Episode 239

Academy Award Special: With Nathan Shuherk (Schizophrenicreads)

Here are the top ten films nominated for Best Picture. Oh, wait, there are only ten. Anyway, Bill and Evan are joined by Nathan to discuss our snubs, the ten nominees and some predictions.

Guest Links

https://www.instagram.com/schizophrenicreads/

https://schizophrenicreads.substack.com/

Left of the Projector Links

Official Website

Left of the Projector on Instagram

Left of the Projector on Patreon

Left of the Projector on Threadless

Host Links

Evan's Letterboxd

Bill's Instagram

Bill's Letterboxd

Ward's Instagram

Ward's Letterboxd

Transcript
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Track 2: And there's times that like you know like when

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Track 2: we did um like when we did

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Track 2: eddington like we just like literally just like we're like uh let's just record

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Track 2: an episode it was like the middle of the day we were both like had nothing going

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Track 2: i was like fuck it let's it's like you can't just like call up you know like

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Track 2: a random like you know it's like heart like guests wise it's like you have to

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Track 2: like schedule something it's like the two of us it's just like oh let's just do this.

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Track 3: I need to go back listen to your eddington episode

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Track 3: because i i have been like cautiously hesitant

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Track 3: to consume any eddington media because i i'm

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Track 3: like obsessed with that movie i love it but i don't i don't want to

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Track 3: be like i don't also want to have the conversations of

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Track 3: other people i'm like this is a movie that i feel like the isolation of my own

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Track 3: brain is exactly what ari aster intended and so i can't i can't allow myself

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Track 3: to like even talk about it online like i've barely i've barely told anyone that

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Track 3: i love that movie and it's just like i don't want the world being part of this

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Track 3: affair that i'm having with this movie i.

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Track 1: Both liked it like liked aspects of it but then i also didn't like aspect i

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Track 1: mean the big yeah if you could if you could take one takeaway for our our thoughts

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Track 1: on it was that the movie was ahead of its time like it.

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Track 3: Oh yeah like.

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Track 1: That was real like i feel like if that movie came out in 15 years it would be

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Track 1: like a could be a blockbuster like it could have made you know i.

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Track 3: Also, if you've spent any time

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Track 3: on threads, it's become just this toxic cesspool of takes about media.

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Track 3: It's mind-numbing how bad every discussion about media is, and everything has

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Track 3: been centered around one battle after another and sinners, and literally no

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Track 3: one talks about Eddington, and it's my favorite thing.

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Track 3: You guys cannot handle the Eddington conversation. If you are losing your mind

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Track 3: over sinners in one battle after another, I think you'd kill yourself.

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Track 3: I don't think you're capable of constructing a thought about this movie.

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Track 2: I deleted threads before I deleted Instagram because threads,

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Track 2: the conversation, it was so, everything on that app is so fucking toxic.

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Track 2: Every political opinion is, every political opinion is just like,

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Track 2: vote harder for the Democrats.

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Track 2: And how like everybody that didn't vote for

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Track 2: harris is a racist who wanted trump to win and i'm just like this is the worst

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Track 2: thing like this i hate this this is terrible and so i deleted that and like

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Track 2: a month later i was like evan i'm deleting instagram i'm done i'm fucking done i.

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Track 1: Haven't deleted my accounts i just don't have them on my phone which also does.

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Track 2: Help yeah i didn't delete my accounts also it's like hard to delete your accounts

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Track 2: but like i deleted it off my phone and i'm i've i think i've looked at on the

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Track 2: computer like once since then like i is.

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Track 3: This a movie podcast when we're admitting like maybe we're happier watching

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Track 3: movies than being on social media i.

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Track 2: Mean i i don't work in i don't work in a job that lets me like look at a computer

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Track 2: so like i'm fucking i'm isolated i'm i'm shoulder deep in a fish tank i can't

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Track 2: be looking at computers i just send you screenshots.

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Track 1: Of the most asinine takes you've ever seen in your life on threads.

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Track 2: Yes yeah that's how yeah that's how i learned about what's happening on threads

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Track 2: i've been sending screenshots and i'm like oh yeah okay there's still morons

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Track 2: okay good i'm i'm not missing anything.

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Track 3: I had like a semi-viral threads after the Golden Globe.

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Track 3: I just posted something like people were losing their minds that one battle

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Track 3: after another won Best Dramatic Picture.

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Track 3: And people were like, how could that win over Sinners? And I just like all I

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Track 3: posted on threads was like, guys, they're different categories.

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Track 3: Like Sinners can't, Sinners wasn't going to win in a category it wasn't nominated in.

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Track 3: So like maybe let's actually be mad about something else for a change.

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Track 3: And i received i i think like 30 40 messages or 30 40 replies telling me that

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Track 3: i was like a virulent racist and like should be off the internet and i was like i like i'm the.

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Track 1: Funny thing is i posted the my my ranking of the picture nominees and i got

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Track 1: people like paul thomas anderson fan being like i'm actually projecting my thoughts

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Track 1: about the movie and all these things like i just posted my list man if you don't

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Track 1: agree it's fine you know i'm i don't i don't care i you know.

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Track 3: Yeah we need that the the threads thing where you can like sparkle out the thing

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Track 3: as like the spoiler thing we just need that automatically for every reply like

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Track 3: i should i should have to choose to see people responding to me because i'm

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Track 3: i'm gonna choose not i'm not gonna i'm not gonna look at a goddamn reply to anything i say.

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Track 2: That's but that's just called not being on threads.

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Track 3: Yeah that's true sit.

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Track 4: Back in your seats get something to eat watch this movie don't like the Kinesian

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Track 4: one because, well, we'll let you hear the video.

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Track 4: Thank you.

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Track 1: Hello, and welcome to Left of the Projector. I'm your host, Evan,

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Track 1: back again with another film discussion from the left.

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Track 1: If you'd like to support the show for as little as $3 a month,

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Track 1: you can go to Patreon forward slash Left of the Projector Pod.

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Track 1: If you'd like to dress in style, we've got shirts.

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Track 1: And at leftoftheprojectorpod.threadless.com, you can grab one and show everyone

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Track 1: you've got the best taste around.

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Track 1: Wherever you're listening, give us a rating and subscribe so you'll be notified

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Track 1: of our weekly episodes that drop every Tuesday.

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Track 1: And now on to the show this week

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Track 1: on left of the jector we have a bit of a

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Track 1: different sort of program if you may remember i think a couple

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Track 1: of years ago maybe in 2023 nathan from

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Track 1: schizophrenic reads you may know from book talk

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Track 1: and book i'll let him tell you more about that

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Track 1: we did a oscar show kind of going through our

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Track 1: predictions for what we thought we're going to win a

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Track 1: couple of years ago but this year we're going to do it slightly different we're going

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Track 1: to go through our snubs and then we're going to talk about the films one at

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Track 1: a time based on nathan's order in reverse the 10th ranked to the first my co-host

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Track 1: or one of my co-host bill is here today and then of course nathan and you can

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Track 1: should tell everyone about your stuff uh.

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Track 3: Yeah my name is nathan i go by schizophrenic reads on uh the internet i mostly

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Track 3: review non-fiction books and give a lot of you know, recommendations on climate

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Track 3: change and politics and memoirs and stuff like that.

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Track 3: But I have been just obsessively watching movies. And so I got to see all of

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Track 3: the best pictures from this year and a lot more. So I was just I was looking

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Track 3: for conversations about movies instead of books for once. So here we are.

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Track 2: You got to shake it up. You got to shake things up sometimes.

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Track 3: Yeah.

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Track 1: Yeah, it's a little more, a little more like maybe free flowing,

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Track 1: but yeah, do you want to lead off Nathan with your snub?

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Track 1: So I think we all picked two or three films that we, that got no awards this

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Track 1: year that, you know, if, if we were running the Oscars, we would.

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Track 2: Nobody, none of these, none of these movies got awards. It's just me being,

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Track 2: I'm just me being, I'm just, I'm just joking, you know, I'm just saying,

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Track 2: cause you know, none of them got noms.

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Track 3: And for these, I don't know that, like, you'll hear it from my first two,

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Track 3: but I don't even know that I would say that I necessarily want them to be,

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Track 3: you know, Best Picture nominations, but just in some category,

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Track 3: I would love to see some awards thrown at them.

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Track 3: My first one is going to be Eddington, which was maybe one of my favorite movies of last year.

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Track 3: I thought it was just a phenomenally weird and wild ride that I have been like

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Track 3: obsessively thinking about for the last six months, but also like not talking

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Track 3: to people in real life because it's just, it's a hard movie to talk about.

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Track 3: And I just I can't get this one out of my head. It's just one of those movies

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Track 3: that has stayed with me for a long time.

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Track 3: And, you know, if it was I could have seen it getting a Best Picture nomination,

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Track 3: but also maybe just even like a casting or some type of set design because it's

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Track 3: a really beautiful and strange movie.

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Track 3: And then my second honorable mention, which I would have loved to see for set

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Track 3: design specifically, because I just think it's like one of these most fascinating, like,

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Track 3: portraits of a small town environment was Ephus, which is a movie about baseball

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Track 3: that I think is like a really delightfully odd experience of a movie because it's...

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Track 3: It almost seems improvisational, and it might have been fairly improvisational.

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Track 3: I'm not exactly sure how it was produced.

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Track 3: But it's just small-town guys loving baseball, playing in an adult rec league

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Track 3: that baseball kind of means nothing for them. But at the same time, it means everything.

