Episode 239
Academy Award Special: With Nathan Shuherk (Schizophrenicreads)
Here are the top ten films nominated for Best Picture. Oh, wait, there are only ten. Anyway, Bill and Evan are joined by Nathan to discuss our snubs, the ten nominees and some predictions.
Guest Links
https://www.instagram.com/schizophrenicreads/
https://schizophrenicreads.substack.com/
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Transcript
Track 2: And there's times that like you know like when
Speaker:Track 2: we did um like when we did
Speaker:Track 2: eddington like we just like literally just like we're like uh let's just record
Speaker:Track 2: an episode it was like the middle of the day we were both like had nothing going
Speaker:Track 2: i was like fuck it let's it's like you can't just like call up you know like
Speaker:Track 2: a random like you know it's like heart like guests wise it's like you have to
Speaker:Track 2: like schedule something it's like the two of us it's just like oh let's just do this.
Speaker:Track 3: I need to go back listen to your eddington episode
Speaker:Track 3: because i i have been like cautiously hesitant
Speaker:Track 3: to consume any eddington media because i i'm
Speaker:Track 3: like obsessed with that movie i love it but i don't i don't want to
Speaker:Track 3: be like i don't also want to have the conversations of
Speaker:Track 3: other people i'm like this is a movie that i feel like the isolation of my own
Speaker:Track 3: brain is exactly what ari aster intended and so i can't i can't allow myself
Speaker:Track 3: to like even talk about it online like i've barely i've barely told anyone that
Speaker:Track 3: i love that movie and it's just like i don't want the world being part of this
Speaker:Track 3: affair that i'm having with this movie i.
Speaker:Track 1: Both liked it like liked aspects of it but then i also didn't like aspect i
Speaker:Track 1: mean the big yeah if you could if you could take one takeaway for our our thoughts
Speaker:Track 1: on it was that the movie was ahead of its time like it.
Speaker:Track 3: Oh yeah like.
Speaker:Track 1: That was real like i feel like if that movie came out in 15 years it would be
Speaker:Track 1: like a could be a blockbuster like it could have made you know i.
Speaker:Track 3: Also, if you've spent any time
Speaker:Track 3: on threads, it's become just this toxic cesspool of takes about media.
Speaker:Track 3: It's mind-numbing how bad every discussion about media is, and everything has
Speaker:Track 3: been centered around one battle after another and sinners, and literally no
Speaker:Track 3: one talks about Eddington, and it's my favorite thing.
Speaker:Track 3: You guys cannot handle the Eddington conversation. If you are losing your mind
Speaker:Track 3: over sinners in one battle after another, I think you'd kill yourself.
Speaker:Track 3: I don't think you're capable of constructing a thought about this movie.
Speaker:Track 2: I deleted threads before I deleted Instagram because threads,
Speaker:Track 2: the conversation, it was so, everything on that app is so fucking toxic.
Speaker:Track 2: Every political opinion is, every political opinion is just like,
Speaker:Track 2: vote harder for the Democrats.
Speaker:Track 2: And how like everybody that didn't vote for
Speaker:Track 2: harris is a racist who wanted trump to win and i'm just like this is the worst
Speaker:Track 2: thing like this i hate this this is terrible and so i deleted that and like
Speaker:Track 2: a month later i was like evan i'm deleting instagram i'm done i'm fucking done i.
Speaker:Track 1: Haven't deleted my accounts i just don't have them on my phone which also does.
Speaker:Track 2: Help yeah i didn't delete my accounts also it's like hard to delete your accounts
Speaker:Track 2: but like i deleted it off my phone and i'm i've i think i've looked at on the
Speaker:Track 2: computer like once since then like i is.
Speaker:Track 3: This a movie podcast when we're admitting like maybe we're happier watching
Speaker:Track 3: movies than being on social media i.
Speaker:Track 2: Mean i i don't work in i don't work in a job that lets me like look at a computer
Speaker:Track 2: so like i'm fucking i'm isolated i'm i'm shoulder deep in a fish tank i can't
Speaker:Track 2: be looking at computers i just send you screenshots.
Speaker:Track 1: Of the most asinine takes you've ever seen in your life on threads.
Speaker:Track 2: Yes yeah that's how yeah that's how i learned about what's happening on threads
Speaker:Track 2: i've been sending screenshots and i'm like oh yeah okay there's still morons
Speaker:Track 2: okay good i'm i'm not missing anything.
Speaker:Track 3: I had like a semi-viral threads after the Golden Globe.
Speaker:Track 3: I just posted something like people were losing their minds that one battle
Speaker:Track 3: after another won Best Dramatic Picture.
Speaker:Track 3: And people were like, how could that win over Sinners? And I just like all I
Speaker:Track 3: posted on threads was like, guys, they're different categories.
Speaker:Track 3: Like Sinners can't, Sinners wasn't going to win in a category it wasn't nominated in.
Speaker:Track 3: So like maybe let's actually be mad about something else for a change.
Speaker:Track 3: And i received i i think like 30 40 messages or 30 40 replies telling me that
Speaker:Track 3: i was like a virulent racist and like should be off the internet and i was like i like i'm the.
Speaker:Track 1: Funny thing is i posted the my my ranking of the picture nominees and i got
Speaker:Track 1: people like paul thomas anderson fan being like i'm actually projecting my thoughts
Speaker:Track 1: about the movie and all these things like i just posted my list man if you don't
Speaker:Track 1: agree it's fine you know i'm i don't i don't care i you know.
Speaker:Track 3: Yeah we need that the the threads thing where you can like sparkle out the thing
Speaker:Track 3: as like the spoiler thing we just need that automatically for every reply like
Speaker:Track 3: i should i should have to choose to see people responding to me because i'm
Speaker:Track 3: i'm gonna choose not i'm not gonna i'm not gonna look at a goddamn reply to anything i say.
Speaker:Track 2: That's but that's just called not being on threads.
Speaker:Track 3: Yeah that's true sit.
Speaker:Track 4: Back in your seats get something to eat watch this movie don't like the Kinesian
Speaker:Track 4: one because, well, we'll let you hear the video.
Speaker:Track 4: Thank you.
Speaker:Track 1: Hello, and welcome to Left of the Projector. I'm your host, Evan,
Speaker:Track 1: back again with another film discussion from the left.
Speaker:Track 1: If you'd like to support the show for as little as $3 a month,
Speaker:Track 1: you can go to Patreon forward slash Left of the Projector Pod.
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Speaker:Track 1: you've got the best taste around.
Speaker:Track 1: Wherever you're listening, give us a rating and subscribe so you'll be notified
Speaker:Track 1: of our weekly episodes that drop every Tuesday.
Speaker:Track 1: And now on to the show this week
Speaker:Track 1: on left of the jector we have a bit of a
Speaker:Track 1: different sort of program if you may remember i think a couple
Speaker:Track 1: of years ago maybe in 2023 nathan from
Speaker:Track 1: schizophrenic reads you may know from book talk
Speaker:Track 1: and book i'll let him tell you more about that
Speaker:Track 1: we did a oscar show kind of going through our
Speaker:Track 1: predictions for what we thought we're going to win a
Speaker:Track 1: couple of years ago but this year we're going to do it slightly different we're going
Speaker:Track 1: to go through our snubs and then we're going to talk about the films one at
Speaker:Track 1: a time based on nathan's order in reverse the 10th ranked to the first my co-host
Speaker:Track 1: or one of my co-host bill is here today and then of course nathan and you can
Speaker:Track 1: should tell everyone about your stuff uh.
Speaker:Track 3: Yeah my name is nathan i go by schizophrenic reads on uh the internet i mostly
Speaker:Track 3: review non-fiction books and give a lot of you know, recommendations on climate
Speaker:Track 3: change and politics and memoirs and stuff like that.
Speaker:Track 3: But I have been just obsessively watching movies. And so I got to see all of
Speaker:Track 3: the best pictures from this year and a lot more. So I was just I was looking
Speaker:Track 3: for conversations about movies instead of books for once. So here we are.
Speaker:Track 2: You got to shake it up. You got to shake things up sometimes.
Speaker:Track 3: Yeah.
Speaker:Track 1: Yeah, it's a little more, a little more like maybe free flowing,
Speaker:Track 1: but yeah, do you want to lead off Nathan with your snub?
Speaker:Track 1: So I think we all picked two or three films that we, that got no awards this
Speaker:Track 1: year that, you know, if, if we were running the Oscars, we would.
Speaker:Track 2: Nobody, none of these, none of these movies got awards. It's just me being,
Speaker:Track 2: I'm just me being, I'm just, I'm just joking, you know, I'm just saying,
Speaker:Track 2: cause you know, none of them got noms.
Speaker:Track 3: And for these, I don't know that, like, you'll hear it from my first two,
Speaker:Track 3: but I don't even know that I would say that I necessarily want them to be,
Speaker:Track 3: you know, Best Picture nominations, but just in some category,
Speaker:Track 3: I would love to see some awards thrown at them.
Speaker:Track 3: My first one is going to be Eddington, which was maybe one of my favorite movies of last year.
Speaker:Track 3: I thought it was just a phenomenally weird and wild ride that I have been like
Speaker:Track 3: obsessively thinking about for the last six months, but also like not talking
Speaker:Track 3: to people in real life because it's just, it's a hard movie to talk about.
Speaker:Track 3: And I just I can't get this one out of my head. It's just one of those movies
Speaker:Track 3: that has stayed with me for a long time.
Speaker:Track 3: And, you know, if it was I could have seen it getting a Best Picture nomination,
Speaker:Track 3: but also maybe just even like a casting or some type of set design because it's
Speaker:Track 3: a really beautiful and strange movie.
Speaker:Track 3: And then my second honorable mention, which I would have loved to see for set
Speaker:Track 3: design specifically, because I just think it's like one of these most fascinating, like,
Speaker:Track 3: portraits of a small town environment was Ephus, which is a movie about baseball
Speaker:Track 3: that I think is like a really delightfully odd experience of a movie because it's...
Speaker:Track 3: It almost seems improvisational, and it might have been fairly improvisational.
Speaker:Track 3: I'm not exactly sure how it was produced.
Speaker:Track 3: But it's just small-town guys loving baseball, playing in an adult rec league
Speaker:Track 3: that baseball kind of means nothing for them. But at the same time, it means everything.
Speaker:Track 3: And for me, it was kind of this spiritual American tale that I think in the
Speaker:Track 3: degrading society that we're all living in, I thought it just really spoke to
Speaker:Track 3: just what I think so many of us feel like we're experiencing out in society.
