 1: rallying back and forth i think is is legit him i mean.

Speaker: 00:35:59

Track 2: That's pretty incredible he took it seriously which i think i can appreciate i don't know,

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Track 2: That's really interesting. I think because this is like the only other ping

Speaker: 00:36:08

Track 2: pong movie I can remember like being memorable since like Forrest Gump.

Speaker: 00:36:15

Track 1: Yeah. Yeah, that one, not as good a movie.

Speaker: 00:36:22

Track 1: What was the other? Yeah, and he also performed the stunt where he gets his

Speaker: 00:36:26

Track 1: ass slapped by the ping pong paddle.

Speaker: 00:36:28

Track 1: That was actually Timothy Chalamet's butt. And they took like 45 takes apparently

Speaker: 00:36:33

Track 1: or something like that to do it.

Speaker: 00:36:35

Track 1: He's just getting whipped with a paddle over and over. I mean,

Speaker: 00:36:38

Track 1: I'm assuming not nearly as hard, and it was probably a fake paddle.

Speaker: 00:36:41

Track 1: But still, that was his butt.

Speaker: 00:36:44

Track 2: That's how it feels every day I have to go to work and sell my labor.

Speaker: 00:36:49

Track 2: That's such a good symbolic representation of what it's like to be exploited

Speaker: 00:36:54

Track 2: and just be so close to somebody.

Speaker: 00:36:56

Track 2: And it's like, what if all of the table tennis people just surrounded them?

Speaker: 00:37:01

Track 2: We're like, you're going to make this happen.

Speaker: 00:37:03

Track 2: I don't know. That's a very bad allegory.

Speaker: 00:37:05

Track 1: Well, no, but it actually makes it even better allegory because he thinks that

Speaker: 00:37:09

Track 1: by doing that, by sinking to it and getting his ass slapped,

Speaker: 00:37:13

Track 1: that he's going to be able to go do the promo, get paid, be in the tournament.

Speaker: 00:37:16

Track 1: But he knows full well, not Marty, the, what's his name?

Speaker: 00:37:24

Track 1: Rockwell knows he's not going to be in the tournament. He's just exploiting him again.

Speaker: 00:37:28

Track 1: So he's exploiting him to get what he wants, but also like double exploiting him.

Speaker: 00:37:34

Track 1: He's like buying him up giving a pizza party so that he'll come with him on

Speaker: 00:37:37

Track 1: his trip you know and then of course embarrasses him by then you know forcing

Speaker: 00:37:42

Track 1: that then i mean were you watching that last scene being like i really hope

Speaker: 00:37:46

Track 1: he wins i mean it's hard it was hard not to being like i hope he can he beats a japanese player.

Speaker: 00:37:51

Track 2: I don't know because there's like

Speaker: 00:37:53

Track 2: something with like because you are like forced to follow this unlikable like

Speaker: 00:37:58

Track 2: unreliable individual but then you just have like this deaf japanese character

Speaker: 00:38:03

Track 2: who just like the crowd loves him i know the crowd loves him so much they're

Speaker: 00:38:07

Track 2: so happy he has cheerleaders and it's so sweet and kind the crowd.

Speaker: 00:38:11

Track 1: Is so mad when he loses like they're devastated.

Speaker: 00:38:14

Track 2: Yeah like we just lost world war ii again you like

Speaker: 00:38:18

Track 2: hate to see it happen but like you're like kind of forced and i thought that

Speaker: 00:38:21

Track 2: was a really interesting like that's what i measure art by like it's success

Speaker: 00:38:25

Track 2: is like why am i feeling something for somebody that I hate where I like you

Speaker: 00:38:30

Track 2: want to see their success but I also want to see your downfall and I thought

Speaker: 00:38:33

Track 2: that was a very um it was written very well it was filmed very well in a way that like,

Speaker: 00:38:38

Track 2: it's hard to write a bad character like this where,

Speaker: 00:38:42

Track 2: they're so engaging i think do i sound like a film bro.

Speaker: 00:38:45

Track 1: No no no but it's.

Speaker: 00:38:47

Track 2: 24 like the new like i love tarantino is that like what a toilet like i just

Speaker: 00:38:51

Track 2: love a 24 because of all the philosophical themes and i'm thinking critically

Speaker: 00:38:56

Track 2: so i feel what i'm talking i was like no you guys just don't get it.

Speaker: 00:38:59

Track 1: Um but.

Speaker: 00:39:00

Track 2: You know like it's pretty it's nuanced it's it's such a nice breath of fresh

Speaker: 00:39:04

Track 2: air from like some movies that i see that come out and i don't like going to

Speaker: 00:39:08

Track 2: the movies because some of them are just shit they're just shit movies and they're

Speaker: 00:39:11

Track 2: just i can tell they just want to make money.