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Track 3: And for me, it was kind of this spiritual American tale that I think in the

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Track 3: degrading society that we're all living in, I thought it just really spoke to

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Track 3: just what I think so many of us feel like we're experiencing out in society.

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Track 3: And so, yeah, I thought it was a lovely, wonderful, strange little movie.

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Track 1: Yeah, we have a crossover then. So my two picks that I would have liked to see,

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Track 1: maybe even if it's not even an Oscar nomination, just getting like more...

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Track 1: More people to have seen it was also Ephus. As not even a baseball player myself,

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Track 1: I do like, I enjoy baseball as a sport.

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Track 1: And it very much reminded me of like growing up playing baseball with your friends,

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Track 1: like after school or something like that.

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Track 1: And it just had like a lot of heart to it.

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Track 1: And it really felt part of the reason for this final baseball game is that there's

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Track 1: going to be a construction project that's going to tear down this field.

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Track 1: So it also feels very relevant to just the decay of our pastimes and our things

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Track 1: that we loved as maybe children that are just being destroyed by corporate greed and all of that.

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Track 1: And then the second one is sort of both of the Predator movies that came out,

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Track 1: but I actually think I enjoyed the animated one.

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Track 1: The Killer of Killer is Anthology, which was three different sort of short films,

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Track 1: kind of all in the Predator universe.

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Track 1: I just love any Predator film in general, And it was just, it was good to see

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Track 1: it in sort of this nice animated version.

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Track 1: So, I don't know. I couldn't see that. I mean, that could have been an animated

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Track 1: film. I don't know. It's probably not deserving of an Oscar, but.

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Track 2: So, I literally had to ask what Ephus is.

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Track 2: I was like, what the hell is Ephus? I, like, literally texted Evan.

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Track 2: I was like, what the hell is Ephus? I think it made.

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Track 3: Like, $2 million total. Yeah. No one has seen this movie.

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Track 2: I've never heard it. And like, uh, Evan goes, it's a baseball film.

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Track 2: I was like, oh, nevermind.

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Track 2: Uh, as a person that despises sports and despises baseball in particular,

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Track 2: I was like, oh, okay, nevermind moving on.

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Track 2: Um, not to say that's a bad movie. It was just like this, like total,

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Track 2: I had no idea. This was, I had no idea. It's anywhere.

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Track 2: Um, so my, uh, my choices, my big one is Mickey 17. I feel like the fact that

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Track 2: Mickey 17 didn't get anything is a travesty.

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Track 2: Um, Pattinson is, he's an amazing actor. I love Robert Pattinson and.

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Track 2: This was, I, this movie, this, it stood out to me and I had been looking forward to it.

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Track 2: I think it was just an awesome, just like idea, the whole, like everything about

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Track 2: it is a very original, awesome movie with a lot of like great subtext that again,

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Track 2: explores the kind of like, you know, labor exploitation and so on and so forth.

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Track 2: Um, I also do think that Knives Out,

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Track 2: uh, Wake Up Dead Man, I do think that like the acting, I don't think like,

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Track 2: you know, a best picture nom, but like, I do think that some of the roles,

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Track 2: especially the lead role from the priest, like that he, he killed it.

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Track 2: Like he probably deserved something for that.

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Track 2: Um, and I think that killer of killers, 100% if Elio and Zootopia too,

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Track 2: can get fucking Oscar noms than killer of killers can.

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Track 2: Like, as an animation fan, this is, like, the animation style, gorgeous.

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Track 2: Absolutely gorgeous animation, and not run-of-the-mill, same Disney slop,

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Track 2: the same animation style.

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Track 2: And as much as I love Studio Ghibli and I absolutely love Studio Ghibli and Miyazaki,

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Track 2: the animation style of Studio Ghibli has been so co-opted and spread as to like

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Track 2: almost dilute it in a lot of ways.

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Track 2: And this stood out. It's its own animation style and it has distinct stories

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Track 2: with characters characters.

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Track 2: You know and they're in you know like the first two if you guys like they're

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Track 2: not it's not english it's great i i think killer of killers deserves an anime

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Track 2: an animation nod definitely especially given.

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Track 3: The field um yeah let's

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Track 3: uh let's get into the uh the

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Track 3: best picture nomination so we're just going to be taking these in

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Track 3: the just a descending order of of you know

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Track 3: the of we're going to be talking about all the nominations and just

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Track 3: kind of my favorites of them uh you know

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Track 3: when we were talking about like organizing this one it wasn't sure like

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Track 3: you know do we all make lists and then all compare lists and

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Track 3: you know it's it's hard to like organize it so hopefully this will be just

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Track 3: the easiest way to follow for the audience um but

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Track 3: coming in at number 10 which i think a lot of people

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Track 3: are going to disagree with and probably a lot of people just disagree with

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Track 3: all of these just in general uh that is how media

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Track 3: discourse goes but uh i have number i have frankenstein

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Track 3: as my 10th place and i think there's not

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Track 3: a movie on this list that i dislike like i'm i'm fairly positive on basically

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Track 3: everything here i just think frankenstein is it's a movie where it's so much

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Track 3: more style over substance like i think it's aesthetically incredibly pleasing

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Track 3: but that's kind of where a lot of the pleasure in watching it ends for me.

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Track 3: I think it's hard, it's obviously so hard to adapt classic novels.

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Track 3: You know, that was a thing that we've seen in years past as well.

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Track 3: And I think Yiromo Datoro does an interesting job, but to me,

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Track 3: it was just like, I didn't feel guilty about watching this one at home on Netflix.

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Track 3: Like there, there was something beautiful about it, but at the end of the day, it was just like.

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Track 3: And I was like, well, I watched that and I couldn't really feel a lot more because

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Track 3: I think the characters themselves and the deepness to the emotions of the story

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Track 3: and even the politics of the story are kind of just not on display.

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Track 3: What is on display is Guillermo del Torre's styling.

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Track 1: Yeah, it's interesting. For me, Frankenstein was around sort of the middle to

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Track 1: bottom. I have it seventh.

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Track 1: And I did see it in the theater with an opening two-minute intro by Guillermo del Toro.

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Track 1: And so I feel like I was somehow – I liked it more initially because of just

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Track 1: sort of the hype and sort of the crowd and everything.

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Track 1: But as i look back on it i feel like i don't

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Track 1: want to say it's forgettable but it definitely didn't

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Track 1: like leave a deeply lasting impression as some

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Track 1: of the other films like i'm still thinking about i'm not really thinking

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Track 1: about the frankenstein movie anymore and

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Track 1: i thought the sets were beautiful i wish mia goth had

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Track 1: been in it more with another area i would say and like the acting was good and

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Track 1: the sets were good but it just felt a little i hate to say empty but like a

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Track 1: little bit like a little bit empty i don't know maybe that's where you're saying

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Track 1: is like it's aesthetically it's good but maybe just kind of kind of going through

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Track 1: the motions of trying to build the movie there.

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Track 3: Is just a shallowness to it that i think i think

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Track 3: frankincense is such a vivid novel and it stands out as just like us you know

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Track 3: paramount example of good literature for you know for hundreds of years now

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Track 3: and and i think it's just like i just wanted more from it and i just i don't

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Track 3: you know what we said is you know it just isn't that memorable i think that's

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Track 3: like the best thing to say about it.

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Track 3: It's a fine watch. I don't think it's going to be... It's not going to upset

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Track 3: people to watch it. It's definitely worth people's time, I suppose.

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Track 3: If people just really enjoy watching movies, I think, yeah, go watch it. Definitely...

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Track 3: Don't think it's like a a movie you should avoid by any measure but i just i think like,

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Track 3: a lot of these other movies on this list are things that i think about like

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Track 3: regularly since viewing them like either you know in some mostly positive ways

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Track 3: and then in some negative ways but like i'm still like lingering over these

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Track 3: uh other best pictures and frankenstein i'm just like yeah i watched it and

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Track 3: in november and it was gone by you know a couple weeks later.

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Track 2: Yeah i think i mean i did not have the opportunity

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Track 2: to see frankenstein i mean opportunity i never got around to

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Track 2: watching frankenstein and i love frankenstein the novel

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Track 2: like fucking love that book and it's like a seminal

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Track 2: work like in my like like his like

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Track 2: my like brain um and like i think that maybe like it's just like it's like you

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Track 2: can never you can't make things that measure up to those things and it's just

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Track 2: like you it never gets to there and i also feel like as there's a certain aspect of like,

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Track 2: directors fall in love with works and it's

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Track 2: like listen we fall in love at works but then we don't

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Track 2: have like the resources and like you know the time or like the privilege to

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Track 2: be like i love this thing now everyone watch my version of it and it's like

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Track 2: frankly like that doesn't need to it doesn't need to happen all the time like

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Track 2: we don't all need to be subjected to everybody's like vision of the thing they love you know it's,

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Track 2: And I love Guillermo del Toro, don't get me wrong, but, like,

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Track 2: it doesn't have to happen all the time.

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Track 2: We don't, this is, you know, this is back to my hot take of,

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Track 2: we have enough movies, we don't need to make more movies.

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Track 3: Well, I also think, like, Guillermo del Toro has such, like,

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Track 3: a beautiful way of capturing things that, like, he could have picked another

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Track 3: source material, like, something not as famous, or he could have, you know,

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Track 3: picked an original script, you know, and I think, like, he's just much better

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Track 3: suited towards something like that because,

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Track 3: you know, you're really playing around with, like, something where,

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Track 3: like, a lot of people have the the visualization of this movie cemented.