Speaker:Track 3: And so, yeah, I thought it was a lovely, wonderful, strange little movie.
Speaker:Track 1: Yeah, we have a crossover then. So my two picks that I would have liked to see,
Speaker:Track 1: maybe even if it's not even an Oscar nomination, just getting like more...
Speaker:Track 1: More people to have seen it was also Ephus. As not even a baseball player myself,
Speaker:Track 1: I do like, I enjoy baseball as a sport.
Speaker:Track 1: And it very much reminded me of like growing up playing baseball with your friends,
Speaker:Track 1: like after school or something like that.
Speaker:Track 1: And it just had like a lot of heart to it.
Speaker:Track 1: And it really felt part of the reason for this final baseball game is that there's
Speaker:Track 1: going to be a construction project that's going to tear down this field.
Speaker:Track 1: So it also feels very relevant to just the decay of our pastimes and our things
Speaker:Track 1: that we loved as maybe children that are just being destroyed by corporate greed and all of that.
Speaker:Track 1: And then the second one is sort of both of the Predator movies that came out,
Speaker:Track 1: but I actually think I enjoyed the animated one.
Speaker:Track 1: The Killer of Killer is Anthology, which was three different sort of short films,
Speaker:Track 1: kind of all in the Predator universe.
Speaker:Track 1: I just love any Predator film in general, And it was just, it was good to see
Speaker:Track 1: it in sort of this nice animated version.
Speaker:Track 1: So, I don't know. I couldn't see that. I mean, that could have been an animated
Speaker:Track 1: film. I don't know. It's probably not deserving of an Oscar, but.
Speaker:Track 2: So, I literally had to ask what Ephus is.
Speaker:Track 2: I was like, what the hell is Ephus? I, like, literally texted Evan.
Speaker:Track 2: I was like, what the hell is Ephus? I think it made.
Speaker:Track 3: Like, $2 million total. Yeah. No one has seen this movie.
Speaker:Track 2: I've never heard it. And like, uh, Evan goes, it's a baseball film.
Speaker:Track 2: I was like, oh, nevermind.
Speaker:Track 2: Uh, as a person that despises sports and despises baseball in particular,
Speaker:Track 2: I was like, oh, okay, nevermind moving on.
Speaker:Track 2: Um, not to say that's a bad movie. It was just like this, like total,
Speaker:Track 2: I had no idea. This was, I had no idea. It's anywhere.
Speaker:Track 2: Um, so my, uh, my choices, my big one is Mickey 17. I feel like the fact that
Speaker:Track 2: Mickey 17 didn't get anything is a travesty.
Speaker:Track 2: Um, Pattinson is, he's an amazing actor. I love Robert Pattinson and.
Speaker:Track 2: This was, I, this movie, this, it stood out to me and I had been looking forward to it.
Speaker:Track 2: I think it was just an awesome, just like idea, the whole, like everything about
Speaker:Track 2: it is a very original, awesome movie with a lot of like great subtext that again,
Speaker:Track 2: explores the kind of like, you know, labor exploitation and so on and so forth.
Speaker:Track 2: Um, I also do think that Knives Out,
Speaker:Track 2: uh, Wake Up Dead Man, I do think that like the acting, I don't think like,
Speaker:Track 2: you know, a best picture nom, but like, I do think that some of the roles,
Speaker:Track 2: especially the lead role from the priest, like that he, he killed it.
Speaker:Track 2: Like he probably deserved something for that.
Speaker:Track 2: Um, and I think that killer of killers, 100% if Elio and Zootopia too,
Speaker:Track 2: can get fucking Oscar noms than killer of killers can.
Speaker:Track 2: Like, as an animation fan, this is, like, the animation style, gorgeous.
Speaker:Track 2: Absolutely gorgeous animation, and not run-of-the-mill, same Disney slop,
Speaker:Track 2: the same animation style.
Speaker:Track 2: And as much as I love Studio Ghibli and I absolutely love Studio Ghibli and Miyazaki,
Speaker:Track 2: the animation style of Studio Ghibli has been so co-opted and spread as to like
Speaker:Track 2: almost dilute it in a lot of ways.
Speaker:Track 2: And this stood out. It's its own animation style and it has distinct stories
Speaker:Track 2: with characters characters.
Speaker:Track 2: You know and they're in you know like the first two if you guys like they're
Speaker:Track 2: not it's not english it's great i i think killer of killers deserves an anime
Speaker:Track 2: an animation nod definitely especially given.
Speaker:Track 3: The field um yeah let's
Speaker:Track 3: uh let's get into the uh the
Speaker:Track 3: best picture nomination so we're just going to be taking these in
Speaker:Track 3: the just a descending order of of you know
Speaker:Track 3: the of we're going to be talking about all the nominations and just
Speaker:Track 3: kind of my favorites of them uh you know
Speaker:Track 3: when we were talking about like organizing this one it wasn't sure like
Speaker:Track 3: you know do we all make lists and then all compare lists and
Speaker:Track 3: you know it's it's hard to like organize it so hopefully this will be just
Speaker:Track 3: the easiest way to follow for the audience um but
Speaker:Track 3: coming in at number 10 which i think a lot of people
Speaker:Track 3: are going to disagree with and probably a lot of people just disagree with
Speaker:Track 3: all of these just in general uh that is how media
Speaker:Track 3: discourse goes but uh i have number i have frankenstein
Speaker:Track 3: as my 10th place and i think there's not
Speaker:Track 3: a movie on this list that i dislike like i'm i'm fairly positive on basically
Speaker:Track 3: everything here i just think frankenstein is it's a movie where it's so much
Speaker:Track 3: more style over substance like i think it's aesthetically incredibly pleasing
Speaker:Track 3: but that's kind of where a lot of the pleasure in watching it ends for me.
Speaker:Track 3: I think it's hard, it's obviously so hard to adapt classic novels.
Speaker:Track 3: You know, that was a thing that we've seen in years past as well.
Speaker:Track 3: And I think Yiromo Datoro does an interesting job, but to me,
Speaker:Track 3: it was just like, I didn't feel guilty about watching this one at home on Netflix.
Speaker:Track 3: Like there, there was something beautiful about it, but at the end of the day, it was just like.
Speaker:Track 3: And I was like, well, I watched that and I couldn't really feel a lot more because
Speaker:Track 3: I think the characters themselves and the deepness to the emotions of the story
Speaker:Track 3: and even the politics of the story are kind of just not on display.
Speaker:Track 3: What is on display is Guillermo del Torre's styling.
Speaker:Track 1: Yeah, it's interesting. For me, Frankenstein was around sort of the middle to
Speaker:Track 1: bottom. I have it seventh.
Speaker:Track 1: And I did see it in the theater with an opening two-minute intro by Guillermo del Toro.
Speaker:Track 1: And so I feel like I was somehow – I liked it more initially because of just
Speaker:Track 1: sort of the hype and sort of the crowd and everything.
Speaker:Track 1: But as i look back on it i feel like i don't
Speaker:Track 1: want to say it's forgettable but it definitely didn't
Speaker:Track 1: like leave a deeply lasting impression as some
Speaker:Track 1: of the other films like i'm still thinking about i'm not really thinking
Speaker:Track 1: about the frankenstein movie anymore and
Speaker:Track 1: i thought the sets were beautiful i wish mia goth had
Speaker:Track 1: been in it more with another area i would say and like the acting was good and
Speaker:Track 1: the sets were good but it just felt a little i hate to say empty but like a
Speaker:Track 1: little bit like a little bit empty i don't know maybe that's where you're saying
Speaker:Track 1: is like it's aesthetically it's good but maybe just kind of kind of going through
Speaker:Track 1: the motions of trying to build the movie there.
Speaker:Track 3: Is just a shallowness to it that i think i think
Speaker:Track 3: frankincense is such a vivid novel and it stands out as just like us you know
Speaker:Track 3: paramount example of good literature for you know for hundreds of years now
Speaker:Track 3: and and i think it's just like i just wanted more from it and i just i don't
Speaker:Track 3: you know what we said is you know it just isn't that memorable i think that's
Speaker:Track 3: like the best thing to say about it.
Speaker:Track 3: It's a fine watch. I don't think it's going to be... It's not going to upset
Speaker:Track 3: people to watch it. It's definitely worth people's time, I suppose.
Speaker:Track 3: If people just really enjoy watching movies, I think, yeah, go watch it. Definitely...
Speaker:Track 3: Don't think it's like a a movie you should avoid by any measure but i just i think like,
Speaker:Track 3: a lot of these other movies on this list are things that i think about like
Speaker:Track 3: regularly since viewing them like either you know in some mostly positive ways
Speaker:Track 3: and then in some negative ways but like i'm still like lingering over these
Speaker:Track 3: uh other best pictures and frankenstein i'm just like yeah i watched it and
Speaker:Track 3: in november and it was gone by you know a couple weeks later.
Speaker:Track 2: Yeah i think i mean i did not have the opportunity
Speaker:Track 2: to see frankenstein i mean opportunity i never got around to
Speaker:Track 2: watching frankenstein and i love frankenstein the novel
Speaker:Track 2: like fucking love that book and it's like a seminal
Speaker:Track 2: work like in my like like his like
Speaker:Track 2: my like brain um and like i think that maybe like it's just like it's like you
Speaker:Track 2: can never you can't make things that measure up to those things and it's just
Speaker:Track 2: like you it never gets to there and i also feel like as there's a certain aspect of like,
Speaker:Track 2: directors fall in love with works and it's
Speaker:Track 2: like listen we fall in love at works but then we don't
Speaker:Track 2: have like the resources and like you know the time or like the privilege to
Speaker:Track 2: be like i love this thing now everyone watch my version of it and it's like
Speaker:Track 2: frankly like that doesn't need to it doesn't need to happen all the time like
Speaker:Track 2: we don't all need to be subjected to everybody's like vision of the thing they love you know it's,
Speaker:Track 2: And I love Guillermo del Toro, don't get me wrong, but, like,
Speaker:Track 2: it doesn't have to happen all the time.
Speaker:Track 2: We don't, this is, you know, this is back to my hot take of,
Speaker:Track 2: we have enough movies, we don't need to make more movies.
Speaker:Track 3: Well, I also think, like, Guillermo del Toro has such, like,
Speaker:Track 3: a beautiful way of capturing things that, like, he could have picked another
Speaker:Track 3: source material, like, something not as famous, or he could have, you know,
Speaker:Track 3: picked an original script, you know, and I think, like, he's just much better
Speaker:Track 3: suited towards something like that because,
Speaker:Track 3: you know, you're really playing around with, like, something where,
Speaker:Track 3: like, a lot of people have the the visualization of this movie cemented.