Speaker: 00:39:13

Track 1: Yeah this movie

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Track 1: i mean i know that he wanted to make this movie for a long time

Speaker: 00:39:19

Track 1: and the other crazy thing that maybe this maybe i don't have that

Speaker: 00:39:21

Track 1: many more things but one thing that's interesting is that safty apparently when

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Track 1: he was making uncut gems it like took him

Speaker: 00:39:27

Track 1: many years to get it made and produce it and he

Speaker: 00:39:30

Track 1: was like saying how he sort of was like missing moments of

Speaker: 00:39:33

Track 1: his life spending and all that and he sort of saw the

Speaker: 00:39:36

Track 1: marty supreme character as like that encapsulation of

Speaker: 00:39:39

Track 1: someone who like doesn't stop to actually do anything for

Speaker: 00:39:42

Track 1: themselves and other people around them and apparently after uncut gems he then

Speaker: 00:39:46

Track 1: got married really quick at like a courthouse had a bunch of like you know kids

Speaker: 00:39:49

Track 1: soon after and like wanted to actually feel what life was like and i feel like

Speaker: 00:39:54

Track 1: in very small way it seemed like the character was very mildly like this,

Speaker: 00:40:02

Track 1: autobiographical piece of Josh Safdie.

Speaker: 00:40:04

Track 1: He didn't say it exactly in that way, but that's just my opinion based on what he was saying.

Speaker: 00:40:09

Track 2: He must have. He must have been looking into like Martin Reisman and his history

Speaker: 00:40:14

Track 2: as a table tennis player and seeing some overlap between himself.

Speaker: 00:40:17

Track 2: And he's like, no, this is, he's just like me for real and decided that,

Speaker: 00:40:23

Track 2: that he was going to make it like there's no other way if you're listening can

Speaker: 00:40:27

Track 2: you please email at left of the projector um please let us know all of the details thank you well.

Speaker: 00:40:34

Track 1: He his wife gave him a the

Speaker: 00:40:37

Track 1: the um the marty riseman autobiography in 2018 just like hey i think you might

Speaker: 00:40:43

Track 1: like this book and then like he talked to timothy chalamet soon after and they

Speaker: 00:40:47

Track 1: became friends and he's like i think you'd be perfect for this movie and then

Speaker: 00:40:50

Track 1: seven years later you know here we are so i feel like it's one of those stories like give.

Speaker: 00:40:54

Track 2: Me five years to prepare let me learn how to play table tennis first.

Speaker: 00:40:57

Track 1: Yeah he's like i'm literally going to become the greatest player in the

Speaker: 00:41:00

Track 1: country in the world and then i'll be in the movie as you

Speaker: 00:41:03

Track 1: know uh aside i'll quit acting and be just a ping pong

Speaker: 00:41:06

Track 1: player i don't know i i i gave this movie four and a half out of five stars

Speaker: 00:41:10

Track 1: i think it's regardless of sort of maybe the problematic nature of the character

Speaker: 00:41:15

Track 1: and all that i mean it's just a great movie the soundtrack is amazing which

Speaker: 00:41:18

Track 1: i think you said at the beginning it's just good yeah.

Speaker: 00:41:23

Track 2: We gave it the same rating which is i didn't know i thought it was going to

Speaker: 00:41:27

Track 2: be an overhype but i think it's an amply hyped movie and i think it's going

Speaker: 00:41:32

Track 2: to be like one of those like titles i can't wait until there's like a criterion

Speaker: 00:41:34

Track 2: collection for this whenever it comes out.

Speaker: 00:41:37

Track 1: There i'm sure there will be i mean it's one of those things where i'm usually

Speaker: 00:41:41

Track 1: like an overrater i usually rate things higher than other people would be like

Speaker: 00:41:45

Track 1: yeah it was pretty good i'm like i don't know i walked out of the movie and

Speaker: 00:41:47

Track 1: i really liked it And I would see it again, you know, in a few months.

Speaker: 00:41:51

Track 1: And to me, that usually means I liked it and it was a good movie. So I don't care.

Speaker: 00:41:55

Track 1: Four and a half stars, you know, would recommend to anyone.

Speaker: 00:42:00

Track 1: And I would recommend people stop, if there are any toxic men listening to the

Speaker: 00:42:05

Track 1: podcast, you know, stop doing that.

Speaker: 00:42:07

Track 1: And read Women Race in Class by...

Speaker: 00:42:12

Track 1: Um jesus christ angela davis angela davis it's literally sitting across from me by bell.

Speaker: 00:42:18

Track 2: Hooks you there's a lot of books you can read that you can think you should

Speaker: 00:42:23

Track 2: think about like why you do the things you do and why you look up to things

Speaker: 00:42:26

Track 2: because i'm not saying masculinity is bad masculinity is not bad but there is

Speaker: 00:42:32

Track 2: a toxic way when you're forcing people to behave a certain way right you know.

Speaker: 00:42:36

Track 1: Yeah i.

Speaker: 00:42:37

Track 2: Like you i like fight club i like berserk i like gundams.

Speaker: 00:42:41

Track 1: I'm just you don't have to be you don't have to be hold.

Speaker: 00:42:46

Track 2: On what else do i know uh no that's it that's off the top of my head.