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Track 2: In their brain.

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Track 3: Because they wrote they read it when they were 12 and it has never left them

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Track 3: because it's just that phenomenal of a story and i think.

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Track 2: That's your.

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Track 3: It's hard to compete with that.

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Track 2: I mean even like if you look at like his second hellboy movie

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Track 2: like hellboy is is an

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Track 2: existing property but it's so like he was

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Track 2: given such free reign and most people don't know like other than people like

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Track 2: i like i'm a huge hellboy fan and it's like other than that but like then he

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Track 2: took that second movie and he made it his own and it is vibrant and it is unique

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Track 2: and it is so otherworldly but like you you know i would have much rather seen a hellboy.

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Track 3: Three than a frankenstein.

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Track 2: Yeah yeah.

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Track 3: At number nine on the list we have probably what a lot of people just assume

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Track 3: is like literally everyone's uh 10th is actually F1.

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Track 3: I think for most people this just comes in like the last place just,

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Track 3: you know, by and large, just how people

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Track 3: make the list is you throw the big blockbuster at the bottom spot. But.

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Track 3: I found a lot of enjoyment with F1. I think the cinematography is just something spectacular.

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Track 3: Like, it is visually a stunning movie.

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Track 3: And ultimately, like, it's just a fun time.

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Track 3: It's one of those things that, like, you just kind of, like,

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Track 3: you want to have a lot of skepticism for, like, big blockbuster media. I get it.

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Track 3: But you still end up cheering at the end when he wins his race.

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Track 3: Like, spoiler alert, you know, if you really thought it was going to go a different direction.

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Track 3: You know, it's just, like, it is, it's just a fun time. And,

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Track 3: like, I don't think there's anything wrong with that, especially if the fun

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Track 3: time is going to give us something, like, really unique and beautiful to look at.

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Track 3: And that's what I think, like, the technological aspect of this movie does a

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Track 3: shining example of, like, what big blockbuster films can be and what,

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Track 3: like, I think is the anti-Marvel in some sense.

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Track 3: And I'm not saying, like, F1 is some, like, revolutionary movie,

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Track 3: but, like, most superhero movies just look like dog shit nowadays,

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Track 3: and F1 is actually, like, really beautiful and enjoyable.

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Track 3: So, I mean, for the sake of the death of the superhero industrial complex in

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Track 3: cinema, I'm really glad that movies like F1 exist.

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Track 3: Like, I think it's great to have big blockbusters make a lot of money.

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Track 3: It's good for cinema. It's good for audiences. It's good to get people out.

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Track 3: And, yeah, I mean, say what you want about, like, Brad Pitt being a 60-year-old F1 driver.

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Track 3: It is silly. But, like, yeah, so is fucking Tom Cruise flying a jet around,

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Track 3: you know, some undisclosed country that we can't name as Iran.

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Track 3: You know, like, it's just like, we're having a good time, and I'm happy to do that.

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Track 1: I agree completely. I mean, I really...

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Track 1: Cars, I'm not interested in cars in any way.

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Track 1: This movie was great, and my biggest regret was not seeing it in IMAX.

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Track 1: I remember going to see another movie at the time, and I saw the big poster

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Track 1: coming in IMAX, and I'm like, oh yeah, I should go see that,

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Track 1: it'd be fun, but it's a car movie, who cares?

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Track 1: And I really wish I had seen it in IMAX, I bet it would have been awesome.

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Track 1: And it's exactly the kind of movie I would have seen when I was like,

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Track 1: you know, 15 or 16 and just been so hyped about.

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Track 1: So i liked it i didn't actually

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Track 1: put it that low although realistically as

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Track 1: far as other ones i probably won't ever watch it again so it's near the bottom

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Track 1: you know eight nine ten kind of for me but i enjoyed f1 even though brad pitt

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Track 1: was old but whatever it had a good cast i mean i like carrie condon as well

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Track 1: and it had um but javier bardham you know it was it was good i.

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Track 2: Mean he He could play a 45-year-old, which is the oldest F1 Grand Prix driver.

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Track 1: Yeah.

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Track 2: He could play 45. Do we know he's 60 in the movie?

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Track 3: No, I think, I think he's supposed to be like early fifties is kind of like.

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Track 2: So yeah, so all right, all right, you know what, we'll give him fifties,

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Track 2: we'll give him 50, we'll give, we'll, we'll give, you know, movie magic 50 F,

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Track 2: you know, Grand Prix driver.

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Track 2: I didn't watch this and I fucking hate cars.

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Track 3: That's, I think that's like one of the wonderful things about this movie is

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Track 3: like, you don't really have to, I mean, it's one of those sports movies that's

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Track 3: like not really totally.

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Track 2: Oh, I have like a, it's like on the sports, you know, seated personal thing.

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Track 2: I grew up in a car household, so it's very visceral for me.

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Track 3: Yeah. At number eight on the list, we have Sentimental Value,

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Track 3: which I have someone in my life that described it as just like a European ennui.

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Track 3: And that's really like what has like cemented this movie for me is like I watched

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Track 3: it and I felt for like the next day or two, like, oh, this movie could like this movie could.

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Track 3: Skyrocket up this list like at any moment i could have

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Track 3: the revelation that like i was totally connecting

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Track 3: the dots and yet i just kind of thought it

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Track 3: was like a kind of a beautifully well done movie but

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Track 3: like ultimately like did not last for

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Track 3: me like i think the acting is really good the scripting is

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Track 3: good the the set design is really gorgeous but in

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Track 3: the end i think there's so many more emotions that

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Track 3: the rest of this list exhibits and and and

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Track 3: our experiences for the audience that i don't

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Track 3: know just spending two and a half hours being like kind of sad about the the

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Track 3: familial relationships in this movie just like didn't hit as as high as it did

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Track 3: for other people so i don't think this is by any means a bad movie but i also

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Track 3: think it's like probably the one on this list that if anyone is looking at like,

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Track 3: For some reason, they would be like, I'll watch nine out of the 10, but not at the 10th.

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Track 3: I would actually say like, yeah, probably skip Sentimental Value because I think

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Track 3: it is a little bit of a slog of a movie.

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Track 3: And sometimes that can be a good trait, but sometimes it can just like hit you

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Track 3: over the head with sadness.

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Track 3: And that's basically all the punches it's throwing, I think.

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Track 1: I thought it was beautifully made. And I thought the, I liked that,

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Track 1: you know, Stellan Skarsgård was really good.

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Track 1: I thought the acting was really good. I don't think

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Track 1: the story was I mean I enjoyed it

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Track 1: but again like you said I didn't think about it

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Track 1: really at all later it just sort of like left me as soon as the movie was over

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Track 1: and I know I feel like my joke review on Letterboxd is better than the movie

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Track 1: I just said what did Stellan Skarsgård sacrifice everything which is the line from Andor,

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Track 1: it was fine like I think it,

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Track 1: You know, I'll never see it again. It was the second to last one of the whole

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Track 1: 10 that I saw. So I guess that says something.

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Track 2: I did not see sentimental value. You know what? This is going to be my role

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Track 2: in this episode where I talk about why I didn't see some of these movies.

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Track 2: I don't care about said white people. I don't care about your stories anymore.

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Track 2: I don't care. I don't want to hear your stories.

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Track 2: I don't care about said European white people's stories. I don't care.

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Track 2: I don't i don't want to watch that like that's why i did not want like like

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Track 2: okay sad white people i don't care i don't want to hear.

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Track 3: I think that's like i think that's both like fair it's like i think sad europeans

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Track 3: are both like more real and less real than like our american lives in some sense

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Track 3: like it's both like a both and i think for me i don't want.

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Track 2: To hear about said white americans either i don't like,

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Track 2: these guys have health care.

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Track 1: At least you know like hey.

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Track 3: Yeah right what.

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Track 2: Do you guys have to complain about this is not exclusive to europeans either

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Track 2: i don't i don't want to hear about said white american stories either i don't

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Track 2: care i don't want to hear their stories i don't care about them.

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Track 3: Well there's some there's some sad some sad

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Track 3: white people stories in in the rest of this list that i think

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Track 3: are genuinely so good where i just think sentimental value

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Track 3: is it is what it is it's a fine movie

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Track 3: there's nothing like technically about it that i'm gonna like disparage

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Track 3: but you know ultimately i i just i can't

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Track 3: have much more like i can't really endorse it

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Track 3: but that's okay uh number seven

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Track 3: i feel like is a movie that when it was released everyone said it was the greatest

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Track 3: movie to ever exist and now literally everyone is like saying uh the star of

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Track 3: this film is maybe be the worst person to ever exist so it is really a phenomenal

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Track 3: turnaround but yeah as you can guess number seven is marty supreme and.

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Track 3: It is very fun. It is chaotic. It is very edge of your seat.

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Track 3: But it is also, I think, a movie that knows what it is so much that I think

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Track 3: is never able to like fully escape the kind of absurdity that it places itself in.

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Track 3: And so what you have is just this unlikable character that gets to run amok on screen.

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Track 3: And that's it. I don't think we learn any larger lessons. I don't think we really

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Track 3: get to experience the wider world of this film.

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Track 3: It is so engulfed within the personality of Marty Supreme that I think it just

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Track 3: leaves a lot to be desired on the periphery.