Speaker:Track 2: In their brain.
Speaker:Track 3: Because they wrote they read it when they were 12 and it has never left them
Speaker:Track 3: because it's just that phenomenal of a story and i think.
Speaker:Track 2: That's your.
Speaker:Track 3: It's hard to compete with that.
Speaker:Track 2: I mean even like if you look at like his second hellboy movie
Speaker:Track 2: like hellboy is is an
Speaker:Track 2: existing property but it's so like he was
Speaker:Track 2: given such free reign and most people don't know like other than people like
Speaker:Track 2: i like i'm a huge hellboy fan and it's like other than that but like then he
Speaker:Track 2: took that second movie and he made it his own and it is vibrant and it is unique
Speaker:Track 2: and it is so otherworldly but like you you know i would have much rather seen a hellboy.
Speaker:Track 3: Three than a frankenstein.
Speaker:Track 2: Yeah yeah.
Speaker:Track 3: At number nine on the list we have probably what a lot of people just assume
Speaker:Track 3: is like literally everyone's uh 10th is actually F1.
Speaker:Track 3: I think for most people this just comes in like the last place just,
Speaker:Track 3: you know, by and large, just how people
Speaker:Track 3: make the list is you throw the big blockbuster at the bottom spot. But.
Speaker:Track 3: I found a lot of enjoyment with F1. I think the cinematography is just something spectacular.
Speaker:Track 3: Like, it is visually a stunning movie.
Speaker:Track 3: And ultimately, like, it's just a fun time.
Speaker:Track 3: It's one of those things that, like, you just kind of, like,
Speaker:Track 3: you want to have a lot of skepticism for, like, big blockbuster media. I get it.
Speaker:Track 3: But you still end up cheering at the end when he wins his race.
Speaker:Track 3: Like, spoiler alert, you know, if you really thought it was going to go a different direction.
Speaker:Track 3: You know, it's just, like, it is, it's just a fun time. And,
Speaker:Track 3: like, I don't think there's anything wrong with that, especially if the fun
Speaker:Track 3: time is going to give us something, like, really unique and beautiful to look at.
Speaker:Track 3: And that's what I think, like, the technological aspect of this movie does a
Speaker:Track 3: shining example of, like, what big blockbuster films can be and what,
Speaker:Track 3: like, I think is the anti-Marvel in some sense.
Speaker:Track 3: And I'm not saying, like, F1 is some, like, revolutionary movie,
Speaker:Track 3: but, like, most superhero movies just look like dog shit nowadays,
Speaker:Track 3: and F1 is actually, like, really beautiful and enjoyable.
Speaker:Track 3: So, I mean, for the sake of the death of the superhero industrial complex in
Speaker:Track 3: cinema, I'm really glad that movies like F1 exist.
Speaker:Track 3: Like, I think it's great to have big blockbusters make a lot of money.
Speaker:Track 3: It's good for cinema. It's good for audiences. It's good to get people out.
Speaker:Track 3: And, yeah, I mean, say what you want about, like, Brad Pitt being a 60-year-old F1 driver.
Speaker:Track 3: It is silly. But, like, yeah, so is fucking Tom Cruise flying a jet around,
Speaker:Track 3: you know, some undisclosed country that we can't name as Iran.
Speaker:Track 3: You know, like, it's just like, we're having a good time, and I'm happy to do that.
Speaker:Track 1: I agree completely. I mean, I really...
Speaker:Track 1: Cars, I'm not interested in cars in any way.
Speaker:Track 1: This movie was great, and my biggest regret was not seeing it in IMAX.
Speaker:Track 1: I remember going to see another movie at the time, and I saw the big poster
Speaker:Track 1: coming in IMAX, and I'm like, oh yeah, I should go see that,
Speaker:Track 1: it'd be fun, but it's a car movie, who cares?
Speaker:Track 1: And I really wish I had seen it in IMAX, I bet it would have been awesome.
Speaker:Track 1: And it's exactly the kind of movie I would have seen when I was like,
Speaker:Track 1: you know, 15 or 16 and just been so hyped about.
Speaker:Track 1: So i liked it i didn't actually
Speaker:Track 1: put it that low although realistically as
Speaker:Track 1: far as other ones i probably won't ever watch it again so it's near the bottom
Speaker:Track 1: you know eight nine ten kind of for me but i enjoyed f1 even though brad pitt
Speaker:Track 1: was old but whatever it had a good cast i mean i like carrie condon as well
Speaker:Track 1: and it had um but javier bardham you know it was it was good i.
Speaker:Track 2: Mean he He could play a 45-year-old, which is the oldest F1 Grand Prix driver.
Speaker:Track 1: Yeah.
Speaker:Track 2: He could play 45. Do we know he's 60 in the movie?
Speaker:Track 3: No, I think, I think he's supposed to be like early fifties is kind of like.
Speaker:Track 2: So yeah, so all right, all right, you know what, we'll give him fifties,
Speaker:Track 2: we'll give him 50, we'll give, we'll, we'll give, you know, movie magic 50 F,
Speaker:Track 2: you know, Grand Prix driver.
Speaker:Track 2: I didn't watch this and I fucking hate cars.
Speaker:Track 3: That's, I think that's like one of the wonderful things about this movie is
Speaker:Track 3: like, you don't really have to, I mean, it's one of those sports movies that's
Speaker:Track 3: like not really totally.
Speaker:Track 2: Oh, I have like a, it's like on the sports, you know, seated personal thing.
Speaker:Track 2: I grew up in a car household, so it's very visceral for me.
Speaker:Track 3: Yeah. At number eight on the list, we have Sentimental Value,
Speaker:Track 3: which I have someone in my life that described it as just like a European ennui.
Speaker:Track 3: And that's really like what has like cemented this movie for me is like I watched
Speaker:Track 3: it and I felt for like the next day or two, like, oh, this movie could like this movie could.
Speaker:Track 3: Skyrocket up this list like at any moment i could have
Speaker:Track 3: the revelation that like i was totally connecting
Speaker:Track 3: the dots and yet i just kind of thought it
Speaker:Track 3: was like a kind of a beautifully well done movie but
Speaker:Track 3: like ultimately like did not last for
Speaker:Track 3: me like i think the acting is really good the scripting is
Speaker:Track 3: good the the set design is really gorgeous but in
Speaker:Track 3: the end i think there's so many more emotions that
Speaker:Track 3: the rest of this list exhibits and and and
Speaker:Track 3: our experiences for the audience that i don't
Speaker:Track 3: know just spending two and a half hours being like kind of sad about the the
Speaker:Track 3: familial relationships in this movie just like didn't hit as as high as it did
Speaker:Track 3: for other people so i don't think this is by any means a bad movie but i also
Speaker:Track 3: think it's like probably the one on this list that if anyone is looking at like,
Speaker:Track 3: For some reason, they would be like, I'll watch nine out of the 10, but not at the 10th.
Speaker:Track 3: I would actually say like, yeah, probably skip Sentimental Value because I think
Speaker:Track 3: it is a little bit of a slog of a movie.
Speaker:Track 3: And sometimes that can be a good trait, but sometimes it can just like hit you
Speaker:Track 3: over the head with sadness.
Speaker:Track 3: And that's basically all the punches it's throwing, I think.
Speaker:Track 1: I thought it was beautifully made. And I thought the, I liked that,
Speaker:Track 1: you know, Stellan Skarsgård was really good.
Speaker:Track 1: I thought the acting was really good. I don't think
Speaker:Track 1: the story was I mean I enjoyed it
Speaker:Track 1: but again like you said I didn't think about it
Speaker:Track 1: really at all later it just sort of like left me as soon as the movie was over
Speaker:Track 1: and I know I feel like my joke review on Letterboxd is better than the movie
Speaker:Track 1: I just said what did Stellan Skarsgård sacrifice everything which is the line from Andor,
Speaker:Track 1: it was fine like I think it,
Speaker:Track 1: You know, I'll never see it again. It was the second to last one of the whole
Speaker:Track 1: 10 that I saw. So I guess that says something.
Speaker:Track 2: I did not see sentimental value. You know what? This is going to be my role
Speaker:Track 2: in this episode where I talk about why I didn't see some of these movies.
Speaker:Track 2: I don't care about said white people. I don't care about your stories anymore.
Speaker:Track 2: I don't care. I don't want to hear your stories.
Speaker:Track 2: I don't care about said European white people's stories. I don't care.
Speaker:Track 2: I don't i don't want to watch that like that's why i did not want like like
Speaker:Track 2: okay sad white people i don't care i don't want to hear.
Speaker:Track 3: I think that's like i think that's both like fair it's like i think sad europeans
Speaker:Track 3: are both like more real and less real than like our american lives in some sense
Speaker:Track 3: like it's both like a both and i think for me i don't want.
Speaker:Track 2: To hear about said white americans either i don't like,
Speaker:Track 2: these guys have health care.
Speaker:Track 1: At least you know like hey.
Speaker:Track 3: Yeah right what.
Speaker:Track 2: Do you guys have to complain about this is not exclusive to europeans either
Speaker:Track 2: i don't i don't want to hear about said white american stories either i don't
Speaker:Track 2: care i don't want to hear their stories i don't care about them.
Speaker:Track 3: Well there's some there's some sad some sad
Speaker:Track 3: white people stories in in the rest of this list that i think
Speaker:Track 3: are genuinely so good where i just think sentimental value
Speaker:Track 3: is it is what it is it's a fine movie
Speaker:Track 3: there's nothing like technically about it that i'm gonna like disparage
Speaker:Track 3: but you know ultimately i i just i can't
Speaker:Track 3: have much more like i can't really endorse it
Speaker:Track 3: but that's okay uh number seven
Speaker:Track 3: i feel like is a movie that when it was released everyone said it was the greatest
Speaker:Track 3: movie to ever exist and now literally everyone is like saying uh the star of
Speaker:Track 3: this film is maybe be the worst person to ever exist so it is really a phenomenal
Speaker:Track 3: turnaround but yeah as you can guess number seven is marty supreme and.
Speaker:Track 3: It is very fun. It is chaotic. It is very edge of your seat.
Speaker:Track 3: But it is also, I think, a movie that knows what it is so much that I think
Speaker:Track 3: is never able to like fully escape the kind of absurdity that it places itself in.