Speaker: 00:42:50

Track 1: Yeah like you just don't have to be a dick about it yeah

Speaker: 00:42:54

Track 1: or dick to other people i guess i don't know yeah i mean again i think uh i

Speaker: 00:43:00

Track 1: don't know now i know we did this this is like 40 minutes i mean i i usually

Speaker: 00:43:03

Track 1: could feel like at some point in the future doing a further like i feel like

Speaker: 00:43:08

Track 1: we covered a lot of things but i feel like i could have gone deeper on some

Speaker: 00:43:11

Track 1: of these i don't know how you thought but this.

Speaker: 00:43:13

Track 2: Is very like this is like a first impressions type first reactions because i

Speaker: 00:43:18

Track 2: haven't had really anyone to talk about this with either aside from like my

Speaker: 00:43:22

Track 2: partner when we went and saw it he also very much enjoyed it so.

Speaker: 00:43:25

Track 1: I need to watch it again too like at home where i could actually sort of take

Speaker: 00:43:28

Track 1: i could pause it and like you know re-watch scenes it's harder it's harder when

Speaker: 00:43:32

Track 1: you just like see in the theater and you're just in that experience but um i

Speaker: 00:43:37

Track 1: got nothing left you got anything left uh.

Speaker: 00:43:40

Track 2: That's about it i feel like we touched on i mean this film does a really good job of exemplifying,

Speaker: 00:43:45

Track 2: individualism uh patriarchy capitalism and it's

Speaker: 00:43:48

Track 2: kind of all encapsulated in a very interesting historical point

Speaker: 00:43:52

Track 2: um that has had a lot of troubling

Speaker: 00:43:55

Track 2: effects to this day um and

Speaker: 00:43:58

Track 2: i think it's interesting that this was all in a ping

Speaker: 00:44:01

Track 2: pong movie and i know i mean how do

Speaker: 00:44:04

Track 2: i sell anyone on this it's like when i tell people to read

Speaker: 00:44:07

Track 2: the hot dog book i'm like how do i sell somebody on this this

Speaker: 00:44:10

Track 2: book called raw dog like how do you how do you convince somebody

Speaker: 00:44:13

Track 2: to watch this and then like have a conversation about it i

Speaker: 00:44:16

Track 2: think this film goes to show that people want more from cinema the way that

Speaker: 00:44:20

Track 2: they are like reviewing it and engaging with it i think it's showing i hope

Speaker: 00:44:24

Track 2: more movies start coming out that are like this because i just think this was

Speaker: 00:44:27

Track 2: very well thought out and well-intentioned and i would much rather have less

Speaker: 00:44:31

Track 2: movies come out every year if they were more intentional in this way yeah.

Speaker: 00:44:35

Track 1: And i mean i mean there are a lot of a24 movies that are sort of like,

Speaker: 00:44:38

Track 1: you know, prestige-y, but I don't think all of them are all that good or as good as this.

Speaker: 00:44:43

Track 1: Sometimes I think they're, you know, trying to be too much.

Speaker: 00:44:48

Track 2: A little pretentious.

Speaker: 00:44:48

Track 1: Yeah, yeah, yeah, you know, and I don't think this is coming from that perspective at all.

Speaker: 00:44:54

Track 1: And actually, I want to go read The Money Player Memoir by Marty Rison because...

Speaker: 00:44:59

Track 1: You know why not maybe i'll add that to my.

Speaker: 00:45:01

Track 2: If there's um there is a fictional book that i do think that if you like this

Speaker: 00:45:05

Track 2: movie you might like and it's called actually i have a nice copy of it it's

Speaker: 00:45:10

Track 2: called either the royal game or chess by steven spegg and it's a it's a chess

Speaker: 00:45:14

Track 2: book it's very short um i think you would like it if you like this movie oh

Speaker: 00:45:19

Track 2: you i think you said in your review.

Speaker: 00:45:21

Track 1: Like this is like the uh incel version of queen's gambit.

Speaker: 00:45:24

Track 2: Yeah literally like queen's gambit if like it was like like a boy yeah i love

Speaker: 00:45:32

Track 2: queen's gambit though so but i haven't read the book i think it's a book i haven't read it no.

Speaker: 00:45:36

Track 1: Well yeah i'll uh put the the book down there but mariah thank you uh for uh

Speaker: 00:45:42

Track 1: coming on and uh doing the marty supreme.

Speaker: 00:45:46

Track 2: Yes thanks for having me on i I love talking about boy movies. This is great.

Speaker: 00:45:55

Track 2: It's like a fun little flex that we can do. This is like our thing,

Speaker: 00:45:58

Track 2: Evan, we have going for us. And it's a good thing.

Speaker: 00:46:01

Track 1: Yeah, are there any more toxic masculine movie? We never did Joker Part 2,

Speaker: 00:46:04

Track 1: which I don't know. I saw it and I hated it, so I don't know.

Speaker: 00:46:08

Track 2: I still haven't seen it. I know it's a musical. Yes, when they come around, you know, I'll be here.

Speaker: 00:46:14

Track 1: All right. Well, you've been listening to Left Up Ejector, and we'll catch you next time.