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Track 3: Like I think a lot of the characters surrounding Marty are really one dimensional

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Track 3: in some sense that I think he's given all the spotlight and then that is that

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Track 3: is the only place it's shining.

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Track 3: Everything else is out of focus for me. So, yeah, I think it's fun.

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Track 3: I think it's well worth people's time as far as like people wanting to watch

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Track 3: incredible performances.

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Track 3: Sure. But I also just think like if you don't enjoy movies with like annoying

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Track 3: characters, you're going to fucking hate this one. So, like,

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Track 3: this is not one that I'm, like, telling everyone, go watch this.

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Track 3: Like, it's like, you'll know you'll like it if you think you're going to like

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Track 3: it. And if you think you're not going to like it, you're also 100% correct.

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Track 3: So, go with this, you know, as you think.

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Track 1: Yeah, I, when I came out of seeing it in the theater, I felt like,

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Track 1: yeah, like, that was really fun.

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Track 1: And I, before I saw it, I'm not, I was never a Timothy Chalamet fan.

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Track 1: I just really just don't like him.

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Track 1: And I feel like I've been proven right that he's just like an annoying doofus

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Track 1: more so now than before, but.

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Track 1: Then you have Gwyneth Paltrow, also not a good person, you know, goop.

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Track 1: And I think that the parts of the movie that were really interesting were sort

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Track 1: of the subtext with, like, Japan.

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Track 1: And maybe if you view the movie as a satire, like, you could see it as being better.

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Track 1: But I don't think that Josh Safdie succeeded in those aspects.

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Track 1: I think you said, too, Nathan, like, the side characters and sort of the subtext,

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Track 1: everything sort of revolves around Timothee Chalamet's character.

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Track 1: That none of that actually gets to breathe any oxygen and that's kind of a shame

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Track 1: and i will never watch it again even though i enjoyed it the first time i just

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Track 1: it keeps like getting lower in my you know my listing i put it at five but i

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Track 1: feel like it could be seven yeah.

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Track 3: I walked out of the theater being like wow what an experience and then literally

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Track 3: like a week later i was like yeah it was an experience.

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Track 1: Shrug like.

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Track 3: It just is fine.

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Track 2: So this is this is my take on this um well first of Well, I hate Timothee Chalamet.

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Track 2: If I never see him in another movie again, I'll die happy.

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Track 2: Here's my take. If you want to watch something with unlikable people,

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Track 2: you got 17 seasons of It's Always Sunny or two seasons, Sleeper Hit, The Mick. There you go.

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Track 2: You got hours of unlikable people and pure comedy. It's great.

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Track 1: Well, you're not going to see Dune 3, Bill, even though Timothee Chalamet is going to be there?

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Track 2: He, yes, I'm going to see Dune 3, but that's because I love Dune.

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Track 2: That's not the same. How dare you call me out like that?

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Track 2: I want to watch Timothee Chalamet turn into a worm.

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Track 1: I also, I don't like Dune, like movie Dune. I like book Dune,

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Track 1: but I will see Dune 3 because of course I'm going to see it.

Speaker:

Track 2: Yeah, well, you hate this Dennis Villeneuve, and yet you watch all his movies.

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Track 3: This is like the beef between me and your podcast is Dene Villeneuve,

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Track 3: because he's maybe one of my favorite directors.

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Track 2: And look, I love him. Join the club, Nate. Join the club.

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Track 1: I know that I'm in the minority for that, and that could be a whole episode of my opinion on this.

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Track 1: I also didn't like the new Blade Runner. I hated it.

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Track 2: One day we're going to fight him.

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Track 1: I know. I get it. Sure. Everyone's pushing pause on the episode being like, this monster.

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Track 1: You know, it's just, whatever.

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Track 2: Ward and I have threatened to gag Evan and then do our own episode on Blade

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Track 2: Runner on numerous occasions.

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Track 3: At number six on the list this is this is

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Track 3: really the halfway kind of the the point

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Track 3: in which i really do like endorse these movies like

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Track 3: i think from here on out these are all movies that i think are well

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Track 3: worth everyone's time like i think they all have something artistically or creatively

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Track 3: done that i think is like we're in we're in the good we're in the good zone

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Track 3: um and number six is begonia which i think is a wildly fun time i also think

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Track 3: it's like maybe one of the best movies on this list to watch with another person

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Track 3: and just, like, have conversations.

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Track 3: Like, I think it's just a fun movie. I think Yorgos Lanthimos,

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Track 3: to me, this was, like, his...

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Track 3: Least weird movie which is kind of a negative for

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Track 3: me because what i wanted from this was for it

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Track 3: to get stranger because i ultimately thought

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Track 3: like while it is a strange like subject and stuff i thought

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Track 3: it was like incredibly predictable like if

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Track 3: you've watched his other films you kind of know the directions

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Track 3: in which he might go and so when he ultimately did do

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Track 3: those things and i i want to try to avoid spoilers especially on

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Track 3: like a list episode but like i i just

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Track 3: i i i could have i could have stood for a

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Track 3: little bit stranger time but the the

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Track 3: i think the big snubs for me are probably the acting in this

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Track 3: movie just did not get the recognition that it deserves and i think

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Track 3: it was just a phenomenally fun weird chaotic

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Track 3: and also like mind-bending time

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Track 3: like like i said this is just a great movie to talk to friends about because

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Track 3: it is just everyone's going to have a really strong opinion of a lot of different

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Track 3: parts of this and that's what makes you know that's what makes like art house

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Track 3: movies fun is like they build themselves up for conversations and for criticism

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Track 3: and begonia is perfectly set up for that i.

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Track 1: Also really like begonia i saw it in the theater and i actually just watched

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Track 1: it again either last night before because we're actually we're going to record

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Track 1: an episode on just on begonia soon actually tomorrow uh tomorrow but i also

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Track 1: find i i really enjoyed it i also kind of agree with you that it's

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Track 1: the least weird of his films and maybe also is a negative.

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Track 1: I think of Killing of the Sacred Deer, The Favorite Lops. Those are really weird movies.

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Track 1: I actually enjoyed it maybe more than Poor Things, which I also enjoyed.

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Track 1: The only one of his movies I didn't like was Kind of Kindness.

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Track 1: Maybe I need to watch it again. I don't know.

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Track 1: I think we won't spoil the movie or spoil what we're going to maybe talk about

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Track 1: in our dedicated episode, but suffice to say, I think that the ending is could

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Track 1: be viewed as dividing where other people liked or didn't like it.

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Track 2: That's all yeah that's i'm really looking forward

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Track 2: to our episode tomorrow uh recording our episode tomorrow about this

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Track 2: um i like just like i watched it

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Track 2: like two days ago or like a day ago um and

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Track 2: no i mean plemons really good

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Track 2: both plemons and stone like they definitely

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Track 2: got stopped in terms of like acting odds like definitely like 100 they both

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Track 2: deserve to be recognized i mean plemons it's almost on it's it's almost like

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Track 2: trite to be like oh well plums deserved a nod for like acting it's like oh really

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Track 2: plums plums deserve like no shit like is he an underrated like would.

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Track 1: You say he's like an underrated actor like he's been in some.

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Track 2: Movies he's an under he's an under nominated actor yeah he he is he does not

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Track 2: get not unrecognized under he is not given the um,

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Track 2: establishment recognition yeah that's a good way to say it like that he deserves

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Track 2: because he is a phenomenal I think the public knows.

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Track 3: He's phenomenal like.

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Track 2: Everyone seems.

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Track 3: To like agree that he's just.

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Track 2: He's one of the best actors.

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Track 3: Out there right now but like he's getting no nods from the.

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Track 2: Academy or.

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Track 3: From anything like that.

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Track 2: Nothing I don't I mean starting with like,

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Track 2: I mean, I don't know if it's his first, but, you know, the earliest things I

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Track 2: remember him from, Breaking Bad.

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Track 2: And just, like, absolutely, I remember, like, the moment seeing him,

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Track 2: like, his character in Breaking Bad was fucking viscerally disconcerting.

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Track 2: And it was like, oh, that's, he is either an incredible actor or an actual sociopath.

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Track 2: You know, and it's like.

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Track 1: Let me just throw this out there. This is the list of directors who've had him

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Track 1: in his movies. Martin Scorsese, twice.

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Track 1: Steven Spielberg, Paul Thomas Anderson, Yorgos, twice.

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Track 1: He was also, I think, in Shaka King's Judas and the Black Messiah,

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Track 1: although I can't remember who he plays in that. He's also in The Post,

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Track 1: another Steven Spielberg movie.

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Track 1: I mean, these people aren't putting, these world-class directors aren't bringing

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Track 1: him into their movies because he's like some middling actor.

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Track 3: He was the one redeemable part of Civil War. Yeah.

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Track 2: He was nominated for

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Track 2: a golden globe two golden globes he was nominated for two

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Track 2: golden globes one for begonia um he's

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Track 2: been nominated three times in emmy and like this is the point okay he's been

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Track 2: nominated he has five wins 42 noms 42 five wins and it's like what the fuck

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Track 2: are you doing here people like come on like,

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Track 2: forgive if we're going to give a white man an award we should get jessica clemens

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Track 2: an award for acting i'm sorry that that's my hot take um,

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Track 2: And I also, like, we're going to talk about the ending because I did not like

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Track 2: the ending. I did not like the ending of this movie.

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Track 1: Don't say what the ending is.

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Track 3: I love the ending, by the way.

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Track 2: I'm not interested.