Speaker:Track 3: And so what you have is just this unlikable character that gets to run amok on screen.
Speaker:Track 3: And that's it. I don't think we learn any larger lessons. I don't think we really
Speaker:Track 3: get to experience the wider world of this film.
Speaker:Track 3: It is so engulfed within the personality of Marty Supreme that I think it just
Speaker:Track 3: leaves a lot to be desired on the periphery.
Speaker:Track 3: Like I think a lot of the characters surrounding Marty are really one dimensional
Speaker:Track 3: in some sense that I think he's given all the spotlight and then that is that
Speaker:Track 3: is the only place it's shining.
Speaker:Track 3: Everything else is out of focus for me. So, yeah, I think it's fun.
Speaker:Track 3: I think it's well worth people's time as far as like people wanting to watch
Speaker:Track 3: incredible performances.
Speaker:Track 3: Sure. But I also just think like if you don't enjoy movies with like annoying
Speaker:Track 3: characters, you're going to fucking hate this one. So, like,
Speaker:Track 3: this is not one that I'm, like, telling everyone, go watch this.
Speaker:Track 3: Like, it's like, you'll know you'll like it if you think you're going to like
Speaker:Track 3: it. And if you think you're not going to like it, you're also 100% correct.
Speaker:Track 3: So, go with this, you know, as you think.
Speaker:Track 1: Yeah, I, when I came out of seeing it in the theater, I felt like,
Speaker:Track 1: yeah, like, that was really fun.
Speaker:Track 1: And I, before I saw it, I'm not, I was never a Timothy Chalamet fan.
Speaker:Track 1: I just really just don't like him.
Speaker:Track 1: And I feel like I've been proven right that he's just like an annoying doofus
Speaker:Track 1: more so now than before, but.
Speaker:Track 1: Then you have Gwyneth Paltrow, also not a good person, you know, goop.
Speaker:Track 1: And I think that the parts of the movie that were really interesting were sort
Speaker:Track 1: of the subtext with, like, Japan.
Speaker:Track 1: And maybe if you view the movie as a satire, like, you could see it as being better.
Speaker:Track 1: But I don't think that Josh Safdie succeeded in those aspects.
Speaker:Track 1: I think you said, too, Nathan, like, the side characters and sort of the subtext,
Speaker:Track 1: everything sort of revolves around Timothee Chalamet's character.
Speaker:Track 1: That none of that actually gets to breathe any oxygen and that's kind of a shame
Speaker:Track 1: and i will never watch it again even though i enjoyed it the first time i just
Speaker:Track 1: it keeps like getting lower in my you know my listing i put it at five but i
Speaker:Track 1: feel like it could be seven yeah.
Speaker:Track 3: I walked out of the theater being like wow what an experience and then literally
Speaker:Track 3: like a week later i was like yeah it was an experience.
Speaker:Track 1: Shrug like.
Speaker:Track 3: It just is fine.
Speaker:Track 2: So this is this is my take on this um well first of Well, I hate Timothee Chalamet.
Speaker:Track 2: If I never see him in another movie again, I'll die happy.
Speaker:Track 2: Here's my take. If you want to watch something with unlikable people,
Speaker:Track 2: you got 17 seasons of It's Always Sunny or two seasons, Sleeper Hit, The Mick. There you go.
Speaker:Track 2: You got hours of unlikable people and pure comedy. It's great.
Speaker:Track 1: Well, you're not going to see Dune 3, Bill, even though Timothee Chalamet is going to be there?
Speaker:Track 2: He, yes, I'm going to see Dune 3, but that's because I love Dune.
Speaker:Track 2: That's not the same. How dare you call me out like that?
Speaker:Track 2: I want to watch Timothee Chalamet turn into a worm.
Speaker:Track 1: I also, I don't like Dune, like movie Dune. I like book Dune,
Speaker:Track 1: but I will see Dune 3 because of course I'm going to see it.
Speaker:Track 2: Yeah, well, you hate this Dennis Villeneuve, and yet you watch all his movies.
Speaker:Track 3: This is like the beef between me and your podcast is Dene Villeneuve,
Speaker:Track 3: because he's maybe one of my favorite directors.
Speaker:Track 2: And look, I love him. Join the club, Nate. Join the club.
Speaker:Track 1: I know that I'm in the minority for that, and that could be a whole episode of my opinion on this.
Speaker:Track 1: I also didn't like the new Blade Runner. I hated it.
Speaker:Track 2: One day we're going to fight him.
Speaker:Track 1: I know. I get it. Sure. Everyone's pushing pause on the episode being like, this monster.
Speaker:Track 1: You know, it's just, whatever.
Speaker:Track 2: Ward and I have threatened to gag Evan and then do our own episode on Blade
Speaker:Track 2: Runner on numerous occasions.
Speaker:Track 3: At number six on the list this is this is
Speaker:Track 3: really the halfway kind of the the point
Speaker:Track 3: in which i really do like endorse these movies like
Speaker:Track 3: i think from here on out these are all movies that i think are well
Speaker:Track 3: worth everyone's time like i think they all have something artistically or creatively
Speaker:Track 3: done that i think is like we're in we're in the good we're in the good zone
Speaker:Track 3: um and number six is begonia which i think is a wildly fun time i also think
Speaker:Track 3: it's like maybe one of the best movies on this list to watch with another person
Speaker:Track 3: and just, like, have conversations.
Speaker:Track 3: Like, I think it's just a fun movie. I think Yorgos Lanthimos,
Speaker:Track 3: to me, this was, like, his...
Speaker:Track 3: Least weird movie which is kind of a negative for
Speaker:Track 3: me because what i wanted from this was for it
Speaker:Track 3: to get stranger because i ultimately thought
Speaker:Track 3: like while it is a strange like subject and stuff i thought
Speaker:Track 3: it was like incredibly predictable like if
Speaker:Track 3: you've watched his other films you kind of know the directions
Speaker:Track 3: in which he might go and so when he ultimately did do
Speaker:Track 3: those things and i i want to try to avoid spoilers especially on
Speaker:Track 3: like a list episode but like i i just
Speaker:Track 3: i i i could have i could have stood for a
Speaker:Track 3: little bit stranger time but the the
Speaker:Track 3: i think the big snubs for me are probably the acting in this
Speaker:Track 3: movie just did not get the recognition that it deserves and i think
Speaker:Track 3: it was just a phenomenally fun weird chaotic
Speaker:Track 3: and also like mind-bending time
Speaker:Track 3: like like i said this is just a great movie to talk to friends about because
Speaker:Track 3: it is just everyone's going to have a really strong opinion of a lot of different
Speaker:Track 3: parts of this and that's what makes you know that's what makes like art house
Speaker:Track 3: movies fun is like they build themselves up for conversations and for criticism
Speaker:Track 3: and begonia is perfectly set up for that i.
Speaker:Track 1: Also really like begonia i saw it in the theater and i actually just watched
Speaker:Track 1: it again either last night before because we're actually we're going to record
Speaker:Track 1: an episode on just on begonia soon actually tomorrow uh tomorrow but i also
Speaker:Track 1: find i i really enjoyed it i also kind of agree with you that it's
Speaker:Track 1: the least weird of his films and maybe also is a negative.
Speaker:Track 1: I think of Killing of the Sacred Deer, The Favorite Lops. Those are really weird movies.
Speaker:Track 1: I actually enjoyed it maybe more than Poor Things, which I also enjoyed.
Speaker:Track 1: The only one of his movies I didn't like was Kind of Kindness.
Speaker:Track 1: Maybe I need to watch it again. I don't know.
Speaker:Track 1: I think we won't spoil the movie or spoil what we're going to maybe talk about
Speaker:Track 1: in our dedicated episode, but suffice to say, I think that the ending is could
Speaker:Track 1: be viewed as dividing where other people liked or didn't like it.
Speaker:Track 2: That's all yeah that's i'm really looking forward
Speaker:Track 2: to our episode tomorrow uh recording our episode tomorrow about this
Speaker:Track 2: um i like just like i watched it
Speaker:Track 2: like two days ago or like a day ago um and
Speaker:Track 2: no i mean plemons really good
Speaker:Track 2: both plemons and stone like they definitely
Speaker:Track 2: got stopped in terms of like acting odds like definitely like 100 they both
Speaker:Track 2: deserve to be recognized i mean plemons it's almost on it's it's almost like
Speaker:Track 2: trite to be like oh well plums deserved a nod for like acting it's like oh really
Speaker:Track 2: plums plums deserve like no shit like is he an underrated like would.
Speaker:Track 1: You say he's like an underrated actor like he's been in some.
Speaker:Track 2: Movies he's an under he's an under nominated actor yeah he he is he does not
Speaker:Track 2: get not unrecognized under he is not given the um,
Speaker:Track 2: establishment recognition yeah that's a good way to say it like that he deserves
Speaker:Track 2: because he is a phenomenal I think the public knows.
Speaker:Track 3: He's phenomenal like.
Speaker:Track 2: Everyone seems.
Speaker:Track 3: To like agree that he's just.
Speaker:Track 2: He's one of the best actors.
Speaker:Track 3: Out there right now but like he's getting no nods from the.
Speaker:Track 2: Academy or.
Speaker:Track 3: From anything like that.
Speaker:Track 2: Nothing I don't I mean starting with like,
Speaker:Track 2: I mean, I don't know if it's his first, but, you know, the earliest things I
Speaker:Track 2: remember him from, Breaking Bad.
Speaker:Track 2: And just, like, absolutely, I remember, like, the moment seeing him,
Speaker:Track 2: like, his character in Breaking Bad was fucking viscerally disconcerting.
Speaker:Track 2: And it was like, oh, that's, he is either an incredible actor or an actual sociopath.
Speaker:Track 2: You know, and it's like.
Speaker:Track 1: Let me just throw this out there. This is the list of directors who've had him
Speaker:Track 1: in his movies. Martin Scorsese, twice.
Speaker:Track 1: Steven Spielberg, Paul Thomas Anderson, Yorgos, twice.
Speaker:Track 1: He was also, I think, in Shaka King's Judas and the Black Messiah,
Speaker:Track 1: although I can't remember who he plays in that. He's also in The Post,
Speaker:Track 1: another Steven Spielberg movie.
Speaker:Track 1: I mean, these people aren't putting, these world-class directors aren't bringing
Speaker:Track 1: him into their movies because he's like some middling actor.
Speaker:Track 3: He was the one redeemable part of Civil War. Yeah.
Speaker:Track 2: He was nominated for
Speaker:Track 2: a golden globe two golden globes he was nominated for two
Speaker:Track 2: golden globes one for begonia um he's
Speaker:Track 2: been nominated three times in emmy and like this is the point okay he's been
Speaker:Track 2: nominated he has five wins 42 noms 42 five wins and it's like what the fuck
Speaker:Track 2: are you doing here people like come on like,
Speaker:Track 2: forgive if we're going to give a white man an award we should get jessica clemens
Speaker:Track 2: an award for acting i'm sorry that that's my hot take um,
Speaker:Track 2: And I also, like, we're going to talk about the ending because I did not like
Speaker:Track 2: the ending. I did not like the ending of this movie.
Speaker:Track 1: Don't say what the ending is.
Speaker:Track 3: I love the ending, by the way.
Speaker:Track 2: I'm not interested.
Speaker:Track 3: I want to say that. I know I'm not on that episode, but I want to say.
Speaker:Track 1: Like, I love the ending.
Speaker:Track 2: Listen, it's not that I disliked the ending. It's, I have ideological issues with the ending.
Speaker:Track 3: I can understand that. I think that's reasonable. So we'll go on to our number five pick.
Speaker:Track 3: And this is where I think all the internet hate will come from for me.
Speaker:Track 2: Oh, I'm going to fight.
Speaker:Track 3: I'm going to fight you. At number five, we have Sinners. Like I said,
Speaker:Track 3: at this point in the list, I really enjoyed Sinners.
Speaker:Track 3: I do think for me, though, just because I feel like I need to say something
Speaker:Track 3: negative about it because people are going to ask why it's not number one or
Speaker:Track 3: two or something. You know, I just think...
Speaker:Track 3: I wish there could have been more to it. I think specifically,
Speaker:Track 3: one of the things that caught me off guard so much was how much the visuals
Speaker:Track 3: of this movie, I think, are almost there, but not quite.
Speaker:Track 3: I think Ryan Coogler uses a lot of shallow depth of field in his filming style,
Speaker:Track 3: and I just wish we would have given a lot more visual attention to the entire
Speaker:Track 3: scenery of everything going on.
Speaker:Track 3: Like, I think there's a lot of kind of focus on the characters,
Speaker:Track 3: which I think are really well done.
Speaker:Track 3: But I think there's just so much beautifulness that's going on all around us,
Speaker:Track 3: which is like the opposite that we have in like its hallmark scene with like the music happening.
Speaker:Track 3: It's like, no, we are we are getting like every visual flavor possible.
Speaker:Track 3: And then I think in like the rest of the film, we have like ultimately an ending
Speaker:Track 3: where it's like it's dark out and it's hard to see,
Speaker:Track 3: which is just it's a really tough thing for me because I think I just
Speaker:Track 3: wanted a little bit more like visual stimulation
Speaker:Track 3: of this movie but it is really special the acting the writing the music in particular
Speaker:Track 3: the music is phenomenal um but yeah i think it's it's a really great time it's
Speaker:Track 3: also one of those things that like it's a great movie to throw on at a party
Speaker:Track 3: because a lot of people are gonna have a lot to talk about or if people just want to sit and watch,
Speaker:Track 3: It's great. So I, um, yeah, I really love this one.
Speaker:Track 1: Yeah. I, I have sinners as my number one, um, for the, for the nominations.
Speaker:Track 1: I also just, I saw it a few times in twice in IMAX and I've watched it once since then.
Speaker:Track 1: And it just, it's, um, it's much different to me than sort of your normal fare and not to,
Speaker:Track 1: I don't mean like the other 10 movies on the list just sort of it
Speaker:Track 1: felt like so different than most of the kind
Speaker:Track 1: of it's hard to believe that it came out of you know
Speaker:Track 1: a major studio like getting this movie made i
Speaker:Track 1: know that he had like you know some of the deals as part of it and
Speaker:Track 1: all of that but i just i found most of it visually beautiful the soundtrack
Speaker:Track 1: i mean i hope it's been nominated for 16 or 17 the most ever and i i have this
Speaker:Track 1: deep-seated fear that it's going to be like that one time where it gets all
Speaker:Track 1: the nominations and then doesn't get an award or something or they like throw it you know,
Speaker:Track 1: some you know lower award you know not that it's bad to get an academy award
Speaker:Track 1: but it won't get any of the major you know nominations so it'll get like ensemble cast.
Speaker:Track 3: And then lose out on everything else or.
Speaker:Track 1: Something right exactly yeah so I hope that it gets something good it.
Speaker:Track 3: Is a weird film to be nominated 17 times but also not be the front runner in
Speaker:Track 3: basically any category At least, like, how prediction markets and,
Speaker:Track 3: you know, I'm not talking about, like, the betting.
Speaker:Track 3: But, like, how people are, like, assuming these awards are going to go.
Speaker:Track 3: Like, it's not really...
Speaker:Track 3: It doesn't have the same height that a lot of these other films do uh which
Speaker:Track 3: is very strange for the most nominated movie i've ever but although shalom is dropping in.
Speaker:Track 1: The uh best actor because of him being.
Speaker:Track 3: Just a douche nozzle see.
Speaker:Track 2: To me all right so like sinners is my number one sinners is my number one movie
Speaker:Track 2: like for this and like most things um and to me like sinners literally like
Speaker:Track 2: i'm like the rest of the list to me is just like oh this is why i don't actually
Speaker:Track 2: respect or care about the Academy Awards.
Speaker:Track 2: Oh, look, you've nominated 10 of the usual shit.
Speaker:Track 2: It's just Academy Award winning. It's like the same stuff. It's stereotypical. It is like...
Speaker:Track 2: It's rote. It's just like, make this stuff, we get an award. Bah, bah, bah, bah, bah.
Speaker:Track 2: For the most part, the vast majority of these, like, I think Secret Agent,
Speaker:Track 2: to me, you know, stands out.
Speaker:Track 2: Begonia. But, like, the rest of them, like, to me, like, most,
Speaker:Track 2: they all, like, none of these movies, I'm like, God, these are, like, these are movies.
Speaker:Track 2: That's how, like, to me, like, Sinners, Sinners stands out.
Speaker:Track 2: Sinners stands out as a movie that tells a story that needs to be told,
Speaker:Track 2: that needed to be told, as opposed to most of these movies, which are telling
Speaker:Track 2: the same fucking story that we have heard a thousand times.
Speaker:Track 2: And I don't care about sad white people anymore.
Speaker:Track 3: At number uh four on the list we
Speaker:Track 3: have the secret agent which i just
Speaker:Track 3: got to say this to get out of this out of way this is my favorite ending of
Speaker:Track 3: a movie this year because a lot of these movies have like spectacular
Speaker:Track 3: uh endings uh like you
Speaker:Track 3: know they're they wrap up fairly well but this one
Speaker:Track 3: i have like thought about every day like
Speaker:Track 3: and and without getting into spoilers just like i think this movie leads you
Speaker:Track 3: on a path that you don't know where you're going the entire time and then once
Speaker:Track 3: you get to the final thing you're just like oh oh i i you know it's it's like
Speaker:Track 3: it's hard to wrap your head around what you've been watching and how it concludes
Speaker:Track 3: and so i do think it's just a.
Speaker:Track 3: Wonderfully cinematic experience it's one of those things that like i think is,
Speaker:Track 3: It's made for people that love movies. Like, it's one of those things that,
Speaker:Track 3: like, if you just love going to sit in a theater for two plus hours and just
Speaker:Track 3: be, like, enraptured by a story, it's one of those things that,
Speaker:Track 3: like, it has you on the edge of your seat.
Speaker:Track 3: And not always through, like, stereotypical forms of tension,
Speaker:Track 3: not always through violence or anything, like, exciting, but through,
Speaker:Track 3: like, just the sheerness of, like, not always knowing what you're watching,
Speaker:Track 3: not always knowing what's happening.
Speaker:Track 3: And I think a movie that's able to do that is something really, truly special.
Speaker:Track 3: And also, it's just got some really great performances.
Speaker:Track 3: I mean, from, you know, Wagner Mora, which is just like, he might be my favorite
Speaker:Track 3: singular performance of the year.
Speaker:Track 3: But also, I don't, she didn't get nominated, but the landlady was one of the
Speaker:Track 3: most memorable characters from this entire year for me. So I love The Secret Agent.
Speaker:Track 3: It's obviously a movie not enough people have seen because it's a two and a
Speaker:Track 3: half hour or two hours, 45 minute Brazilian film, but it's just,
Speaker:Track 3: it's truly spectacular.
Speaker:Track 1: It's honestly, I have this one as I think, I think I have this one as number two for the year.
Speaker:Track 1: Again, I think criminally underwatched, partly, as you said,
Speaker:Track 1: for the length and the kind of movie it is, you know, having subtitles and,
Speaker:Track 1: you know, people sitting there on the couch on their phone aren't going to be
Speaker:Track 1: able to follow along, unfortunately.
Speaker:Track 1: But I thought it was spectacular.
Speaker:Track 1: Like, I didn't know anything about it other than just like, oh,
Speaker:Track 1: yeah, I need to, you know, see this because it's one of the nominated films.
Speaker:Track 1: And I was just kind of blown away where I need to now read more about this period
Speaker:Track 1: of time then because I don't really know much about, like, late 1970s Brazil,
Speaker:Track 1: other than broad strokes.
Speaker:Track 1: And so it really is a very...
Speaker:Track 1: It was beautiful. Again, you said the ending. It kind of took you on a journey
Speaker:Track 1: that you weren't expecting, even from, like, the opening scene.
Speaker:Track 1: I just really had no idea what to expect from this. And, yeah.
Speaker:Track 1: I honestly could see if Fagnamura won the best actor, I would be pretty happy.
Speaker:Track 1: Even though Sinners would lose on a major, I would be like, yes, he deserved that.
Speaker:Track 2: I think what you said, Evan, about how, like, how this made you,
Speaker:Track 2: like, want to, like, read about, like, 1970s Brazil. So like,
Speaker:Track 2: to me, like that's the hallmark of something, like that's the hallmark of a
Speaker:Track 2: really powerful stories. Like we're like, it, it touches on a real life thing.
Speaker:Track 2: And then like, you want to learn about that thing and you want to delve into that.
Speaker:Track 2: And like, that's why, like, to me, this like stands out as opposed to like so
Speaker:Track 2: many of the other options, like so many other options that it's like,
Speaker:Track 2: it draws you in and you want to like learn and like delve into that.