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Track 3: I want to say that. I know I'm not on that episode, but I want to say.

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Track 1: Like, I love the ending.

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Track 2: Listen, it's not that I disliked the ending. It's, I have ideological issues with the ending.

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Track 3: I can understand that. I think that's reasonable. So we'll go on to our number five pick.

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Track 3: And this is where I think all the internet hate will come from for me.

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Track 2: Oh, I'm going to fight.

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Track 3: I'm going to fight you. At number five, we have Sinners. Like I said,

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Track 3: at this point in the list, I really enjoyed Sinners.

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Track 3: I do think for me, though, just because I feel like I need to say something

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Track 3: negative about it because people are going to ask why it's not number one or

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Track 3: two or something. You know, I just think...

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Track 3: I wish there could have been more to it. I think specifically,

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Track 3: one of the things that caught me off guard so much was how much the visuals

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Track 3: of this movie, I think, are almost there, but not quite.

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Track 3: I think Ryan Coogler uses a lot of shallow depth of field in his filming style,

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Track 3: and I just wish we would have given a lot more visual attention to the entire

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Track 3: scenery of everything going on.

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Track 3: Like, I think there's a lot of kind of focus on the characters,

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Track 3: which I think are really well done.

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Track 3: But I think there's just so much beautifulness that's going on all around us,

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Track 3: which is like the opposite that we have in like its hallmark scene with like the music happening.

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Track 3: It's like, no, we are we are getting like every visual flavor possible.

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Track 3: And then I think in like the rest of the film, we have like ultimately an ending

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Track 3: where it's like it's dark out and it's hard to see,

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Track 3: which is just it's a really tough thing for me because I think I just

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Track 3: wanted a little bit more like visual stimulation

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Track 3: of this movie but it is really special the acting the writing the music in particular

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Track 3: the music is phenomenal um but yeah i think it's it's a really great time it's

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Track 3: also one of those things that like it's a great movie to throw on at a party

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Track 3: because a lot of people are gonna have a lot to talk about or if people just want to sit and watch,

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Track 3: It's great. So I, um, yeah, I really love this one.

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Track 1: Yeah. I, I have sinners as my number one, um, for the, for the nominations.

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Track 1: I also just, I saw it a few times in twice in IMAX and I've watched it once since then.

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Track 1: And it just, it's, um, it's much different to me than sort of your normal fare and not to,

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Track 1: I don't mean like the other 10 movies on the list just sort of it

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Track 1: felt like so different than most of the kind

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Track 1: of it's hard to believe that it came out of you know

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Track 1: a major studio like getting this movie made i

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Track 1: know that he had like you know some of the deals as part of it and

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Track 1: all of that but i just i found most of it visually beautiful the soundtrack

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Track 1: i mean i hope it's been nominated for 16 or 17 the most ever and i i have this

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Track 1: deep-seated fear that it's going to be like that one time where it gets all

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Track 1: the nominations and then doesn't get an award or something or they like throw it you know,

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Track 1: some you know lower award you know not that it's bad to get an academy award

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Track 1: but it won't get any of the major you know nominations so it'll get like ensemble cast.

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Track 3: And then lose out on everything else or.

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Track 1: Something right exactly yeah so I hope that it gets something good it.

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Track 3: Is a weird film to be nominated 17 times but also not be the front runner in

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Track 3: basically any category At least, like, how prediction markets and,

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Track 3: you know, I'm not talking about, like, the betting.

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Track 3: But, like, how people are, like, assuming these awards are going to go.

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Track 3: Like, it's not really...

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Track 3: It doesn't have the same height that a lot of these other films do uh which

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Track 3: is very strange for the most nominated movie i've ever but although shalom is dropping in.

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Track 1: The uh best actor because of him being.

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Track 3: Just a douche nozzle see.

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Track 2: To me all right so like sinners is my number one sinners is my number one movie

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Track 2: like for this and like most things um and to me like sinners literally like

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Track 2: i'm like the rest of the list to me is just like oh this is why i don't actually

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Track 2: respect or care about the Academy Awards.

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Track 2: Oh, look, you've nominated 10 of the usual shit.

Speaker:

Track 2: It's just Academy Award winning. It's like the same stuff. It's stereotypical. It is like...

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Track 2: It's rote. It's just like, make this stuff, we get an award. Bah, bah, bah, bah, bah.

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Track 2: For the most part, the vast majority of these, like, I think Secret Agent,

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Track 2: to me, you know, stands out.

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Track 2: Begonia. But, like, the rest of them, like, to me, like, most,

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Track 2: they all, like, none of these movies, I'm like, God, these are, like, these are movies.

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Track 2: That's how, like, to me, like, Sinners, Sinners stands out.

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Track 2: Sinners stands out as a movie that tells a story that needs to be told,

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Track 2: that needed to be told, as opposed to most of these movies, which are telling

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Track 2: the same fucking story that we have heard a thousand times.

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Track 2: And I don't care about sad white people anymore.

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Track 3: At number uh four on the list we

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Track 3: have the secret agent which i just

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Track 3: got to say this to get out of this out of way this is my favorite ending of

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Track 3: a movie this year because a lot of these movies have like spectacular

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Track 3: uh endings uh like you

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Track 3: know they're they wrap up fairly well but this one

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Track 3: i have like thought about every day like

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Track 3: and and without getting into spoilers just like i think this movie leads you

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Track 3: on a path that you don't know where you're going the entire time and then once

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Track 3: you get to the final thing you're just like oh oh i i you know it's it's like

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Track 3: it's hard to wrap your head around what you've been watching and how it concludes

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Track 3: and so i do think it's just a.

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Track 3: Wonderfully cinematic experience it's one of those things that like i think is,

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Track 3: It's made for people that love movies. Like, it's one of those things that,

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Track 3: like, if you just love going to sit in a theater for two plus hours and just

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Track 3: be, like, enraptured by a story, it's one of those things that,

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Track 3: like, it has you on the edge of your seat.

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Track 3: And not always through, like, stereotypical forms of tension,

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Track 3: not always through violence or anything, like, exciting, but through,

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Track 3: like, just the sheerness of, like, not always knowing what you're watching,

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Track 3: not always knowing what's happening.

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Track 3: And I think a movie that's able to do that is something really, truly special.

Speaker:

Track 3: And also, it's just got some really great performances.

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Track 3: I mean, from, you know, Wagner Mora, which is just like, he might be my favorite

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Track 3: singular performance of the year.

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Track 3: But also, I don't, she didn't get nominated, but the landlady was one of the

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Track 3: most memorable characters from this entire year for me. So I love The Secret Agent.

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Track 3: It's obviously a movie not enough people have seen because it's a two and a

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Track 3: half hour or two hours, 45 minute Brazilian film, but it's just,

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Track 3: it's truly spectacular.

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Track 1: It's honestly, I have this one as I think, I think I have this one as number two for the year.

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Track 1: Again, I think criminally underwatched, partly, as you said,

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Track 1: for the length and the kind of movie it is, you know, having subtitles and,

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Track 1: you know, people sitting there on the couch on their phone aren't going to be

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Track 1: able to follow along, unfortunately.

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Track 1: But I thought it was spectacular.

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Track 1: Like, I didn't know anything about it other than just like, oh,

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Track 1: yeah, I need to, you know, see this because it's one of the nominated films.

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Track 1: And I was just kind of blown away where I need to now read more about this period

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Track 1: of time then because I don't really know much about, like, late 1970s Brazil,

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Track 1: other than broad strokes.

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Track 1: And so it really is a very...

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Track 1: It was beautiful. Again, you said the ending. It kind of took you on a journey

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Track 1: that you weren't expecting, even from, like, the opening scene.

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Track 1: I just really had no idea what to expect from this. And, yeah.

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Track 1: I honestly could see if Fagnamura won the best actor, I would be pretty happy.

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Track 1: Even though Sinners would lose on a major, I would be like, yes, he deserved that.

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Track 2: I think what you said, Evan, about how, like, how this made you,

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Track 2: like, want to, like, read about, like, 1970s Brazil. So like,

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Track 2: to me, like that's the hallmark of something, like that's the hallmark of a

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Track 2: really powerful stories. Like we're like, it, it touches on a real life thing.

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Track 2: And then like, you want to learn about that thing and you want to delve into that.

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Track 2: And like, that's why, like, to me, this like stands out as opposed to like so

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Track 2: many of the other options, like so many other options that it's like,

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Track 2: it draws you in and you want to like learn and like delve into that.

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Track 2: And that it broadens your horizons in ways that, you know,

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Track 2: grand prix drives right drive well.

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Track 1: And it's super pertinent no insults.

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Track 2: To grand prix people you know.

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Track 1: And it's super pertinent too like without getting too much

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Track 1: into sort of like the plot and all that but you know it deals

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Track 1: with sort of like you know fascism in brazil

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Track 1: in the 1970s and you know who would

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Track 1: have thought that would be still relevant in 2026 um uh

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Track 1: probably everyone every marxist ever yeah um but yeah so it feels like very

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Track 1: relevant and so yeah if you haven't seen this one of all the movies i know there's

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Track 1: lots of other ones maybe i also really like i think people really should go see this without a doubt.