Speaker:Track 2: And that it broadens your horizons in ways that, you know,
Speaker:Track 2: grand prix drives right drive well.
Speaker:Track 1: And it's super pertinent no insults.
Speaker:Track 2: To grand prix people you know.
Speaker:Track 1: And it's super pertinent too like without getting too much
Speaker:Track 1: into sort of like the plot and all that but you know it deals
Speaker:Track 1: with sort of like you know fascism in brazil
Speaker:Track 1: in the 1970s and you know who would
Speaker:Track 1: have thought that would be still relevant in 2026 um uh
Speaker:Track 1: probably everyone every marxist ever yeah um but yeah so it feels like very
Speaker:Track 1: relevant and so yeah if you haven't seen this one of all the movies i know there's
Speaker:Track 1: lots of other ones maybe i also really like i think people really should go see this without a doubt.
Speaker:Track 3: Yeah it's it's certainly like i think it's just like the most under watched
Speaker:Track 3: of this whole list like i i don't think i think even people
Speaker:Track 3: that are like yeah i like watching you know i like watching new releases i
Speaker:Track 3: think most people didn't even take the time to check on
Speaker:Track 3: show times for this one and truly like people are missing
Speaker:Track 3: out because it's phenomenal and you know like i
Speaker:Track 3: i am a big supporter of theater i think it's you
Speaker:Track 3: know if you can go see a movie in a theater if it's financially or
Speaker:Track 3: or location wise accessible like yeah do
Speaker:Track 3: that um however this one is as long as you're not on your phone like evan said
Speaker:Track 3: like it's still going to be a special time like but if you are on your phone
Speaker:Track 3: for a goddamn minute you will not understand literally anything that's happening
Speaker:Track 3: so uh put that phone in another room please for god's sake.
Speaker:Track 2: Unless you speak portuguese i mean.
Speaker:Track 3: Yeah right there's.
Speaker:Track 1: Like portuguese there's a few words in english but that's about it.
Speaker:Track 3: Yeah um at number three on the list is hamnet and hamnet i think is one of those few times where,
Speaker:Track 3: You can, I think a lot of people would say, like, you're gunning for the Oscars.
Speaker:Track 3: Like, you made a Oscars movie.
Speaker:Track 3: Like, you're playing to the crowd kind of thing. And yeah, this one hits.
Speaker:Track 3: Like, I know it's Shakespeare. I know it's all these types of things.
Speaker:Track 3: But like, this made me want to go back and read Shakespeare.
Speaker:Track 3: And like, as a book person, I've read Shakespeare a lot, but I still wanted
Speaker:Track 3: to like go back and kind of like live in that world for a second,
Speaker:Track 3: because I think it's just so beautiful to me. I think it probably dragged a little bit, honestly.
Speaker:Track 3: Like, there are probably some visual callbacks and those types of things that
Speaker:Track 3: I just don't think were, like, totally necessary.
Speaker:Track 3: But at the end of the day, this was the only movie that I, like,
Speaker:Track 3: hard cried to all year and just had, like, a serene, genuine emotional experience
Speaker:Track 3: watching. And I was just so happy to have that in a movie.
Speaker:Track 3: Like, it was a phenomenally, like, well-put-together film that I think just, like...
Speaker:Track 3: I mean, I guess people are going to say it's saccharine and all those types
Speaker:Track 3: of things, but, like, sorry, sometimes it works.
Speaker:Track 3: Sometimes, you know, they play on the nature of daylight, and it actually does
Speaker:Track 3: elicit the emotions that it was intending to do.
Speaker:Track 3: And, like, the movie ultimately, like, succeeds at what it sets out to do.
Speaker:Track 3: And I think for some people that's so frustrating that they have to,
Speaker:Track 3: like, you know, throw the baby out with the bathwater. But, like, I don't know.
Speaker:Track 3: For me, I just, I loved it. I think it's a visually stunning movie.
Speaker:Track 3: It the gorgeous colors all over the screen and so i i couldn't get enough of
Speaker:Track 3: this one and i am so happy that i um saw this one in theaters.
Speaker:Track 1: Yeah i didn't this was so this was the last of the movies i saw and not because
Speaker:Track 1: like i thought it would be bad i was sort of afraid,
Speaker:Track 1: like that the hype for it was like it
Speaker:Track 1: was too overhyped in a way like everyone's like oh i saw this and
Speaker:Track 1: i cried and it's the you know it should win and
Speaker:Track 1: and all that i'm like i'm sure it's not that you know i'm sure
Speaker:Track 1: it's fine and then i'm like oh yeah this this uh this movie
Speaker:Track 1: makes you cry and it's really really good
Speaker:Track 1: and i put this one this was number three on my list so still on
Speaker:Track 1: the very top echelon of the movies this year and yeah
Speaker:Track 1: i mean i thought i also i love emily watson
Speaker:Track 1: and she doesn't do enough movies as
Speaker:Track 1: or i mean she's in movies but i feel like not in as
Speaker:Track 1: many and yeah and jesse buckley also
Speaker:Track 1: um i saw this and i also saw
Speaker:Track 1: the bri within like three days of each other and the
Speaker:Track 1: range that i that you see between those two of her also makes me think like
Speaker:Track 1: she could you know she could win the the academy award for this too i mean she
Speaker:Track 1: certainly should well she could and i think i don't i don't know what the front
Speaker:Track 1: runner is based on like the betting market but,
Speaker:Track 1: I didn't pick her to win, but I feel like I should have.
Speaker:Track 2: You're not logging on the poly market.
Speaker:Track 1: No, no, I don't, I don't bet on the, the Iranian, uh, bombing,
Speaker:Track 1: whatever the hell they're doing over there on that scam website.
Speaker:Track 1: But yeah, I mean, again, I think this is a movie that maybe if you're like,
Speaker:Track 1: I hate Shakespeare and everything about it, you might not like it,
Speaker:Track 1: but I'm not a big Shakespeare person in general.
Speaker:Track 1: And I really enjoyed it. So maybe that's, uh, a, uh,
Speaker:Track 1: A ringing endorsement from a non-Shakespeare fan.
Speaker:Track 2: I have nothing to add to that. I've been in a Shakespeare play, and I like Shakespeare.
Speaker:Track 2: But I did not get a chance to see Hamnet, so I got nothing on that.
Speaker:Track 3: Yeah, I've been thinking about writing a creative essay about the use of On
Speaker:Track 3: the Nature of Daylight, which has been used in several different movies,
Speaker:Track 3: notably in Hamnet and notably in Arrival, both
Speaker:Track 3: during like the penultimate emotional scene where
Speaker:Track 3: it's like the song is there it's a
Speaker:Track 3: beautifully composed song by max richard and it's there to like
Speaker:Track 3: move the audience but like sometimes and
Speaker:Track 3: i think people have been upset about its overuse in film
Speaker:Track 3: but sometimes that is the shared language of
Speaker:Track 3: cinema like link cinema has the
Speaker:Track 3: ability to make us emotional it has the ability to through
Speaker:Track 3: visuals through audio through themes and
Speaker:Track 3: motifs and all of these types of things it can do that to
Speaker:Track 3: people and when it like just genuinely does that
Speaker:Track 3: like it is a beautiful experience that
Speaker:Track 3: I think you hold on to and for me like that's certainly
Speaker:Track 3: how I feel like I'm I'm so glad that I saw it
Speaker:Track 3: so um which is also basically exactly how I feel of number two if not probably
Speaker:Track 3: even more profound and that is number two is train dreams which I think is just
Speaker:Track 3: the most emotional watch of the year for me I I read the book it's for anyone
Speaker:Track 3: I you know I've tried to get away from talking about books too much,
Speaker:Track 3: but it's a two-hour audiobook and that I think is worth everyone's time. And...
Speaker:Track 3: It's a phenomenally well done movie that to me is like the most confounding
Speaker:Track 3: movie of the year, honestly, because one, how did Netflix make a movie this good?
Speaker:Track 3: Like that doesn't make sense to me because like they're the normally the Netflix
Speaker:Track 3: produced movies like look like dog shit.
Speaker:Track 3: It's gorgeous it is a beautiful looking movie they filmed
Speaker:Track 3: it in a ratio that you don't often see it's more of like a
Speaker:Track 3: I don't think it's exactly square framed but it's
Speaker:Track 3: it might be 16 by 16 actually but the aspect ratio of it perfectly fits the
Speaker:Track 3: storyline you have beautiful visuals of the landscape of these people of these
Speaker:Track 3: costumes and then also you've got a soundtrack and a script that is just so
Speaker:Track 3: well done and secretly you know my guilty pleasure in movies is.
Speaker:Track 3: Voiceovers that are really well done and the voiceover that
Speaker:Track 3: they get for this movie is actually the narrator of the audiobook so
Speaker:Track 3: it just like it has this you know like
Speaker:Track 3: personal tie for me of just something that I like I I
Speaker:Track 3: loved the book but I love the movie even more because
Speaker:Track 3: I think it just takes everything and just escalates it
Speaker:Track 3: so also who knew Joel Edgerton was
Speaker:Track 3: capable of this like that to me that was like the startling thing
Speaker:Track 3: it was like Netflix made it and Joel Edgerton is leading it
Speaker:Track 3: and i i just i didn't have a lot of hopes for this and 10
Speaker:Track 3: minutes in i was like oh shit this is this is something different and
Speaker:Track 3: by the end of it i was truly like blown away by this movie and it's it's the
Speaker:Track 3: only movie i've seen all year where i literally did like uh stop the movie because
Speaker:Track 3: i watched it at home because it's netflix but i stopped the movie and like texted
Speaker:Track 3: like 20 of my friends i'm like you've you gotta see like i'm not joking please go put this on right now.
Speaker:Track 1: So, okay, Bill.
Speaker:Track 2: I was just going to comment about the ratio. So the ratio, it was filmed in a 151 ratio.
Speaker:Track 2: And it was specifically filmed that way to capture the very calorie of the trees.
Speaker:Track 2: It was a very conscious decision to get that feel.
Speaker:Track 1: That makes sense. So I have two opinions about the movie that are,
Speaker:Track 1: well, this is towards the bottom of my list.
Speaker:Track 1: But I will say this. It was probably, if not top two or three in terms of just
Speaker:Track 1: beautiful shots, beautiful cinematography.
Speaker:Track 1: Like I can't can't really say a single bad thing about how the movie looks and
Speaker:Track 1: all of that. It just didn't.
Speaker:Track 1: Pull me in to the world and
Speaker:Track 1: i don't know why i just
Speaker:Track 1: i felt like it was i could see like the beauty
Speaker:Track 1: it like has this of course if i don't want to spoil anything but like extremely
Speaker:Track 1: sad aspects of it that are just like heartbreaking to watch and i felt that
Speaker:Track 1: emotion but i don't know it just didn't do enough for me whereas like hamnet
Speaker:Track 1: also has sort of this you know extremely,
Speaker:Track 1: sad aspect that makes you cry.
Speaker:Track 1: I don't know. It just, that turned on something in me, whereas in Train Dreams,
Speaker:Track 1: it just didn't hit me as hard. So, again, I just.
Speaker:Track 3: It's the accents.
Speaker:Track 1: I don't know. I mean, I agree with you though. I thought that both Felicity
Speaker:Track 1: Jones, who didn't have a huge role, but Joel Edgerton was extremely good in
Speaker:Track 1: it. It just didn't get me.
Speaker:Track 1: And then a sec, another movie with Carrie Condon. She's also an F1.
Speaker:Track 1: So, you know, she's like, how many Academy Award, not many films can I be in
Speaker:Track 1: this year? I guess there's two.
Speaker:Track 2: To me, I have, other than aesthetics, like, to me, this just smacks of settler
Speaker:Track 2: colonial navel gazing, and I don't care.
Speaker:Track 2: Like, that's all it was to me. Like, settler colonial navel gazing.
Speaker:Track 2: Sad white Americans don't care. I don't care.
Speaker:Track 2: Like, these are stories that have been told a thousand times.
Speaker:Track 2: Like we're still we're still we're still just rehashing like shit that Hemingway
Speaker:Track 2: wrote like okay I don't sorry.
Speaker:Track 1: It's fair for.
Speaker:Track 3: At number one on the list uh here's
Speaker:Track 3: here's where we here's where we have some fun on the
Speaker:Track 3: podcast uh my favorite movie of the year one battle
Speaker:Track 3: after another i i am obsessed
Speaker:Track 3: with this i think the podcast take that i'm on
Speaker:Track 3: the left of the projector podcast is not going to agree with me
Speaker:Track 3: on this one so let me say my piece um i
Speaker:Track 3: i think this is the funniest movie of the year i didn't
Speaker:Track 3: see naked gun to be fair but i just think this
Speaker:Track 3: is a phenomenally well done political satire that
Speaker:Track 3: is just both visually interesting and
Speaker:Track 3: also like incredibly well written the scripting
Speaker:Track 3: is phenomenal the characters are vivid and
Speaker:Track 3: alive and kind of
Speaker:Track 3: miserable in some sense like i think they just
Speaker:Track 3: do such a good job at all conveying
Speaker:Track 3: really particular things that i think
Speaker:Track 3: you know if you dive into the
Speaker:Track 3: politics which i think are you know
Speaker:Track 3: fairly by the numbers but like i i
Speaker:Track 3: think that's i think that's where a lot of people get held up
Speaker:Track 3: on this movie but i think for me i was just like i was along for the ride in
Speaker:Track 3: every way and i saw this movie opening theater opening weekend in imax in 70
Speaker:Track 3: millimeter and was just like one of the most fun theater experiences that i've
Speaker:Track 3: ever had because it's just you're just bracing yourself for the.
Speaker:Track 3: All the weird twists and turns that this movie makes. And I was along for the
Speaker:Track 3: ride every single time. So I, I love it. I also think it's got a lot of heart to it.
Speaker:Track 3: And, um, I think maybe my favorite character all year is Sensei,
Speaker:Track 3: I think is just one of the coolest people put to film in the last few years.
Speaker:Track 3: And so when I get to see, uh, you know, little snippets of life being told through
Speaker:Track 3: a way like this, I found it so fascinating and so compelling that I couldn't get enough of it.
Speaker:Track 1: So, if you have seen my list, I have this movie 10th.
Speaker:Track 1: And I also feel like I need to explain myself. Because,
Speaker:Track 1: I also saw this movie the opening weekend in IMAX.
Speaker:Track 1: And if you go on to Letterboxd, I didn't change or remove my original review,
Speaker:Track 1: the day I saw I got home and I gave it five stars.
Speaker:Track 1: My opening was PTA one banger after another. I thought the action was incredible.
Speaker:Track 1: I think it is an incredible ride. I was like swept away with the crowd.
Speaker:Track 1: I thought the scene in the car on the road is just one of the most spectacularly
Speaker:Track 1: shot scenes with the most tension and the best music you can probably ever have.
Speaker:Track 1: And I still would agree that the way it
Speaker:Track 1: was filmed and some of the especially benicio
Speaker:Track 1: del toro as you just mentioned the sensei character like is really good
Speaker:Track 1: and i think he was probably my favorite part of the whole
Speaker:Track 1: movie and then i saw it again in the theater a couple of weeks later not an
Speaker:Track 1: imax just sort of the regular version and then was reading some discourse and
Speaker:Track 1: sort of kind of reevaluating it and i still contend that the movie is extremely well made.
Speaker:Track 1: As I thought more about the politics, perhaps, and some of the female characters
Speaker:Track 1: in it, it just dropped on my list more than I thought.
Speaker:Track 1: I feel like I'd recommend seeing this movie more than some of the other movies.
Speaker:Track 1: I'd see this instead of F1, see this instead of Train Dreams.
Speaker:Track 1: I feel like I would need a lot longer time to make my thoughts known,
Speaker:Track 1: but no disrespect from people, but this is one for most people.
Speaker:Track 1: I posted my thing on threads and everyone's like, your opinion is demented,
Speaker:Track 1: like the worst take I've ever seen in my life. Like, you know,
Speaker:Track 1: typical threads discourse.
Speaker:Track 3: Should I post my little picture on threads and just see if we get the same comments,
Speaker:Track 3: even though our orders are like the exact opposite? to see like.
Speaker:Track 2: You get the.
Speaker:Track 1: Sinners people being like you racist monster i don't know something something that someone will say.
Speaker:Track 2: So full disclosure i did
Speaker:Track 2: not watch this film i had every intention of watching it and as
Speaker:Track 2: time went by i just kept reading like i abandoned the pretense of watching this
Speaker:Track 2: film and just kept reading about it and talking to people about it and as time
Speaker:Track 2: went by I grew to despise it more and more because of the politics.
Speaker:Track 2: And I'm like, if you read it as satire, and Ward disagrees with us.
Speaker:Track 2: Ward is like, I like it, it's funny satire. Ward, our co-host who is not here tonight.
Speaker:Track 2: But I'm like, I don't even want to give this time.
Speaker:Track 2: Like, I got more and more turned off against it as I read opinions primarily
Speaker:Track 2: from Black women. And I'm like, I don't want to watch this. I don't want to give this attention.
Speaker:Track 2: It actually turned me off.
Speaker:Track 2: Also, I don't like Leonardo DiCaprio. Yeah.
Speaker:Track 3: I think, I think this has been like, I think the crux of this year's discourse
Speaker:Track 3: online has really obviously revolved around sinners in one battle after another.
Speaker:Track 3: And I think to me, this is just what the, what social media is made for.
Speaker:Track 3: It's, it's been made for just like inflamed rhetoric of just like,
Speaker:Track 3: of categorically trying to get people upset.
Speaker:Track 3: And so I'm not saying there's not any critiques of these movies.
Speaker:Track 3: It's not, that's not my take at all. But I do think social media produces itself
Speaker:Track 3: in order to have the most inflamed takes that you can.
Speaker:Track 3: And so when people are saying like, you know, basically these two movies have
Speaker:Track 3: been pitted against each other, which I don't think even by their politics,
Speaker:Track 3: I don't think they need to be pitted against each other.
Speaker:Track 3: Like not the way that i view things but it
Speaker:Track 3: is it is a fascinating thing to be online and watching these
Speaker:Track 3: things and and when we watch the oscars like it's
Speaker:Track 3: going to be that exact experience when when people when one of these movies
Speaker:Track 3: wins and the other one doesn't for any category that any of them are nominated
Speaker:Track 3: in and so yeah i do think to me i've had this like kind of separation in my
Speaker:Track 3: head for like the last little while of like of movie fans versus like.
Speaker:Track 3: Internet movie fans you know what i'm saying like and i
Speaker:Track 3: think like that's been that's been like the conversations that i've
Speaker:Track 3: had with people in real life where it's just like you can kind of tell
Speaker:Track 3: sometimes and and i think i
Speaker:Track 3: think for i think for movie fans it's like well worth the time but i think you
Speaker:Track 3: know some of the discourse has become so engulfed within like just like the
Speaker:Track 3: the viral vitriol that it's it's hard to parse through like what what is genuine
Speaker:Track 3: and what is real artistic criticism.
Speaker:Track 2: I don't disagree with you my perspective
Speaker:Track 2: on this particular movie is not as a movie
Speaker:Track 2: fan even it is as a person who has been involved in
Speaker:Track 2: activism and like been involved in like
Speaker:Track 2: leftist like activism like marxist leninist
Speaker:Track 2: organizing like that is my perspective as this is as like what i've learned
Speaker:Track 2: about like have like about this movie like that's my perspective on this why
Speaker:Track 2: like it became more and more like i'm like i this is distasteful to me like
Speaker:Track 2: that's my like personal like how i came to this the.
Speaker:Track 1: Ideal world for me and and i know i just like
Speaker:Track 1: told everyone that this is my least favorite or like ranked least favorite of
Speaker:Track 1: the year is i think what could actually happen is that one battle after another
Speaker:Track 1: will win the best adapted screenplay and Sinners will win best original screenplay
Speaker:Track 1: and then everyone can just be like, cool, we're good now.
Speaker:Track 2: You know? Yeah, that's a good compromise.
Speaker:Track 3: I think if they both win five awards, you know, like maybe that,
Speaker:Track 3: it would break the internet because they would have nothing to discuss.
Speaker:Track 3: Like it's not a super viral moment, you know, it's just actually like we have
Speaker:Track 3: nothing to say. You can't respond.
Speaker:Track 2: Brian Cooper slaps Paul Thomas Anderson.
Speaker:Track 3: Right.
Speaker:Track 1: Slaps Paul Thomas Anderson.
Speaker:Track 2: Yeah, get your...
Speaker:Track 2: You know, what is it? Get her name out of your mouth. The Will Smith thing.
Speaker:Track 1: Yeah.
Speaker:Track 3: We don't have this in the show notes, but I did want to, you know,
Speaker:Track 3: before we close, was there any, I don't know if you guys are going to be watching
Speaker:Track 3: the Oscars, if you're like big fans of the program and stuff like that.