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Track 3: Yeah it's it's certainly like i think it's just like the most under watched

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Track 3: of this whole list like i i don't think i think even people

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Track 3: that are like yeah i like watching you know i like watching new releases i

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Track 3: think most people didn't even take the time to check on

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Track 3: show times for this one and truly like people are missing

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Track 3: out because it's phenomenal and you know like i

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Track 3: i am a big supporter of theater i think it's you

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Track 3: know if you can go see a movie in a theater if it's financially or

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Track 3: or location wise accessible like yeah do

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Track 3: that um however this one is as long as you're not on your phone like evan said

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Track 3: like it's still going to be a special time like but if you are on your phone

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Track 3: for a goddamn minute you will not understand literally anything that's happening

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Track 3: so uh put that phone in another room please for god's sake.

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Track 2: Unless you speak portuguese i mean.

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Track 3: Yeah right there's.

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Track 1: Like portuguese there's a few words in english but that's about it.

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Track 3: Yeah um at number three on the list is hamnet and hamnet i think is one of those few times where,

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Track 3: You can, I think a lot of people would say, like, you're gunning for the Oscars.

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Track 3: Like, you made a Oscars movie.

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Track 3: Like, you're playing to the crowd kind of thing. And yeah, this one hits.

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Track 3: Like, I know it's Shakespeare. I know it's all these types of things.

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Track 3: But like, this made me want to go back and read Shakespeare.

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Track 3: And like, as a book person, I've read Shakespeare a lot, but I still wanted

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Track 3: to like go back and kind of like live in that world for a second,

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Track 3: because I think it's just so beautiful to me. I think it probably dragged a little bit, honestly.

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Track 3: Like, there are probably some visual callbacks and those types of things that

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Track 3: I just don't think were, like, totally necessary.

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Track 3: But at the end of the day, this was the only movie that I, like,

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Track 3: hard cried to all year and just had, like, a serene, genuine emotional experience

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Track 3: watching. And I was just so happy to have that in a movie.

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Track 3: Like, it was a phenomenally, like, well-put-together film that I think just, like...

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Track 3: I mean, I guess people are going to say it's saccharine and all those types

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Track 3: of things, but, like, sorry, sometimes it works.

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Track 3: Sometimes, you know, they play on the nature of daylight, and it actually does

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Track 3: elicit the emotions that it was intending to do.

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Track 3: And, like, the movie ultimately, like, succeeds at what it sets out to do.

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Track 3: And I think for some people that's so frustrating that they have to,

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Track 3: like, you know, throw the baby out with the bathwater. But, like, I don't know.

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Track 3: For me, I just, I loved it. I think it's a visually stunning movie.

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Track 3: It the gorgeous colors all over the screen and so i i couldn't get enough of

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Track 3: this one and i am so happy that i um saw this one in theaters.

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Track 1: Yeah i didn't this was so this was the last of the movies i saw and not because

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Track 1: like i thought it would be bad i was sort of afraid,

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Track 1: like that the hype for it was like it

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Track 1: was too overhyped in a way like everyone's like oh i saw this and

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Track 1: i cried and it's the you know it should win and

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Track 1: and all that i'm like i'm sure it's not that you know i'm sure

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Track 1: it's fine and then i'm like oh yeah this this uh this movie

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Track 1: makes you cry and it's really really good

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Track 1: and i put this one this was number three on my list so still on

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Track 1: the very top echelon of the movies this year and yeah

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Track 1: i mean i thought i also i love emily watson

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Track 1: and she doesn't do enough movies as

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Track 1: or i mean she's in movies but i feel like not in as

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Track 1: many and yeah and jesse buckley also

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Track 1: um i saw this and i also saw

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Track 1: the bri within like three days of each other and the

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Track 1: range that i that you see between those two of her also makes me think like

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Track 1: she could you know she could win the the academy award for this too i mean she

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Track 1: certainly should well she could and i think i don't i don't know what the front

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Track 1: runner is based on like the betting market but,

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Track 1: I didn't pick her to win, but I feel like I should have.

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Track 2: You're not logging on the poly market.

Speaker:

Track 1: No, no, I don't, I don't bet on the, the Iranian, uh, bombing,

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Track 1: whatever the hell they're doing over there on that scam website.

Speaker:

Track 1: But yeah, I mean, again, I think this is a movie that maybe if you're like,

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Track 1: I hate Shakespeare and everything about it, you might not like it,

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Track 1: but I'm not a big Shakespeare person in general.

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Track 1: And I really enjoyed it. So maybe that's, uh, a, uh,

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Track 1: A ringing endorsement from a non-Shakespeare fan.

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Track 2: I have nothing to add to that. I've been in a Shakespeare play, and I like Shakespeare.

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Track 2: But I did not get a chance to see Hamnet, so I got nothing on that.

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Track 3: Yeah, I've been thinking about writing a creative essay about the use of On

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Track 3: the Nature of Daylight, which has been used in several different movies,

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Track 3: notably in Hamnet and notably in Arrival, both

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Track 3: during like the penultimate emotional scene where

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Track 3: it's like the song is there it's a

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Track 3: beautifully composed song by max richard and it's there to like

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Track 3: move the audience but like sometimes and

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Track 3: i think people have been upset about its overuse in film

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Track 3: but sometimes that is the shared language of

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Track 3: cinema like link cinema has the

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Track 3: ability to make us emotional it has the ability to through

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Track 3: visuals through audio through themes and

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Track 3: motifs and all of these types of things it can do that to

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Track 3: people and when it like just genuinely does that

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Track 3: like it is a beautiful experience that

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Track 3: I think you hold on to and for me like that's certainly

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Track 3: how I feel like I'm I'm so glad that I saw it

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Track 3: so um which is also basically exactly how I feel of number two if not probably

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Track 3: even more profound and that is number two is train dreams which I think is just

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Track 3: the most emotional watch of the year for me I I read the book it's for anyone

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Track 3: I you know I've tried to get away from talking about books too much,

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Track 3: but it's a two-hour audiobook and that I think is worth everyone's time. And...

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Track 3: It's a phenomenally well done movie that to me is like the most confounding

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Track 3: movie of the year, honestly, because one, how did Netflix make a movie this good?

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Track 3: Like that doesn't make sense to me because like they're the normally the Netflix

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Track 3: produced movies like look like dog shit.

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Track 3: It's gorgeous it is a beautiful looking movie they filmed

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Track 3: it in a ratio that you don't often see it's more of like a

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Track 3: I don't think it's exactly square framed but it's

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Track 3: it might be 16 by 16 actually but the aspect ratio of it perfectly fits the

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Track 3: storyline you have beautiful visuals of the landscape of these people of these

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Track 3: costumes and then also you've got a soundtrack and a script that is just so

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Track 3: well done and secretly you know my guilty pleasure in movies is.

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Track 3: Voiceovers that are really well done and the voiceover that

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Track 3: they get for this movie is actually the narrator of the audiobook so

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Track 3: it just like it has this you know like

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Track 3: personal tie for me of just something that I like I I

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Track 3: loved the book but I love the movie even more because

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Track 3: I think it just takes everything and just escalates it

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Track 3: so also who knew Joel Edgerton was

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Track 3: capable of this like that to me that was like the startling thing

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Track 3: it was like Netflix made it and Joel Edgerton is leading it

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Track 3: and i i just i didn't have a lot of hopes for this and 10

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Track 3: minutes in i was like oh shit this is this is something different and

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Track 3: by the end of it i was truly like blown away by this movie and it's it's the

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Track 3: only movie i've seen all year where i literally did like uh stop the movie because

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Track 3: i watched it at home because it's netflix but i stopped the movie and like texted

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Track 3: like 20 of my friends i'm like you've you gotta see like i'm not joking please go put this on right now.

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Track 1: So, okay, Bill.

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Track 2: I was just going to comment about the ratio. So the ratio, it was filmed in a 151 ratio.

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Track 2: And it was specifically filmed that way to capture the very calorie of the trees.

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Track 2: It was a very conscious decision to get that feel.

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Track 1: That makes sense. So I have two opinions about the movie that are,

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Track 1: well, this is towards the bottom of my list.

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Track 1: But I will say this. It was probably, if not top two or three in terms of just

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Track 1: beautiful shots, beautiful cinematography.

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Track 1: Like I can't can't really say a single bad thing about how the movie looks and

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Track 1: all of that. It just didn't.

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Track 1: Pull me in to the world and

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Track 1: i don't know why i just

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Track 1: i felt like it was i could see like the beauty

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Track 1: it like has this of course if i don't want to spoil anything but like extremely

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Track 1: sad aspects of it that are just like heartbreaking to watch and i felt that

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Track 1: emotion but i don't know it just didn't do enough for me whereas like hamnet

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Track 1: also has sort of this you know extremely,

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Track 1: sad aspect that makes you cry.

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Track 1: I don't know. It just, that turned on something in me, whereas in Train Dreams,

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Track 1: it just didn't hit me as hard. So, again, I just.

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Track 3: It's the accents.

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Track 1: I don't know. I mean, I agree with you though. I thought that both Felicity

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Track 1: Jones, who didn't have a huge role, but Joel Edgerton was extremely good in

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Track 1: it. It just didn't get me.

Speaker:

Track 1: And then a sec, another movie with Carrie Condon. She's also an F1.

Speaker:

Track 1: So, you know, she's like, how many Academy Award, not many films can I be in

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Track 1: this year? I guess there's two.

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Track 2: To me, I have, other than aesthetics, like, to me, this just smacks of settler

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Track 2: colonial navel gazing, and I don't care.

Speaker:

Track 2: Like, that's all it was to me. Like, settler colonial navel gazing.

Speaker:

Track 2: Sad white Americans don't care. I don't care.

Speaker:

Track 2: Like, these are stories that have been told a thousand times.

Speaker:

Track 2: Like we're still we're still we're still just rehashing like shit that Hemingway

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Track 2: wrote like okay I don't sorry.

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Track 1: It's fair for.

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Track 3: At number one on the list uh here's

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Track 3: here's where we here's where we have some fun on the

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Track 3: podcast uh my favorite movie of the year one battle

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Track 3: after another i i am obsessed

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Track 3: with this i think the podcast take that i'm on

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Track 3: the left of the projector podcast is not going to agree with me

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Track 3: on this one so let me say my piece um i

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Track 3: i think this is the funniest movie of the year i didn't

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Track 3: see naked gun to be fair but i just think this

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Track 3: is a phenomenally well done political satire that

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Track 3: is just both visually interesting and

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Track 3: also like incredibly well written the scripting

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Track 3: is phenomenal the characters are vivid and

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Track 3: alive and kind of

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Track 3: miserable in some sense like i think they just

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Track 3: do such a good job at all conveying

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Track 3: really particular things that i think

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Track 3: you know if you dive into the

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Track 3: politics which i think are you know

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Track 3: fairly by the numbers but like i i

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Track 3: think that's i think that's where a lot of people get held up

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Track 3: on this movie but i think for me i was just like i was along for the ride in

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Track 3: every way and i saw this movie opening theater opening weekend in imax in 70

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Track 3: millimeter and was just like one of the most fun theater experiences that i've

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Track 3: ever had because it's just you're just bracing yourself for the.

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Track 3: All the weird twists and turns that this movie makes. And I was along for the

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Track 3: ride every single time. So I, I love it. I also think it's got a lot of heart to it.

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Track 3: And, um, I think maybe my favorite character all year is Sensei,

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Track 3: I think is just one of the coolest people put to film in the last few years.

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Track 3: And so when I get to see, uh, you know, little snippets of life being told through

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Track 3: a way like this, I found it so fascinating and so compelling that I couldn't get enough of it.

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Track 1: So, if you have seen my list, I have this movie 10th.

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Track 1: And I also feel like I need to explain myself. Because,

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Track 1: I also saw this movie the opening weekend in IMAX.

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Track 1: And if you go on to Letterboxd, I didn't change or remove my original review,

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Track 1: the day I saw I got home and I gave it five stars.

Speaker:

Track 1: My opening was PTA one banger after another. I thought the action was incredible.

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Track 1: I think it is an incredible ride. I was like swept away with the crowd.

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Track 1: I thought the scene in the car on the road is just one of the most spectacularly

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Track 1: shot scenes with the most tension and the best music you can probably ever have.

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Track 1: And I still would agree that the way it

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Track 1: was filmed and some of the especially benicio

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Track 1: del toro as you just mentioned the sensei character like is really good

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Track 1: and i think he was probably my favorite part of the whole

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Track 1: movie and then i saw it again in the theater a couple of weeks later not an

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Track 1: imax just sort of the regular version and then was reading some discourse and

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Track 1: sort of kind of reevaluating it and i still contend that the movie is extremely well made.

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Track 1: As I thought more about the politics, perhaps, and some of the female characters

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Track 1: in it, it just dropped on my list more than I thought.

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Track 1: I feel like I'd recommend seeing this movie more than some of the other movies.

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Track 1: I'd see this instead of F1, see this instead of Train Dreams.

Speaker:

Track 1: I feel like I would need a lot longer time to make my thoughts known,

Speaker:

Track 1: but no disrespect from people, but this is one for most people.

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Track 1: I posted my thing on threads and everyone's like, your opinion is demented,

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Track 1: like the worst take I've ever seen in my life. Like, you know,

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Track 1: typical threads discourse.

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Track 3: Should I post my little picture on threads and just see if we get the same comments,

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Track 3: even though our orders are like the exact opposite? to see like.

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Track 2: You get the.

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Track 1: Sinners people being like you racist monster i don't know something something that someone will say.

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Track 2: So full disclosure i did

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Track 2: not watch this film i had every intention of watching it and as

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Track 2: time went by i just kept reading like i abandoned the pretense of watching this

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Track 2: film and just kept reading about it and talking to people about it and as time

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Track 2: went by I grew to despise it more and more because of the politics.

Speaker:

Track 2: And I'm like, if you read it as satire, and Ward disagrees with us.

Speaker:

Track 2: Ward is like, I like it, it's funny satire. Ward, our co-host who is not here tonight.

Speaker:

Track 2: But I'm like, I don't even want to give this time.

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Track 2: Like, I got more and more turned off against it as I read opinions primarily

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Track 2: from Black women. And I'm like, I don't want to watch this. I don't want to give this attention.

Speaker:

Track 2: It actually turned me off.

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Track 2: Also, I don't like Leonardo DiCaprio. Yeah.

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Track 3: I think, I think this has been like, I think the crux of this year's discourse

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Track 3: online has really obviously revolved around sinners in one battle after another.

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Track 3: And I think to me, this is just what the, what social media is made for.

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Track 3: It's, it's been made for just like inflamed rhetoric of just like,

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Track 3: of categorically trying to get people upset.

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Track 3: And so I'm not saying there's not any critiques of these movies.

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Track 3: It's not, that's not my take at all. But I do think social media produces itself

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Track 3: in order to have the most inflamed takes that you can.

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Track 3: And so when people are saying like, you know, basically these two movies have

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Track 3: been pitted against each other, which I don't think even by their politics,

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Track 3: I don't think they need to be pitted against each other.

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Track 3: Like not the way that i view things but it

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Track 3: is it is a fascinating thing to be online and watching these

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Track 3: things and and when we watch the oscars like it's

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Track 3: going to be that exact experience when when people when one of these movies

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Track 3: wins and the other one doesn't for any category that any of them are nominated

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Track 3: in and so yeah i do think to me i've had this like kind of separation in my

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Track 3: head for like the last little while of like of movie fans versus like.

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Track 3: Internet movie fans you know what i'm saying like and i

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Track 3: think like that's been that's been like the conversations that i've

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Track 3: had with people in real life where it's just like you can kind of tell

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Track 3: sometimes and and i think i

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Track 3: think for i think for movie fans it's like well worth the time but i think you

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Track 3: know some of the discourse has become so engulfed within like just like the

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Track 3: the viral vitriol that it's it's hard to parse through like what what is genuine

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Track 3: and what is real artistic criticism.

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Track 2: I don't disagree with you my perspective

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Track 2: on this particular movie is not as a movie

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Track 2: fan even it is as a person who has been involved in

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Track 2: activism and like been involved in like

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Track 2: leftist like activism like marxist leninist

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Track 2: organizing like that is my perspective as this is as like what i've learned

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Track 2: about like have like about this movie like that's my perspective on this why

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Track 2: like it became more and more like i'm like i this is distasteful to me like

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Track 2: that's my like personal like how i came to this the.

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Track 1: Ideal world for me and and i know i just like

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Track 1: told everyone that this is my least favorite or like ranked least favorite of

Speaker:

Track 1: the year is i think what could actually happen is that one battle after another

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Track 1: will win the best adapted screenplay and Sinners will win best original screenplay

Speaker:

Track 1: and then everyone can just be like, cool, we're good now.

Speaker:

Track 2: You know? Yeah, that's a good compromise.

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Track 3: I think if they both win five awards, you know, like maybe that,

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Track 3: it would break the internet because they would have nothing to discuss.

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Track 3: Like it's not a super viral moment, you know, it's just actually like we have

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Track 3: nothing to say. You can't respond.

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Track 2: Brian Cooper slaps Paul Thomas Anderson.

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Track 3: Right.

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Track 1: Slaps Paul Thomas Anderson.

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Track 2: Yeah, get your...

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Track 2: You know, what is it? Get her name out of your mouth. The Will Smith thing.

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Track 1: Yeah.

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Track 3: We don't have this in the show notes, but I did want to, you know,

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Track 3: before we close, was there any, I don't know if you guys are going to be watching

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Track 3: the Oscars, if you're like big fans of the program and stuff like that.

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Track 3: But I was curious if you had like any kind of predictions that we might want

Speaker:

Track 3: to share with the audience. Because I think, you know.

Speaker:

Track 1: I think a lot of people. I will be watching. Yeah. I mean, as much as I both

Speaker:

Track 1: like dislike the Oscars, I also like will watch it because I just have to,

Speaker:

Track 1: you know, know what's happening.

Speaker:

Track 1: You know, I don't feel like I have any major.

Speaker:

Track 1: The problem I have when I fill out my my, you know, my predictions for the Academy

Speaker:

Track 1: Awards is I go based on like the movies that I like sometimes more than what

Speaker:

Track 1: probably will win just based on historical precedent is.

Speaker:

Track 1: I think I try looking at my list to see if there's anything crazy.

Speaker:

Track 1: I think that Hamnet's going to win Best Director. That would be my one of the...

Speaker:

Track 1: I don't think that would be out of their own possibility, but I think that's what's going to happen.

Speaker:

Track 2: I literally do not possess the means to watch the Oscars.

Speaker:

Track 1: Oh, like cable TV.

Speaker:

Track 2: I do not have the ability to watch them. So, no, I won't be because I can't.

Speaker:

Track 2: I just read about it the next day.

Speaker:

Track 1: Do you have any big predictions, Nathan, of something that might win?