Speaker:Track 3: But I was curious if you had like any kind of predictions that we might want
Speaker:Track 3: to share with the audience. Because I think, you know.
Speaker:Track 1: I think a lot of people. I will be watching. Yeah. I mean, as much as I both
Speaker:Track 1: like dislike the Oscars, I also like will watch it because I just have to,
Speaker:Track 1: you know, know what's happening.
Speaker:Track 1: You know, I don't feel like I have any major.
Speaker:Track 1: The problem I have when I fill out my my, you know, my predictions for the Academy
Speaker:Track 1: Awards is I go based on like the movies that I like sometimes more than what
Speaker:Track 1: probably will win just based on historical precedent is.
Speaker:Track 1: I think I try looking at my list to see if there's anything crazy.
Speaker:Track 1: I think that Hamnet's going to win Best Director. That would be my one of the...
Speaker:Track 1: I don't think that would be out of their own possibility, but I think that's what's going to happen.
Speaker:Track 2: I literally do not possess the means to watch the Oscars.
Speaker:Track 1: Oh, like cable TV.
Speaker:Track 2: I do not have the ability to watch them. So, no, I won't be because I can't.
Speaker:Track 2: I just read about it the next day.
Speaker:Track 1: Do you have any big predictions, Nathan, of something that might win?
Speaker:Track 3: I think my biggest, like,
Speaker:Track 3: my hot take, because I just have a really bad feeling about this,
Speaker:Track 3: and I don't know why I've had a bad feeling about it the entire time,
Speaker:Track 3: is I think the Best Actress award is going to go to Kate Hudson for Song Sung
Speaker:Track 3: Blue, which I think is a horrible, horrible choice.
Speaker:Track 3: Like for definitely I've watched, I've watched all five of the,
Speaker:Track 3: those and worst, worst one out of those.
Speaker:Track 3: But for some reason, I've just had that in my head that they're going to,
Speaker:Track 3: they're going to pull some weird award. And for some reason,
Speaker:Track 3: I think it's going to be the actress.
Speaker:Track 3: No, I think, I think like the big thing is like, what's going to happen with Timothy Chalamet.
Speaker:Track 3: I think that's been kind of like what's kind of devolved over the,
Speaker:Track 3: like the last little bit. And so that one's really hard.
Speaker:Track 3: I really hope it's, like that's
Speaker:Track 3: that's who i i truly hope wins this one but
Speaker:Track 3: no i think it seems like one battle after another is probably a lock for best
Speaker:Track 3: picture at this point uh i just don't know that sinners has made enough like
Speaker:Track 3: gangway or and in the last little you know like bit of promotion for it uh so So we'll see,
Speaker:Track 3: but, but like you said, I think, uh, splitting the script between,
Speaker:Track 3: uh, sinners and one ballot after another would be like kind of best of both worlds for me.
Speaker:Track 3: I think that would be a really, uh, fun way to, I think, nominate two of the biggest, like.
Speaker:Track 3: Kind of cultural movies of this year like i'm not saying that they were the biggest box.
Speaker:Track 2: Office but certainly.
Speaker:Track 3: If you spend any time online they were two of the most discussed movies and
Speaker:Track 3: so i think that would be like a a really cool thing.
Speaker:Track 1: I would say my other thing is i hope that um elio or zootopia 2 do not win the best animated feature.
Speaker:Track 2: Evan yeah.
Speaker:Track 1: I hope that.
Speaker:Track 2: It's k-pop demon hunters honestly evan you stole my
Speaker:Track 2: fucking point oh sorry i you literally
Speaker:Track 2: just took the words like my fear is
Speaker:Track 2: that one of them is going to win and it's because
Speaker:Track 2: disney has to like prove like you know
Speaker:Track 2: and it's like the the like establishment has
Speaker:Track 2: to like you know defend itself basically and i
Speaker:Track 2: am afraid one of them is going to win and i love k-pop demon hunters um and
Speaker:Track 2: i do think k-pop actually deserves to win not just because of the quality um
Speaker:Track 2: but the innovation of the animation but also the music and the storyline. I,
Speaker:Track 2: But I also think that other movies are also worthy, like Arco.
Speaker:Track 2: Arco was an amazing movie. I absolutely loved Arco.
Speaker:Track 2: And if Arco won, I'd be perfectly happy with that, too.
Speaker:Track 2: Like, beautiful movie, great story, incredibly heartfelt and touching.
Speaker:Track 2: Like, absolutely, yeah. Like, I teared up at the end of Arco.
Speaker:Track 3: I do think if anyone spends any time on threads, they're just like,
Speaker:Track 3: anytime Sinners, that night, anytime Sinners loses an award,
Speaker:Track 3: they're going to, like, lose their goddamn mind.
Speaker:Track 3: And the one that I know for a fact, I guess you can't really say that,
Speaker:Track 3: but I have, I'm a hundred percent betting my money.
Speaker:Track 3: Not really, but I'm betting my money on Golden to win best song.
Speaker:Track 3: Golden's the song from K-pop Demon Hunter. I think it's the most locked in a song has ever been.
Speaker:Track 3: And so if people at all try to start discourse about K-pop Demon Hunter winning best song,
Speaker:Track 3: I just think you you are not attached to Hollywood or cinema or you're just
Speaker:Track 3: there to like say inflammatory stuff online because like golden I don't really
Speaker:Track 3: like animated movies that much but golden is a fucking bop.
Speaker:Track 2: My wife's hot take is that Golden is the weakest of the K-pop Demon Hunter songs. That is her heart.
Speaker:Track 3: Which I think is still fair.
Speaker:Track 2: Her hot take, she's like, Golden is not the best one. And I kind of agree.
Speaker:Track 2: I think your idol might actually be better.
Speaker:Track 2: That's a good song. I do think I love I Lied To You. I love that song. I love that song.
Speaker:Track 1: And I do.
Speaker:Track 2: Love Golden too.
Speaker:Track 1: My last thing is I hope that The Secret Agent is not going to win Best Picture
Speaker:Track 1: but I hope that it wins Best International Feature Film Best International so
Speaker:Track 1: that I haven't seen all the other ones there so I can't,
Speaker:Track 1: compare it but I feel like it's worthy to win that award and hope that it does because it.
Speaker:Track 3: Deserves something I feel like the Oscars does a weird thing where they always nominate
Speaker:Track 3: an international film for Best Picture and it
Speaker:Track 3: gets nominated for international but it never wins either of
Speaker:Track 3: them except so i have a sneaking suspicion that's going to happen again but
Speaker:Track 3: no i do i do i mean man if it won best picture and best like international which
Speaker:Track 3: it won't i'm not saying it will that's never gonna happen that would be that
Speaker:Track 3: would be great for me i would i would go to bed happy yeah.
Speaker:Track 2: That would you know what i would take that as a sign that the Academy Awards,
Speaker:Track 2: is actually worth giving a shit.
Speaker:Track 3: About. Yeah.
Speaker:Track 2: Like, straight up. Like, as much as I love Sinners, I'm like.
Speaker:Track 3: You made an interesting choice that wasn't terrible.
Speaker:Track 2: That'll be a seismic cultural shift.
Speaker:Track 1: I mean, I have to say, I wouldn't be mad if it won Best Picture over any of the other ones.
Speaker:Track 1: I would say that breaks the internet, breaks everything.
Speaker:Track 1: I hope that Kate Hudson doesn't win. I didn't see the movie you were talking
Speaker:Track 1: about, but I don't think that she's better than Jesse Buckley or even Rose Byrne.
Speaker:Track 3: She's the worst one in the category.
Speaker:Track 1: Yeah.
Speaker:Track 2: Yeah.
Speaker:Track 1: Yeah. I thought Rose Byrne's performance in If I Had Legs, I Kick You was really good too.
Speaker:Track 3: And we didn't get to talk about it in the shout outs or anything,
Speaker:Track 3: but I had a lot of fun with weapons.
Speaker:Track 3: I just want to say maybe that's my log off thing that I say for the episode,
Speaker:Track 3: but we didn't get to talk about weapons.
Speaker:Track 3: It wasn't in my, you know, my snubs or anything like that. But I do think it's a very fun movie.
Speaker:Track 3: I like a weird horror movie more than I like like a scary horror movie, if that makes sense.
Speaker:Track 3: So I'm just happy that weapons existed this year, even though like ultimately
Speaker:Track 3: it wasn't, you know, it wasn't in my like top 10 of the year.
Speaker:Track 3: List, but like Amy Madigan, uh, got nominated for best supporting and she,
Speaker:Track 3: man, she destroyed it in that movie. So had a fun time.
Speaker:Track 3: Uh, that's a really tough, uh, actress in a supporting role is Elle Fanning.
Speaker:Track 3: And we've got the two from, we've got sentimental value centers, weapons, one battle.
Speaker:Track 3: I mean, it's like, it's all some of the heavy hitter performances of this year.
Speaker:Track 3: And so I'm really excited for, to see who wins that one.
Speaker:Track 3: Cause I think that's probably about the closest that you could have for an entire category.
Speaker:Track 1: Agreed. Yeah, I love weapons too. I think Bill probably would agree as well.
Speaker:Track 2: Yeah, I loved weapons.
Speaker:Track 1: Awesome. Well, um...
Speaker:Track 2: I actually forgot to, like, include that in my stops.
Speaker:Track 1: I know. That was... I actually did write it and then I deleted it being like,
Speaker:Track 1: well, like, maybe I have other ones that I like more, but... Yeah.
Speaker:Track 1: But Nathan, and for Bill and myself, I love the projector and Schizophrenic
Speaker:Track 1: Reads, appreciate everyone listening to our... Let's babble about Oscar movies.
Speaker:Track 1: Don't go on threads and make inflammatory statements about any of our opinions.
Speaker:Track 1: Keep them to yourself, please.
Speaker:Track 2: Delete your social media.
Speaker:Track 3: Yeah, buy a brick. Go walk in the woods and also see some good movies.
Speaker:Track 2: Read a book. Put your phone.
Speaker:Track 3: There you go.
Speaker:Track 2: The book guy said watch the movies and I'm like, read a book.
Speaker:Track 1: Secret agent, put your phone in the other room, go watch Secret Agent,
Speaker:Track 1: and then come back and that'll be it.
Speaker:Track 1: Awesome. Well, Nathan, it was great to do this Oscars again.
Speaker:Track 1: So thanks everyone for listening.