Speaker:

Track 3: I think my biggest, like,

Speaker:

Track 3: my hot take, because I just have a really bad feeling about this,

Speaker:

Track 3: and I don't know why I've had a bad feeling about it the entire time,

Speaker:

Track 3: is I think the Best Actress award is going to go to Kate Hudson for Song Sung

Speaker:

Track 3: Blue, which I think is a horrible, horrible choice.

Speaker:

Track 3: Like for definitely I've watched, I've watched all five of the,

Speaker:

Track 3: those and worst, worst one out of those.

Speaker:

Track 3: But for some reason, I've just had that in my head that they're going to,

Speaker:

Track 3: they're going to pull some weird award. And for some reason,

Speaker:

Track 3: I think it's going to be the actress.

Speaker:

Track 3: No, I think, I think like the big thing is like, what's going to happen with Timothy Chalamet.

Speaker:

Track 3: I think that's been kind of like what's kind of devolved over the,

Speaker:

Track 3: like the last little bit. And so that one's really hard.

Speaker:

Track 3: I really hope it's, like that's

Speaker:

Track 3: that's who i i truly hope wins this one but

Speaker:

Track 3: no i think it seems like one battle after another is probably a lock for best

Speaker:

Track 3: picture at this point uh i just don't know that sinners has made enough like

Speaker:

Track 3: gangway or and in the last little you know like bit of promotion for it uh so So we'll see,

Speaker:

Track 3: but, but like you said, I think, uh, splitting the script between,

Speaker:

Track 3: uh, sinners and one ballot after another would be like kind of best of both worlds for me.

Speaker:

Track 3: I think that would be a really, uh, fun way to, I think, nominate two of the biggest, like.

Speaker:

Track 3: Kind of cultural movies of this year like i'm not saying that they were the biggest box.

Speaker:

Track 2: Office but certainly.

Speaker:

Track 3: If you spend any time online they were two of the most discussed movies and

Speaker:

Track 3: so i think that would be like a a really cool thing.

Speaker:

Track 1: I would say my other thing is i hope that um elio or zootopia 2 do not win the best animated feature.

Speaker:

Track 2: Evan yeah.

Speaker:

Track 1: I hope that.

Speaker:

Track 2: It's k-pop demon hunters honestly evan you stole my

Speaker:

Track 2: fucking point oh sorry i you literally

Speaker:

Track 2: just took the words like my fear is

Speaker:

Track 2: that one of them is going to win and it's because

Speaker:

Track 2: disney has to like prove like you know

Speaker:

Track 2: and it's like the the like establishment has

Speaker:

Track 2: to like you know defend itself basically and i

Speaker:

Track 2: am afraid one of them is going to win and i love k-pop demon hunters um and

Speaker:

Track 2: i do think k-pop actually deserves to win not just because of the quality um

Speaker:

Track 2: but the innovation of the animation but also the music and the storyline. I,

Speaker:

Track 2: But I also think that other movies are also worthy, like Arco.

Speaker:

Track 2: Arco was an amazing movie. I absolutely loved Arco.

Speaker:

Track 2: And if Arco won, I'd be perfectly happy with that, too.

Speaker:

Track 2: Like, beautiful movie, great story, incredibly heartfelt and touching.

Speaker:

Track 2: Like, absolutely, yeah. Like, I teared up at the end of Arco.

Speaker:

Track 3: I do think if anyone spends any time on threads, they're just like,

Speaker:

Track 3: anytime Sinners, that night, anytime Sinners loses an award,

Speaker:

Track 3: they're going to, like, lose their goddamn mind.

Speaker:

Track 3: And the one that I know for a fact, I guess you can't really say that,

Speaker:

Track 3: but I have, I'm a hundred percent betting my money.

Speaker:

Track 3: Not really, but I'm betting my money on Golden to win best song.

Speaker:

Track 3: Golden's the song from K-pop Demon Hunter. I think it's the most locked in a song has ever been.

Speaker:

Track 3: And so if people at all try to start discourse about K-pop Demon Hunter winning best song,

Speaker:

Track 3: I just think you you are not attached to Hollywood or cinema or you're just

Speaker:

Track 3: there to like say inflammatory stuff online because like golden I don't really

Speaker:

Track 3: like animated movies that much but golden is a fucking bop.

Speaker:

Track 2: My wife's hot take is that Golden is the weakest of the K-pop Demon Hunter songs. That is her heart.

Speaker:

Track 3: Which I think is still fair.

Speaker:

Track 2: Her hot take, she's like, Golden is not the best one. And I kind of agree.

Speaker:

Track 2: I think your idol might actually be better.

Speaker:

Track 2: That's a good song. I do think I love I Lied To You. I love that song. I love that song.

Speaker:

Track 1: And I do.

Speaker:

Track 2: Love Golden too.

Speaker:

Track 1: My last thing is I hope that The Secret Agent is not going to win Best Picture

Speaker:

Track 1: but I hope that it wins Best International Feature Film Best International so

Speaker:

Track 1: that I haven't seen all the other ones there so I can't,

Speaker:

Track 1: compare it but I feel like it's worthy to win that award and hope that it does because it.

Speaker:

Track 3: Deserves something I feel like the Oscars does a weird thing where they always nominate

Speaker:

Track 3: an international film for Best Picture and it

Speaker:

Track 3: gets nominated for international but it never wins either of

Speaker:

Track 3: them except so i have a sneaking suspicion that's going to happen again but

Speaker:

Track 3: no i do i do i mean man if it won best picture and best like international which

Speaker:

Track 3: it won't i'm not saying it will that's never gonna happen that would be that

Speaker:

Track 3: would be great for me i would i would go to bed happy yeah.

Speaker:

Track 2: That would you know what i would take that as a sign that the Academy Awards,

Speaker:

Track 2: is actually worth giving a shit.

Speaker:

Track 3: About. Yeah.

Speaker:

Track 2: Like, straight up. Like, as much as I love Sinners, I'm like.

Speaker:

Track 3: You made an interesting choice that wasn't terrible.

Speaker:

Track 2: That'll be a seismic cultural shift.

Speaker:

Track 1: I mean, I have to say, I wouldn't be mad if it won Best Picture over any of the other ones.

Speaker:

Track 1: I would say that breaks the internet, breaks everything.

Speaker:

Track 1: I hope that Kate Hudson doesn't win. I didn't see the movie you were talking

Speaker:

Track 1: about, but I don't think that she's better than Jesse Buckley or even Rose Byrne.

Speaker:

Track 3: She's the worst one in the category.

Speaker:

Track 1: Yeah.

Speaker:

Track 2: Yeah.

Speaker:

Track 1: Yeah. I thought Rose Byrne's performance in If I Had Legs, I Kick You was really good too.

Speaker:

Track 3: And we didn't get to talk about it in the shout outs or anything,

Speaker:

Track 3: but I had a lot of fun with weapons.

Speaker:

Track 3: I just want to say maybe that's my log off thing that I say for the episode,

Speaker:

Track 3: but we didn't get to talk about weapons.

Speaker:

Track 3: It wasn't in my, you know, my snubs or anything like that. But I do think it's a very fun movie.

Speaker:

Track 3: I like a weird horror movie more than I like like a scary horror movie, if that makes sense.

Speaker:

Track 3: So I'm just happy that weapons existed this year, even though like ultimately

Speaker:

Track 3: it wasn't, you know, it wasn't in my like top 10 of the year.

Speaker:

Track 3: List, but like Amy Madigan, uh, got nominated for best supporting and she,

Speaker:

Track 3: man, she destroyed it in that movie. So had a fun time.

Speaker:

Track 3: Uh, that's a really tough, uh, actress in a supporting role is Elle Fanning.

Speaker:

Track 3: And we've got the two from, we've got sentimental value centers, weapons, one battle.

Speaker:

Track 3: I mean, it's like, it's all some of the heavy hitter performances of this year.

Speaker:

Track 3: And so I'm really excited for, to see who wins that one.

Speaker:

Track 3: Cause I think that's probably about the closest that you could have for an entire category.

Speaker:

Track 1: Agreed. Yeah, I love weapons too. I think Bill probably would agree as well.

Speaker:

Track 2: Yeah, I loved weapons.

Speaker:

Track 1: Awesome. Well, um...

Speaker:

Track 2: I actually forgot to, like, include that in my stops.

Speaker:

Track 1: I know. That was... I actually did write it and then I deleted it being like,

Speaker:

Track 1: well, like, maybe I have other ones that I like more, but... Yeah.

Speaker:

Track 1: But Nathan, and for Bill and myself, I love the projector and Schizophrenic

Speaker:

Track 1: Reads, appreciate everyone listening to our... Let's babble about Oscar movies.

Speaker:

Track 1: Don't go on threads and make inflammatory statements about any of our opinions.

Speaker:

Track 1: Keep them to yourself, please.

Speaker:

Track 2: Delete your social media.

Speaker:

Track 3: Yeah, buy a brick. Go walk in the woods and also see some good movies.

Speaker:

Track 2: Read a book. Put your phone.

Speaker:

Track 3: There you go.

Speaker:

Track 2: The book guy said watch the movies and I'm like, read a book.

Speaker:

Track 1: Secret agent, put your phone in the other room, go watch Secret Agent,

Speaker:

Track 1: and then come back and that'll be it.

Speaker:

Track 1: Awesome. Well, Nathan, it was great to do this Oscars again.

Speaker:

Track 1: So thanks everyone for listening.

About the Podcast

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